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Author: Nigel Young
Publisher: Routledge
ISBN: 0429656149
Category : History
Languages : en
Pages : 352
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Book Description
This book examines the phenomenon of modern memory as a reaction to total war, an aspiration to truth-seeking provoked by the independent forces of modern war and collective violence which is transnational, or postnational, in character. Using examples from prose and poetry, film and theatre, painting and photography, and music and the popular arts, the author traces a narrative path through the events of the twentieth century, defining the tradition of modern memory in terms of its essentially anti-militaristic, anti-war character, as expressed in the manner in which it represents recalled violence and atrocity. Through a series of thematic discussions of two world wars, the Shoah, urbicide and nuclear weapons, Postnational Memory explores the formation of transnational memory, drawing on examples from industrialized societies, with a focus on memory of real events and their reproduction in literature and the arts, often including personal recollections that link the self to the represented past. As such, by asking how the concept of modern memory is constructed through the victims of war and genocide, the book constitutes an alternative to national memories and hegemonic, militarist or ethnocentric histories. Surveying the emergence of new, transnational forms of remembering the past, it will appeal to students and scholars of sociology, memory studies and peace studies, as well as those working in disciplines such as modern and international history, cultural studies and military studies.
Author: Nigel Young
Publisher: Routledge
ISBN: 0429656149
Category : History
Languages : en
Pages : 352
Get Book Here
Book Description
This book examines the phenomenon of modern memory as a reaction to total war, an aspiration to truth-seeking provoked by the independent forces of modern war and collective violence which is transnational, or postnational, in character. Using examples from prose and poetry, film and theatre, painting and photography, and music and the popular arts, the author traces a narrative path through the events of the twentieth century, defining the tradition of modern memory in terms of its essentially anti-militaristic, anti-war character, as expressed in the manner in which it represents recalled violence and atrocity. Through a series of thematic discussions of two world wars, the Shoah, urbicide and nuclear weapons, Postnational Memory explores the formation of transnational memory, drawing on examples from industrialized societies, with a focus on memory of real events and their reproduction in literature and the arts, often including personal recollections that link the self to the represented past. As such, by asking how the concept of modern memory is constructed through the victims of war and genocide, the book constitutes an alternative to national memories and hegemonic, militarist or ethnocentric histories. Surveying the emergence of new, transnational forms of remembering the past, it will appeal to students and scholars of sociology, memory studies and peace studies, as well as those working in disciplines such as modern and international history, cultural studies and military studies.
Author: J. M. Winter
Publisher:
ISBN: 9780300110685
Category : History
Languages : en
Pages : 340
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Book Description
This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the “memory boom” is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers “theaters of memory”—film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.
Author: I. William Zartman
Publisher: Springer
ISBN: 3030060799
Category : Political Science
Languages : en
Pages : 543
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Book Description
The work draws on wide-ranging area analysis to develop inductively new concepts and approaches for further use in explanation and application. Divided into two parts, it begins with analysis of revolution and socio-political unrest, followed by models of ethnic conflict and elite circulation in developing societies. It presents the cultural dialectic present in Islam. It then lays out the patterns of mediation and negotiation in managing and resolving conflict, culminating with an analysis of intractables. Part two on governance lays out the nature of world order, cooperation, and conciliation. It then turns to the challenges of identity, ideology, and interest, with some specific attention to the nature of borders and borderlands, and focuses on governance as conflict management and as negotiation. - This book encompasses a new analysis of a neglected part of International Relation, the prevention and management of conflict. - The book confronts sources and patterns of contentious politics with systems and methods of governance. - The book lays out a comprehensive conceptualization of the process of conflict management and negotiation, including questions of when as well as how.
Author: Viet Thanh Nguyen
Publisher: Harvard University Press
ISBN: 067466034X
Category : Art
Languages : en
Pages : 385
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Book Description
Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)
Author: Danielle Drozdzewski
Publisher: Routledge
ISBN: 131741134X
Category : Science
Languages : en
Pages : 276
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Book Description
This book bridges theoretical gaps that exist between the meta-concepts of memory, place and identity by positioning its lens on the emplaced practices of commemoration and the remembrance of war and conflict. This book examines how diverse publics relate to their wartime histories through engagements with everyday collective memories, in differing places. Specifically addressing questions of place-making, displacement and identity, contributions shed new light on the processes of commemoration of war in everyday urban façades and within generations of families and national communities. Contributions seek to clarify how we connect with memories and places of war and conflict. The spatial and narrative manifestations of attempts to contextualise wartime memories of loss, trauma, conflict, victory and suffering are refracted through the roles played by emotion and identity construction in the shaping of post-war remembrances. This book offers a multidisciplinary perspective, with insights from history, memory studies, social psychology, cultural and urban geography, to contextualise memories of war and their ‘use’ by national governments, perpetrators, victims and in family histories.
Author: Yoshikuni Igarashi
Publisher: Princeton University Press
ISBN: 1400842980
Category : History
Languages : en
Pages : 295
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Book Description
Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.
Author: Robert N. Kraft
Publisher:
ISBN: 9781532052767
Category : Psychology
Languages : en
Pages : 296
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Book Description
Memory Perceived: Recalling the Holocaust analyzes the oral testimony of Holocaust survivors for the purpose of understanding and explaining deeply traumatic memory. Robert N. Kraft, a professor of psychology at Otterbein University, highlights 129 separate accounts that recorded at the Fortunoff Video Archive of Holocaust Testimonies at Yale University. The testimonies reveal the patterns of Holocaust memory and the persistent influence of memory on the lives of survivors and their families. They also highlight how memory responds to atrocity and how Holocaust survivors comprehend and remember their experiences and ultimately adapt. A synthesis of a myriad of memories shows that Holocaust memory exists at two levels. Core memory is the representation of the original phenomenal events in the form of visual images, sounds, smells, tastes, emotions, and bodily sensations. These are as vivid and compelling as dreams. Narrative memory is constructed from the images in core memory, shaped in accordance with narrative conventions, and conveyed primarily in language. To give testimony is to remember for the purpose of remembering-and witnesses are motivated by a fundamental desire to tell what happened. Discover what they have to say in this important book. Kraft's incredible work captures what is currently lacking in the Holocaust literature: how to represent and hold onto the atrocity, the tragedy, when all that is left is memory. -Linda G. Mills, professor of social work, public policy and law; executive director, Center on Violence and Recovery, New York University
Author: Nicole Fox
Publisher: University of Wisconsin Pres
ISBN: 0299332209
Category : HISTORY
Languages : en
Pages : 274
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Book Description
Nicole Fox investigates the ways memorials can shape the experiences of survivors decades after massacres have ended. She examines how memorializations can both heal and hurt, especially when they fail to represent all genders, ethnicities, and classes of those afflicted.
Author: Jacob L. Wright
Publisher: Cambridge University Press
ISBN: 1108574300
Category : Religion
Languages : en
Pages : 297
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Book Description
The Hebrew Bible is permeated with depictions of military conflicts that have profoundly shaped the way many think about war. Why does war occupy so much space in the Bible? In this book, Jacob Wright offers a fresh and fascinating response to this question: War pervades the Bible not because ancient Israel was governed by religious factors (such as 'holy war') or because this people, along with its neighbors in the ancient Near East, was especially bellicose. The reason is rather that the Bible is fundamentally a project of constructing a new national identity for Israel, one that can both transcend deep divisions within the population and withstand military conquest by imperial armies. Drawing on the intriguing interdisciplinary research on war commemoration, Wright shows how biblical authors, like the architects of national identities from more recent times, constructed a new and influential notion of peoplehood in direct relation to memories of war, both real and imagined. This book is also available as Open Access on Cambridge Core.
Author: Farley Mowat
Publisher: D & M Publishers
ISBN: 1771000880
Category : Biography & Autobiography
Languages : en
Pages : 366
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Book Description
The follow-up to And No Birds Sang, Farley Mowat’s memoir My Father’s Son charts the course of a family relationship in the midst of extreme trial. Taking place during Mowat’s years in the Italian Campaign, the memoir is mostly told through original letters between Mowat and his mother, Helen, and his father, Angus, a World War I veteran and librarian. Written between 1943 and 1945, the correspondence depicts the coming of age of a young writer in the midst of war, and presents a sensitive and thoughtful reflection of the chaos and occasional comedy of wartime. First published in 1992, Douglas & McIntyre is pleased to add My Father’s Son to the Farley Mowat Library series, which includes the other recently re-released titles Sea of Slaughter, People of the Deer, A Whale for the Killing, And No Birds Sang, Born Naked and The Snow Walker.
