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Author: Nicholas de Villiers
Publisher: U of Minnesota Press
ISBN: 1452967806
Category : Social Science
Languages : en
Pages : 183
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Book Description
A brilliant approach to the queerness of one of Taiwan’s greatest auteurs A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.
Author: Nicholas de Villiers
Publisher: U of Minnesota Press
ISBN: 1452967806
Category : Social Science
Languages : en
Pages : 183
Get Book Here
Book Description
A brilliant approach to the queerness of one of Taiwan’s greatest auteurs A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.
Author: Jean Ma
Publisher: Hong Kong University Press
ISBN: 9888028065
Category : Social Science
Languages : en
Pages : 213
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Book Description
Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and monlinear configurations of time in each director's films, she argues that these dirctors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, hauntin, absence and ephemeral poetices Hou, Tsai, and Wong all isist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative. Jean Ma is assistant professor in the Department of Art and Art History at Stanford University Melancholy Drift rides the films of three Chinese auteurs right into the heart of its subject, the mismatch between private feeling and collective history. These crucial films, set carefully beside one another, begin to pulse anew under the deft touch of Jean Ma's analyses. Drawing on a deep reservoir of historical and critical knowledge, she helps us hear these films speak of our times, then speak of time itself and of its dislocations---Dudley Andrew, Yale University Theoretically sophisticated and elegantly written, Melancholy Drift elucidates the subject of cinematic time in its various configurations: as a response to historical ruptures and political upheavals as representational politics, and as a reinvention of the art cinema. This book is a timely demonstration of the key roles played by Chinese auteurs in shaping the new face of world cinema today and an important contribution to scholarship both within and beyond the field of transnational Chinese cinemas---Song Hwee Lim, University of Exeter
Author: Verena Andermatt Conley
Publisher: Liverpool University Press
ISBN: 1846317541
Category : Literary Criticism
Languages : en
Pages : 185
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Book Description
Spatial Ecologies asks why French cultural and critical theory since 1968 has turned from investigating questions of time to examining space. Verena Conley ranges over the work of Henri Lefebvre, Michel de Certeau, Jean Baudrillard, Marc Auge, Paul Virilio, Bruno Latour, and Etienne Balibar to analyze how they reconsidered the experience of space in the midst of political and economic turmoil and to find out what writing about space can tell us about life in late capitalism. Conley links this question to Heidegger's concept of habitality and shows how this concept of space informs much of French theory.
Author: Katarzyna Marciniak
Publisher: Routledge
ISBN: 1317401050
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
This collection of essays offers a pioneering analysis of the political and conceptual complexities of teaching transnational cinema in university classrooms around the world. In their exploration of a wide range of films from different national and regional contexts, contributors reflect on the practical and pedagogical challenges of teaching about immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, terrorism, border politics, legality and race. Probing the value of cinema in interdisciplinary academic study and the changing strategies and philosophies of teaching in the university, this volume positions itself at the cutting edge of transnational film studies.
Author: Luke Kwong
Publisher: BRILL
ISBN: 900448292X
Category : History
Languages : en
Pages : 272
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Book Description
The first full-length study in English on T'an Ssu-t'ung, a well-known scholar-reformer in late-Ch'ing China. Based on a rich variety of primary sources, it traces T'an's progress from his early years to his summary execution during the palace coup in 1898. The Introduction explains the premises and sources pertinent to this study, while the Epilogue provides an overall interpretation of T'an's life. The remaining eight chapters are organized in such a way as to allow a chronological and thematic appreciation of the book's subject matter. This is more than a biography of a remarkable individual. By placing T'an's personal experience in the larger social and political contexts, it also sheds light on an emergent intellectual community in modern China.
Author: Neferti X. M. Tadiar
Publisher: Duke University Press
ISBN: 1478022388
Category : Political Science
Languages : en
Pages : 255
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Book Description
In Remaindered Life Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war. Tracking how contemporary capitalist accumulation depends on producing life-times of disposability, Tadiar focuses on what she terms remaindered life—practices of living that exceed the distinction between life worth living and life worth expending. Through this heuristic, Tadiar reinterprets the global significance and genealogy of the surplus life-making practices of migrant domestic and service workers, refugees fleeing wars and environmental disasters, criminalized communities, urban slum dwellers, and dispossessed Indigenous people. She also examines artists and filmmakers in the Global South who render forms of various living in the midst of disposability. Retelling the story of globalization from the side of those who reach beyond dominant protocols of living, Tadiar demonstrates how attending to remaindered life can open up another horizon of possibility for a radical remaking of our present global mode of life.
Author: J. Sheridan Le Fanu
Publisher: Oxford University Press
ISBN: 0192572830
Category : Fiction
Languages : en
Pages : 667
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Book Description
'Well, a corpse is a natural thing; but this was the dreadfullest sight I ever sid...' Sheridan Le Fanu is one of the indispensable figures in the history of Gothic and horror fiction-the most important such writer in English, certainly, between Poe and M. R. James. While a number of his sensation and mystery novels were popular with mid-Victorian readers, it was in shorter forms that he truly excelled, and most showed himself an innovator in the field of uncanny fiction. Tales such as 'Carmilla' and 'Green Tea' prompted M. R. James to remark, 'he succeeds in inspiring a mysterious terror better than any other writer'. This landmark critical edition includes the original versions of all five stories later collected in the superb In a Glass Darkly, along with seven equally chilling tales spanning the length of Le Fanu's career, from 'Schalken the Painter', a pioneering story of the walking dead, to 'Laura Silver Bell', a haunting exploration of the dark side of fairy lore. Aaron Worth's introduction discusses the paranoid, claustrophobic world of Le Fanu's fiction as a counterpoint-one in its own way equally modern-to the cosmic horror tale as practiced by such writers as H. P. Lovecraft.
Author: J. Sheridan Le Fanu
Publisher: Modernista
ISBN: 9180943802
Category :
Languages : en
Pages : 624
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Book Description
The Best Ghost Stories by Sheridan Le Fanu invites readers into the chilling realms of supernatural fiction penned by the master of Victorian horror. Le Fanu, a luminary of gothic literature, weaves tales that transcend time, captivating audiences with his unparalleled ability to evoke spine-tingling suspense and psychological unease. From the eerie corridors of ancestral mansions to the mist-laden landscapes where the spectral and corporeal collide, each story is a carefully crafted descent into the macabre. With an uncanny talent for conjuring the ethereal and the malevolent, Le Fanu’s narratives explore the shadows of the human psyche, lingering long after the final page. This collection showcases his unparalleled skill in the art of the ghost story, where supernatural elements are seamlessly interwoven with the complexities of human nature. The Best Ghost Stories stands as a testament to Le Fanu’s enduring legacy, a must-read for aficionados of classic horror and those who relish tales that blur the boundaries between the seen and the unseen, the living and the dead. JOSEPH SHERIDAN LE FANU [1814-1873] was an Irish mystery and horror author. He had an enormous influence on the horror genre in the 19th and 20th century, especially through his championing of tone and effect rather than shock factor. Among his most noted work is the lesbian vampire novella Carmilla [1872] and mystery Uncle Silas [1864].
Author: Joseph Sheridan Le Fanu
Publisher: Courier Corporation
ISBN: 0486204154
Category : Fiction
Languages : en
Pages : 502
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Book Description
A compilation of the Victorian master's classic tales of horror reveals his ability to depict the supernatural
Author: Silver Wai-ming Lee
Publisher: Univ. Press of Mississippi
ISBN: 1496812859
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
Fans and critics alike perceive Wong Kar-wai (b. 1958) as an enigma. His dark glasses, his nonlinear narrations, and his high expectations for actors all contribute to an assumption that he only makes art for a few high-brow critics. However, Wong's interviews show this Hong Kong auteur is candid about the art of filmmaking, even surprising his interlocutors by suggesting his films are commercial and made for a popular audience. Wong's achievements nevertheless feel like art-house cinema. His third film, Chungking Express, introduced him to a global audience captivated by the quick and quirky editing style. His Cannes award-winning films Happy Together and In the Mood for Love confirmed an audience beyond the greater Chinese market. His latest film, The Grandmaster, depicts the life of a kung fu master by breaking away from the martial arts genre. In each of these films, Wong Kar-wai's signature style—experimental, emotive, character-driven, and timeless—remains apparent throughout. This volume includes interviews that appear in English for the first time, including some that appeared in Hong Kong magazines now out of print. The interviews cover every feature film from Wong's debut As Tears Go By to his 2013 The Grandmaster.
