Medieval Wall Paintings in English & Welsh Churches PDF Download
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Author: Roger Rosewell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 414
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Book Description
Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.
Author: Roger Rosewell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 414
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Book Description
Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.
Author: Roger Rosewell
Publisher: Bloomsbury Publishing
ISBN: 0747814562
Category : Art
Languages : en
Pages : 179
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Book Description
The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.
Author: Eleanor Elizabeth Pridgeon
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
This thesis is a comprehensive reassessment of the role of Saint Christopher wall paintings in English (and Welsh) churches. Although the study focuses primarily on parish churches (where the majority of mural paintings survive), it also considers cathedrals, abbeys and other medieval buildings where such imagery is extant or documented. Welsh churches are also examined where appropriate, though there are only a few surviving Saint Christopher images in this geographical area. The investigation spans the period from the emergence of Saint Christopher representations in illumination (c.1250), to the beginning of the sixteenth century, when wall painting depictions of the saint were at their zenith (c.1500 for sake of convenience). The thesis begins with an examination and assessment of universal image function and reception in medieval church and society. This is a central issue to the study of churches, and it is therefore necessary to dedicate a whole chapter to the subject. Through the examination of individual paintings and documents relating to specific churches, the thesis then goes on to focus on three main themes related to Saint Christopher and his cult. First, it considers the role of Saint Christopher wall paintings (and other types of images where appropriate), secondly, the location of Saint Christopher murals within church buildings, and thirdly, the different methods of patronage associated with the wall paintings. The survey also establishes a long-overdue and revised chronology of the entire corpus of Saint Christopher wall paintings based on an examination of architectural, documentary and visual evidence, and on comparisons with other types of media from England and the Continent (such as sculpture, illumination and woodcuts). Most murals can be dated to within the nearest quarter or third of a century (and to the nearest century if the date of execution is uncertain).
Author: Roger Rosewell
Publisher: Bloomsbury Publishing
ISBN: 0747814570
Category : Art
Languages : en
Pages : 97
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Book Description
The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.
Author: Clifford Davidson
Publisher: Springer
ISBN: 3319474766
Category : Philosophy
Languages : en
Pages : 144
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Book Description
This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for “simple souls” in the Carthusian Nicholas Love’s Mirror of the Blessed Life of Jesus Christ. Emphasis is on such aspects as memory, participative theology, devotional images, meditative practice, and techniques of constructing patterns of sacred imagery.
Author: Spike Bucklow
Publisher: Boydell & Brewer
ISBN: 178327123X
Category : Architecture
Languages : en
Pages : 362
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Book Description
Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.
Author: Richard Suggett
Publisher:
ISBN: 9781871184587
Category :
Languages : cy
Pages : 376
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Book Description
Author: Richard Hayman
Publisher: Bloomsbury Publishing
ISBN: 1784423564
Category : History
Languages : en
Pages : 153
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Book Description
The parish church is a symbol of continuity, a cornerstone of the urban and rural landscape, and a treasure trove often as rich in cultural history as any museum. This compact and accessible guide explores all of these aspects of the parish church, beginning by examining why churches are built where they are, and going on to explain how both church buildings and churchyards have changed over time. It also describes their fixtures and furnishings, including fonts, screens, stained glass and monuments, explaining the ritual and symbolic purpose of these features and how their significance has shifted over time. Lavishly illustrated with colour photographs, this book will provide an indispensable primer for anyone who is curious about the nation's parish churches and wants to explore them further.
Author: John Munns
Publisher: Boydell & Brewer
ISBN: 1783271264
Category : Art
Languages : en
Pages : 362
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Book Description
An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England. The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage. This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church. John Munns is a Fellow of MagdaleneCollege, Cambridge.
Author:
Publisher: BRILL
ISBN: 9004365834
Category : History
Languages : en
Pages : 429
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Book Description
The interdisciplinary volume Devotional Interaction in Medieval England and its Afterlives examines the interaction between medieval English worshippers and the material objects of their devotion, with chapters that extend the temporality of objects and buildings beyond the Middle Ages.
