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Author: Matthew Cheung Salisbury
Publisher: Medieval Institute Publications
ISBN: 1580442706
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
In this volume, readers experience, in English translation, the colorful and varied textual fabric of the most important literary and creative repertory of the Middle Ages. The public, organized worship of the Church had a central role in medieval life. Studying its forms and genres allows readers not only to become aware of one of the most important influences on culture and religion, but also to consider these texts, which were widely disseminated and had fundamental effects on daily life.
Author: Matthew Cheung Salisbury
Publisher: Medieval Institute Publications
ISBN: 1580442706
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
In this volume, readers experience, in English translation, the colorful and varied textual fabric of the most important literary and creative repertory of the Middle Ages. The public, organized worship of the Church had a central role in medieval life. Studying its forms and genres allows readers not only to become aware of one of the most important influences on culture and religion, but also to consider these texts, which were widely disseminated and had fundamental effects on daily life.
Author: Els Rose
Publisher: Brepols Publishers
ISBN: 9782503533971
Category : Missale Gothicum
Languages : en
Pages : 0
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Book Description
"The 'Missale Gothicum' provides unique evidence relating to the liturgy of early medieval Gaul around 700 AD and its reception in later centuries, and offers insight into the development of the Latin language in this key period of Latinity. Its significance may therefore not be underestimated. The codex in which the text is transmitted, now preserved in the Vatican Library (Vat. reg. lat. 317), comprises the prayers for Mass for the entire liturgical year as recited by the celebrant, most probably the bishop of Autun. The 'Gothic Missal' is the only surviving source of many rites and commemorations that characterise the specific liturgical tradition of late antique and early medieval (Merovingian) Gaul. At the same time, the codex is the earliest known source of a number of liturgical texts still in use in the liturgy of the Western Church, such as the Easter hymn 'Exultet' and prayers featuring in Baptismal rites. This first integral English translation of the text is intended to make its sometimes rather obscure Latin more accessible to scholars of medieval liturgy (musicologists, religious and social historians) and of medieval Latin, as well as to new generations of students interested in the history and religious culture of the Middle Ages. Moreover, it is the hope of the author of the present volume to address a broad audience of interested readers, academic and otherwise, by opening up to them the unique and colourful world of late antique and early medieval liturgical life and its reception until the present day."--
Author: Richard J. Kelly
Publisher: A&C Black
ISBN: 0826467857
Category : Religion
Languages : en
Pages : 299
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Book Description
"The Blickling Homilies, which date from the end of the tenth century, are one of the earliest extant collections of English vernacular homiletic writings. The homiletic texts survive in a composite codex consisting of Municipal Entries for the Council of Lincoln (fourteenth to seventeenth century), a Calendar (mid-fifteenth century), Gospel Oaths (early fourteenth century) and the eighteen homiletic texts that are based on the annual liturgical cycle. The Blickling Homilies are an important literary milestone in the early evolution of English prose." "The manuscript, in the William H. Scheide collection which is housed in Princeton University Library (MS. 71, s.x/xi), was edited in facsimile by Rudolph Willard and published as Volume 10 of Early English Manuscripts in Facsimile (Copenhagen, 1960). The previous edition of The Blickling Homilies is by Richard Morris, published as three volumes in 1874, 1876 and 1880 (reprinted as one volume in 1967) by the Early English Texts Society (London), though individual items from the collection have also been published in readers and anthologies." "This new edition makes certain corrections to Morris's editing of the manuscript and the translations are modernized and made more exact. It also formats both the original text and facing-page translation into paragraphs based on the considered opinion of the editor, which makes it easier to comprehend the flow of the prose. Finally, the text and translation are accompanied with a general introduction, textual notes, tables and charts, select bibliography and index."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ruth Ellis Messenger
Publisher: Library of Alexandria
ISBN: 1465614605
Category : Fiction
Languages : en
Pages : 226
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Book Description
The first mention of Christian Latin hymns by a known author occurs in the writings of St. Jerome who states that Hilary, Bishop of Poitiers (c. 310-366), a noted author of commentaries and theological works, wrote a Liber Hymnorum. This collection has never been recovered in its entirety. Hilary’s priority as a hymn writer is attested by Isidore of Seville (d. 636) who says: Hilary, however, Bishop of Poitiers in Gaul, a man of unusual eloquence, was the first prominent hymn writer. More important than his prior claim is the motive which actuated him, the defense of the Trinitarian doctrine, to which he was aroused by his controversy with the Arians. A period of four years as an exile in Phrygia for which his theological opponents were responsible, made him familiar with the use of hymns in the oriental church to promote the Arian heresy. Hilary wrested a sword, so to speak, from his adversaries and carried to the west the hymn, now a weapon of the orthodox. His authentic extant hymns, three in number, must have been a part of the Liber Hymnorum. Ante saecula qui manens, “O Thou who dost exist before time,” is a hymn of seventy verses in honor of the Trinity; Fefellit saevam verbum factum te, caro, “The Incarnate Word hath deceived thee (Death)” is an Easter hymn; and Adae carnis gloriosae, “In the person of the Heavenly Adam” is a hymn on the theme of the temptation of Jesus. They are ponderous in style and expression and perhaps too lengthy for congregational use since they were destined to be superseded. In addition to these the hymn Hymnum dicat turba fratrum, “Let your hymn be sung, ye faithful,” has been most persistently associated with Hilary’s name. The earliest text occurs in a seventh century manuscript. It is a metrical version of the life of Jesus in seventy-four lines, written in the same meter as that of Adae carnis gloriosae.
Author: Richard W. Pfaff
Publisher: Taylor & Francis
ISBN: 104024422X
Category : History
Languages : en
Pages : 260
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Book Description
This book includes four hitherto unpublished papers together with a substantial introductory historiographical and bibliographical overview. Many of the studies concern the liturgical views of figures like Lanfranc, St Hugh of Lincoln, and William of Malmesbury (an edition of William’s Abbreviatio Amalarii is included) and the ways Thomas Becket and the Venerable Bede were viewed liturgically. Others reveal the achievement of an 11th-century Canterbury scribe, lay out a hagiographical puzzle as to the saints venerated on the 19th January, ask why calendars come to be attached to psalters, demonstrate that monks at Canterbury Cathedral were still reading Old English homilies in the 1180s, and present a fascinating, previously misunderstood, psalter owned by bishop Ralph Baldock, c.1300. Two final papers deal with ’Sarum’ services in late medieval parish churches and with the devotional practice called St Gregory’s Trental.
Author: Edward Foley
Publisher: Liturgical Press
ISBN: 0814662560
Category : Religion
Languages : en
Pages : 728
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Book Description
A Commentary on the Order of Mass of The Roman Missal gathers the insights of some of today's foremost English-speaking liturgical scholars to aid in understanding this most recent edition of the Order of Mass and its new English translation. Developed under the auspices of the Catholic Academy of Liturgy this commentary was guided by three primary concerns: to situate the promulgation of a new English translation of the Roman Missal historically and theologically to aid in the pastoral implementation of these texts and rites to contribute to the ongoing development of vernacular worship for English-speaking Roman Catholics Contributors include: John Baldovin Anscar Chupungco Mary Collins Keith Pecklers David Power Joyce Ann Zimmermann The volume is edited by John Baldovin, SJ, Professor of Historical and Liturgical Theology at the Boston College School of Theology and Ministry Mary Collins, OSB, Professor Emerita at The Catholic University of America School of Theology and Religious Studies, Washington DC Edward Foley, Capuchin, the Duns Scotus Professor of Spirituality and Professor of Liturgy and Music at Catholic Theological Union in Chicago Joanne Pierce, Associate Professor in the Department of Religious Studies at the College of the Holy Cross, Worcester, MA
Author: Dr John F Romano
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472408233
Category : History
Languages : en
Pages : 323
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Book Description
The liturgy, the public worship of the Catholic Church, was a crucial factor in forging the society of early medieval Rome. As the Roman Empire dissolved, a new world emerged as Christian bishops stepped into the power vacuum left by the dismantling of the Empire. Among these potentates, none was more important than the bishop of Rome, the pope. The documents, archaeology, and architecture that issued forth from papal Rome in the seventh and eighth centuries preserve a precious glimpse into novel societal patterns. The underexploited liturgical sources in particular enrich and complicate our historical understanding of this period. They show how liturgy was the ‘social glue’ that held together the Christian society of early medieval Rome - and excluded those who did not belong to it. This study places the liturgy center stage, filling a gap in research on early medieval Rome and demonstrating the utility of investigating how the liturgy functioned in medieval Europe. It includes a detailed analysis of the papal Mass, the central act of liturgy and the most obvious example of the close interaction of liturgy, social relations and power. The first extant Mass liturgy, the First Roman Ordo, is also given a new presentation in Latin here with an English translation and commentary. Other grand liturgical events such as penitential processions are also examined, as well as more mundane acts of worship. Far from a pious business with limited influence, the liturgy established an exchange between humans and the divine that oriented Roman society to God and fostered the dominance of the clergy.
Author: Margot E. Fassler
Publisher: University of Pennsylvania Press
ISBN: 1512823082
Category : History
Languages : en
Pages : 393
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Book Description
In Cosmos, Liturgy, and the Arts in the Twelfth Century, Margot E. Fassler takes readers into the rich, complex world of Hildegard of Bingen’s Scivias (meaning “Know the ways”) to explore how medieval thinkers understood and imagined the universe. Hildegard, renowned for her contributions to theology, music, literature, and art, developed unique methods for integrating these forms of thought and expression into a complete vision of the cosmos and of the human journey. Scivias was Hildegard’s first major theological work and the only one of her writings that was both illuminated and copied by scribes from her monastery during her lifetime. It contains not just religious visions and theological commentary, but also a shortened version of Hildegard’s play Ordo virtutum (“Play of the virtues”), plus the texts of fourteen musical compositions. These elements of Scivias, Fassler contends, form a coherent whole demonstrating how Hildegard used theology and the liturgical arts to lead and to teach the nuns of her community. Hildegard’s visual and sonic images unfold slowly and deliberately, opening up varied paths of knowing. Hildegard and her nuns adapted forms of singing that they believed to be crucial to the reform of the Church in their day and central to the ongoing turning of the heavens and to the nature of time itself. Hildegard’s vision of the universe is a “Cosmic Egg,” as described in Scivias, filled with strife and striving, and at its center unfolds the epic drama of every human soul, embodied through sound and singing. Though Hildegard’s view of the cosmos is far removed from modern understanding, Fassler’s analysis reveals how this dynamic cosmological framework from the Middle Ages resonates with contemporary thinking in surprising ways, and underscores the vitality of the arts as embodied modes of theological expression and knowledge.
Author: Catholic Church
Publisher:
ISBN:
Category :
Languages : en
Pages : 782
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Book Description
Author: Thomas Heffernan
Publisher: Medieval Institute Publications
ISBN: 1580445039
Category : History
Languages : en
Pages : 734
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Book Description
This volume seeks to address the needs of teachers and advanced students who are preparing classes on the Middle Ages or who find themselves confounded in their studies by reference to the various liturgies that were fundamental to the lives of medieval peoples. In a series of essays, scholars of the liturgy examine The Shape of the Liturgical Year, Particular Liturgies, The Physical Setting of the Liturgy, The Liturgy and Books, and Liturgy and the Arts. A concluding essay, which originated in notes left behind by the late C. Clifford Flanigan, seeks to open the field, to examine liturgy within the larger and more inclusive category of ritual. The essays are intended to be introductory but to provide the basic facts and the essential bibliography for further study. They approach particular problems assuming a knowledge of medieval Europe but little expertise in liturgical studies per se.
