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Author: Howard D. Weinbrot
Publisher: JHU Press
ISBN: 9780801882104
Category : History
Languages : en
Pages : 412
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Book Description
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Author: Howard D. Weinbrot
Publisher: JHU Press
ISBN: 9780801882104
Category : History
Languages : en
Pages : 412
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Book Description
Publisher description
Author: David Musgrave
Publisher: Cambridge Scholars Publishing
ISBN: 1443869201
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Grotesque Anatomies is a study of Menippean satire in English since the Renaissance. It consists of revisionist, close readings of canonical works such as Eliot’s The Waste Land and Pope’s Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them. The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form (Seneca-Lucian-Julian) and the longer, more encylopedic form (Varro-Petronius-Boethius), and their subsequent fusion during the Renaissance. It also contains an account of the critical reception of the genre, with the term ‘Menippean satire’ first being used by Justus Lipsius in 1581. Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as ‘radical heterogeneity’ is outlined. This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period. The following chapters examine iconic works as examples of Menippean satire and of the grotesque. Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie’s Midnight’s Children in this context. It also gives an account of metaphor as a ‘grotesque transformation’. Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock’s Gryll Grange in this context. The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as ‘grotesque association’. Chapter 4 is a close reading of the scatological imagery of Pope’s Dunciad, and how scatology generally tends towards a cyclical metaphysics. It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad. Chapter 5 argues for Eliot’s The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of ‘under-mindedness’ and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires. Chapter 6 examines Urquhart’s eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period. The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing.
Author: Joel C. Relihan
Publisher:
ISBN:
Category : History
Languages : en
Pages : 336
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Book Description
In Ancient Menippean Satire, Joel C. Relihan charts the history and development of this ancient genre. He demonstrates its unity as a Greco-Roman phenomenon, describes its different branches, and shows the continuity of the genre into late classical and early Christian times. He also discusses the theories of the genre set forth by Northrop Frye and Mikhail Bakhtin and presents a new and detailed definition that respects the particularities of classical texts. In chapters on the fragments and testimonia relevant to Menippus and Varro, Relihan shows the specific Greek origins of the genre and its transformation in Roman hands.
Author: Amy L. Friedman
Publisher: Rowman & Littlefield
ISBN: 1498571972
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author: M. Keith Booker
Publisher: Syracuse University Press
ISBN: 9780815626657
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
This work applies Mikhail Bakhtin's theory of literary discourse and the concept of carnivalisation to the work of Flann O'Brien. The author emphasizes the political and social implications of the writings, arguing that O'Brien maintained a reflexive focus on language throughout his career.
Author: Derek C. Maus
Publisher: Univ of South Carolina Press
ISBN: 1611179637
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
A critical analysis of Percival Everett's oeuvre through the lens of Menippean satire Percival Everett, a distinguished professor of English at the University of Southern California, is the author of more than thirty books on a wide variety of subjects and genres. Among his many honors are the American Academy of Arts and Letters Literature Award, the Huston/Wright Legacy Award for Fiction, the PEN Center USA Literary Award for Fiction, and the Dos Passos Prize in Literature. Derek C. Maus proposes that the best way to analyze Everett's varied oeuvre is within the framework of Menippean satire, which focuses its ridicule on faulty modes of thinking, especially the kinds of willful ignorance and bad faith that are used to justify corruption, violence, and bigotry. In Jesting in Earnest, Maus critically examines fourteen of Everett's novels and several of his shorter works through the lens of Menippean satire, focusing on how it supports Everett's broader aim of stimulating thoughtful interpretation that is unfettered by common assumptions and preconceived notions.
Author: Theodore D. Kharpertian
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633618
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
A study of the major fiction of Thomas Pynchon in three contexts: Menippean satire, post-modernism, and American writing. The critical genealogy of the term satire is discussed and Pynchon's V., The Crying of Lot 49, and Gravity's Rainbow are analyzed.
Author: Dustin Griffin
Publisher: University Press of Kentucky
ISBN: 0813156246
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures—Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron—as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
Author: Eric McLuhan
Publisher: Cambridge Scholars Publishing
ISBN: 1443882992
Category : Mythology
Languages : en
Pages : 263
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Book Description
A Menippean – Cynic – satire is a device for producing a specific kind of effect on the reader. Menippean satire is an active form, not a passive one: any work that produces the effect of a Menippean satire is a Menippean satire. It is the embodiment of a Cynic – of a Diogenes or a Menippus or a Lucian or a Rabelais. For centuries, it has frustrated the best efforts of critics to define it. Descriptive criteria (such as “a mixture of verse and prose”) invariably fail because the form is determinedly fluid and polymorphous, and playful: it shifts its mode of attack with every change in culture or perception. Menippists plagiarize with abandon, from anyone and any period and culture. McLuhan has found a new and potent method of coming to grips with the satires by examining their interaction with the audience: the satire does what a Cynic would, were he or she physically present. This approach accounts for every shift in technique, from the most ancient (Homer composed one, the Margites) to tomorrow afternoon, and also opens the discussion of Menippism in any and all media other than literature – TV, digital, film, radio, et al. The book ends with a litmus test for detecting Menippean satires. It is also lavishly illustrated with title pages of some of the most notorious examples in the tradition, and is ideal as a textbook for undergraduates.
Author: Jonathan Greenberg
Publisher: Cambridge University Press
ISBN: 1107030188
Category : Humor
Languages : en
Pages : 335
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Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
