Author: James Slotta
Publisher: Cornell University Press
ISBN: 1501770039
Category : Social Science
Languages : en
Pages : 134
Book Description
Anarchy and the Art of Listening is an ethnography of politics as it is practiced on the other side of the spoken word, in the act of listening. James Slotta explores how people in the Yopno Valley of Papua New Guinea cultivate their listening to exercise power, shape their futures, and sustain their communities in the face of ambitious leaders and powerful outside institutions. As in many parts of the global south, missionaries, NGO workers, educators, mining companies, politicians, development experts, and others have sought to transform life in and around the Yopno Valley. But as this book makes clear, people there have not been a passive and pliable audience for these efforts. They have brought their skills as "anarchic listeners" to these encounters, advancing political agendas of their own. To understand political life in the Yopno Valley, we need to look not only at political speech but at the practices that lie on the other side of the word in the act of listening. This, Slotta suggests, is also true well beyond the bounds of the Yopno Valley.
Anarchy and the Art of Listening
Author: James Slotta
Publisher: Cornell University Press
ISBN: 1501770039
Category : Social Science
Languages : en
Pages : 134
Book Description
Anarchy and the Art of Listening is an ethnography of politics as it is practiced on the other side of the spoken word, in the act of listening. James Slotta explores how people in the Yopno Valley of Papua New Guinea cultivate their listening to exercise power, shape their futures, and sustain their communities in the face of ambitious leaders and powerful outside institutions. As in many parts of the global south, missionaries, NGO workers, educators, mining companies, politicians, development experts, and others have sought to transform life in and around the Yopno Valley. But as this book makes clear, people there have not been a passive and pliable audience for these efforts. They have brought their skills as "anarchic listeners" to these encounters, advancing political agendas of their own. To understand political life in the Yopno Valley, we need to look not only at political speech but at the practices that lie on the other side of the word in the act of listening. This, Slotta suggests, is also true well beyond the bounds of the Yopno Valley.
Publisher: Cornell University Press
ISBN: 1501770039
Category : Social Science
Languages : en
Pages : 134
Book Description
Anarchy and the Art of Listening is an ethnography of politics as it is practiced on the other side of the spoken word, in the act of listening. James Slotta explores how people in the Yopno Valley of Papua New Guinea cultivate their listening to exercise power, shape their futures, and sustain their communities in the face of ambitious leaders and powerful outside institutions. As in many parts of the global south, missionaries, NGO workers, educators, mining companies, politicians, development experts, and others have sought to transform life in and around the Yopno Valley. But as this book makes clear, people there have not been a passive and pliable audience for these efforts. They have brought their skills as "anarchic listeners" to these encounters, advancing political agendas of their own. To understand political life in the Yopno Valley, we need to look not only at political speech but at the practices that lie on the other side of the word in the act of listening. This, Slotta suggests, is also true well beyond the bounds of the Yopno Valley.
Avid Ears
Author: Christine Neufeld
Publisher: Routledge
ISBN: 0429681658
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
Arguing that women’s "silencing" is in part the result of women’s voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual acoustic phenomena. The volume focuses on English antifeminist satire during the linguistically dynamic late Middle Ages to argue that the resonant gossips’ circle offers a cultural poetics of listening for those attentive to medieval auditory regimes. Understanding what it means to listen from both medieval and modern perspectives can challenge, so this book argues, the specular logic informing a long satirical tradition that casts the noisy speaking woman as the nemesis who confirms the social authority of the erudite man. Discerning the acoustic preoccupations of the gossips’ circle inevitably hovering behind the shrew, Avid Ears explains why the threat posed by a woman talking back to a man is only exceeded by that of a woman speaking to other women. The first book-length study to use sound studies to explore how gender registers in the medieval literary soundscape, Avid Ears attunes critics to how and what we hear when women speak in literature.
Publisher: Routledge
ISBN: 0429681658
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
Arguing that women’s "silencing" is in part the result of women’s voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual acoustic phenomena. The volume focuses on English antifeminist satire during the linguistically dynamic late Middle Ages to argue that the resonant gossips’ circle offers a cultural poetics of listening for those attentive to medieval auditory regimes. Understanding what it means to listen from both medieval and modern perspectives can challenge, so this book argues, the specular logic informing a long satirical tradition that casts the noisy speaking woman as the nemesis who confirms the social authority of the erudite man. Discerning the acoustic preoccupations of the gossips’ circle inevitably hovering behind the shrew, Avid Ears explains why the threat posed by a woman talking back to a man is only exceeded by that of a woman speaking to other women. The first book-length study to use sound studies to explore how gender registers in the medieval literary soundscape, Avid Ears attunes critics to how and what we hear when women speak in literature.
Before Emotion: The Language of Feeling, 400-1800
Author: Juanita Ruys
Publisher: Routledge
ISBN: 0429662831
Category : History
Languages : en
Pages : 465
Book Description
Before Emotion: The Language of Feeling, 400-1800 advances current interdisciplinary research in the history of emotions through in-depth studies of the European language of emotion from late antiquity to the modern period. Focusing specifically on the premodern cognates of ‘affect’ or ‘affection’ (such as affectus, affectio, affeccioun, etc.), an international team of scholars explores the cultural and intellectual contexts in which emotion was discussed before the term ‘emotion’ itself came into widespread use. By tracing the history of key terms and concepts associated with what we identify as ‘emotions’ today, the volume offers a first-time critical foundation for understanding pre- and early modern emotions discourse, charts continuities and changes across cultures, time periods, genres, and languages, and helps contextualize modern shifts in the understanding of emotions.
Publisher: Routledge
ISBN: 0429662831
Category : History
Languages : en
Pages : 465
Book Description
Before Emotion: The Language of Feeling, 400-1800 advances current interdisciplinary research in the history of emotions through in-depth studies of the European language of emotion from late antiquity to the modern period. Focusing specifically on the premodern cognates of ‘affect’ or ‘affection’ (such as affectus, affectio, affeccioun, etc.), an international team of scholars explores the cultural and intellectual contexts in which emotion was discussed before the term ‘emotion’ itself came into widespread use. By tracing the history of key terms and concepts associated with what we identify as ‘emotions’ today, the volume offers a first-time critical foundation for understanding pre- and early modern emotions discourse, charts continuities and changes across cultures, time periods, genres, and languages, and helps contextualize modern shifts in the understanding of emotions.
Sanctity and Female Authorship
Author: Maria H. Oen
Publisher: Routledge
ISBN: 1000703096
Category : Literary Collections
Languages : en
Pages : 259
Book Description
Birgitta of Sweden (Birgitta Birgersdotter, 1302/03-1373) and her younger contemporary Catherine of Siena (Caterina Benincasa, 1347-1380) form the most powerful and influential female duo in European history. Both enjoyed saintly reputations in life, while acting as the charismatic leaders of a considerable group of followers consisting of clergy as well as mighty secular men and women. They are also among the very few women of the Trecento to leave a substantial body of written work which was widely disseminated in their original languages and in translations. Copies of Birgitta’s Liber celestis revelacionum (The Heavenly Book of Revelations) and compilations of Catherine's letters (Le lettere), prayers Le orazioni) and her theological work, Il Dialogo della divina Provvidenza (The Dialogue) found their way into monastic, royal, and humanist libraries all over Europe. After their deaths, Birgitta’s and Catherine’s respective groups of supporters sought to have them formally canonized. In both cases, however, their political and theological outspokenness, orally and in text, and their public authority represented obstacles. In this comparative study, leading scholars from different disciplinary backgrounds offer, for the very first time, a comprehensive exploration of the lives and activities of Birgitta and Catherine in tandem. Particular attention is given to their literary works and the complex process of negotiating their sanctity and authorial roles. Above all, what the chapters reveal is the many points of connections between two of the most influential women of the Trecento, and how they were related to one another by their peers and successors.
Publisher: Routledge
ISBN: 1000703096
Category : Literary Collections
Languages : en
Pages : 259
Book Description
Birgitta of Sweden (Birgitta Birgersdotter, 1302/03-1373) and her younger contemporary Catherine of Siena (Caterina Benincasa, 1347-1380) form the most powerful and influential female duo in European history. Both enjoyed saintly reputations in life, while acting as the charismatic leaders of a considerable group of followers consisting of clergy as well as mighty secular men and women. They are also among the very few women of the Trecento to leave a substantial body of written work which was widely disseminated in their original languages and in translations. Copies of Birgitta’s Liber celestis revelacionum (The Heavenly Book of Revelations) and compilations of Catherine's letters (Le lettere), prayers Le orazioni) and her theological work, Il Dialogo della divina Provvidenza (The Dialogue) found their way into monastic, royal, and humanist libraries all over Europe. After their deaths, Birgitta’s and Catherine’s respective groups of supporters sought to have them formally canonized. In both cases, however, their political and theological outspokenness, orally and in text, and their public authority represented obstacles. In this comparative study, leading scholars from different disciplinary backgrounds offer, for the very first time, a comprehensive exploration of the lives and activities of Birgitta and Catherine in tandem. Particular attention is given to their literary works and the complex process of negotiating their sanctity and authorial roles. Above all, what the chapters reveal is the many points of connections between two of the most influential women of the Trecento, and how they were related to one another by their peers and successors.
Geoffrey Chaucer in Context
Author: Ian Johnson
Publisher: Cambridge University Press
ISBN: 1107035643
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
Publisher: Cambridge University Press
ISBN: 1107035643
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
Music in the Flesh
Author: Bettina Varwig
Publisher: University of Chicago Press
ISBN: 0226826880
Category : History
Languages : en
Pages : 380
Book Description
"Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe"--
Publisher: University of Chicago Press
ISBN: 0226826880
Category : History
Languages : en
Pages : 380
Book Description
"Music in the Flesh reimagines the lived experiences of music-making subjects (composers, musicians, listeners) in the long European seventeenth century. There are countless historical testimonies of the powerful effects of music upon early-modern bodies, described as moving, ravishing, painful, dangerous, curative, miraculous, and encompassing "the circulation of the humors, purification of the blood, dilation of the vessels and pores. In asking what this all meant at the time, the author considers musical scores and their surrounding texts as "somatic scripts" that afford a range of somatic actions and reactions and can give us a glimpse into the historical embodied experience of organized sound. Starting from the Lutheran hymns and their accompanying intellectual traditions and ritual practices in German-speaking lands, the book moves with ease across repertories and regions, sacred and vernacular musics, domestic and public settings in order to sketch a "physiology of music" that is as historically illuminating as it is relevant for present-day performing practices and that sheds unprecedented light on how subjectivity was embodied through sound in early-modern Europe"--
Other Influences
Author: Marcella Durand
Publisher: MIT Press
ISBN: 0262049287
Category : Literary Collections
Languages : en
Pages : 262
Book Description
A compelling collection of original essays on influence that restore a feminist avant-garde that includes women of color, queer, and trans women. Other Influences frames a new literary history in which feminist, avant-garde, and poetry practices intersect, foregrounding critically neglected but artistically powerful lineages in twentieth- and twenty-first-century North American poetry. In this collection, Marcella Durand and Jennifer Firestone assemble original essays by a range of leading contemporary feminist avant-garde poets asked to consider their lineages, inspirations, and influences. Their reflections contain many surprises, with writers citing scientists, artists, and little-known feminist writers from other eras and traditions; for example, Tracie Morris discusses the Gee's Bend quilters, Carla Harryman writes about her collaboration with Lyn Hejinian, and Cecilia Vicuña cites the Tao Te Ching. Unlike other collections of “writers on writing,” Other Influences demonstrates a complex feminist ethos of paying homage to forebears while at the same time resisting the parts of a history, along with previous concepts of “influence,” that might be stale or limiting. Countering a masculinist model of “influence” à la Harold Bloom, Durand and Firestone illuminate the diverse, nonhierarchical ecosystems of feminist avant-garde poetry and re-envision “influence” through their own lens and on their own terms—aspiring to no less than the unmaking of a canon. Contributors: Mei-mei Berssenbrugge, Rachel Blau DuPlessis, Nicole Brossard, Brenda Coultas, Mónica de la Torre, Tonya M. Foster, Renee Gladman, Carla Harryman, Allison Adelle Hedge Coke, Erica Hunt, Rachel Levitsky, Bernadette Mayer, Tracie Morris, Harryette Mullen, Eileen Myles, Sawako Nakayasu, Hoa Nguyen, Julie Patton, KPrevallet, Evelyn Reilly, Trish Salah, Prageeta Sharma, Patricia Spears Jones, Stacy Szymaszek, Anne Tardos, Anne Waldman, Rosmarie Waldrop
Publisher: MIT Press
ISBN: 0262049287
Category : Literary Collections
Languages : en
Pages : 262
Book Description
A compelling collection of original essays on influence that restore a feminist avant-garde that includes women of color, queer, and trans women. Other Influences frames a new literary history in which feminist, avant-garde, and poetry practices intersect, foregrounding critically neglected but artistically powerful lineages in twentieth- and twenty-first-century North American poetry. In this collection, Marcella Durand and Jennifer Firestone assemble original essays by a range of leading contemporary feminist avant-garde poets asked to consider their lineages, inspirations, and influences. Their reflections contain many surprises, with writers citing scientists, artists, and little-known feminist writers from other eras and traditions; for example, Tracie Morris discusses the Gee's Bend quilters, Carla Harryman writes about her collaboration with Lyn Hejinian, and Cecilia Vicuña cites the Tao Te Ching. Unlike other collections of “writers on writing,” Other Influences demonstrates a complex feminist ethos of paying homage to forebears while at the same time resisting the parts of a history, along with previous concepts of “influence,” that might be stale or limiting. Countering a masculinist model of “influence” à la Harold Bloom, Durand and Firestone illuminate the diverse, nonhierarchical ecosystems of feminist avant-garde poetry and re-envision “influence” through their own lens and on their own terms—aspiring to no less than the unmaking of a canon. Contributors: Mei-mei Berssenbrugge, Rachel Blau DuPlessis, Nicole Brossard, Brenda Coultas, Mónica de la Torre, Tonya M. Foster, Renee Gladman, Carla Harryman, Allison Adelle Hedge Coke, Erica Hunt, Rachel Levitsky, Bernadette Mayer, Tracie Morris, Harryette Mullen, Eileen Myles, Sawako Nakayasu, Hoa Nguyen, Julie Patton, KPrevallet, Evelyn Reilly, Trish Salah, Prageeta Sharma, Patricia Spears Jones, Stacy Szymaszek, Anne Tardos, Anne Waldman, Rosmarie Waldrop
Vernacular Verse Histories in Early Medieval England and Francia
Author: Catalin Taranu
Publisher: Routledge
ISBN: 1000349667
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
In a provocative take on Germanic heroic poetry, Taranu reads texts like Beowulf, Maldon, and the Waltharius as participating in alternative modes of history-writing that functioned in a larger ecology of narrative forms, including Latinate Christian history and the biblical epic. These modes employed the conceit of their participating in a tradition of oral verse for a variety of purposes: from political propaganda to constructing origin myths for early medieval nationhood or heroic masculinity, and sometimes for challenging these paradigms. The more complex of these historical visions actively meditated on their own relationship to truthfulness and fictionality while also performing sophisticated (and often subversive) cultural and socio-emotional work for its audiences. By rethinking canonical categories of historiographical discourse from within medieval textual productions, Vernacular Verse Histories in Early Medieval England and Francia: The Bard and the Rag-Picker aims to recover a part of the wide array of narrative poetic forms through which medieval communities made sense of their past and structured their socio-emotional experience.
Publisher: Routledge
ISBN: 1000349667
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
In a provocative take on Germanic heroic poetry, Taranu reads texts like Beowulf, Maldon, and the Waltharius as participating in alternative modes of history-writing that functioned in a larger ecology of narrative forms, including Latinate Christian history and the biblical epic. These modes employed the conceit of their participating in a tradition of oral verse for a variety of purposes: from political propaganda to constructing origin myths for early medieval nationhood or heroic masculinity, and sometimes for challenging these paradigms. The more complex of these historical visions actively meditated on their own relationship to truthfulness and fictionality while also performing sophisticated (and often subversive) cultural and socio-emotional work for its audiences. By rethinking canonical categories of historiographical discourse from within medieval textual productions, Vernacular Verse Histories in Early Medieval England and Francia: The Bard and the Rag-Picker aims to recover a part of the wide array of narrative poetic forms through which medieval communities made sense of their past and structured their socio-emotional experience.
Zöopedagogies
Author: Bonnie J. Erwin
Publisher: Routledge
ISBN: 0429632622
Category : History
Languages : en
Pages : 308
Book Description
The human protagonists of medieval romance are works in progress. They are learners, taught by an unexpected set of teachers: non-human animals including horses, hawks, lions, and the various quarry of the hunt. These "creature teachers" show humans how to be more perfectly human—how to love, fight, survive, and live according to medieval culture’s highest ideals. Zöopedagogies explores the pedagogical role of animals in medieval romance, a genre whose fantastical elements enable animal characters to behave in ways inspired by, but not limited to their real-world actions. Situated at the intersection of animal studies and medieval studies, Zöopedagogies claims medieval roots for posthumanism by telling a new story about the role of animals in constructing Western culture. Bonnie Erwin brings together a diverse array of texts, including chivalric romances like Sir Gawain and the Green Knight and popular romances like Bevis of Hampton and Richard Coer de Lyon. She puts these into conversation with medieval texts on natural science, horsemanship, hawking, and hunting that inform the representation of creatures who teach. In so doing, she reveals a rich and nuanced sense of animals as participants in interspecies collaborative culture-making.
Publisher: Routledge
ISBN: 0429632622
Category : History
Languages : en
Pages : 308
Book Description
The human protagonists of medieval romance are works in progress. They are learners, taught by an unexpected set of teachers: non-human animals including horses, hawks, lions, and the various quarry of the hunt. These "creature teachers" show humans how to be more perfectly human—how to love, fight, survive, and live according to medieval culture’s highest ideals. Zöopedagogies explores the pedagogical role of animals in medieval romance, a genre whose fantastical elements enable animal characters to behave in ways inspired by, but not limited to their real-world actions. Situated at the intersection of animal studies and medieval studies, Zöopedagogies claims medieval roots for posthumanism by telling a new story about the role of animals in constructing Western culture. Bonnie Erwin brings together a diverse array of texts, including chivalric romances like Sir Gawain and the Green Knight and popular romances like Bevis of Hampton and Richard Coer de Lyon. She puts these into conversation with medieval texts on natural science, horsemanship, hawking, and hunting that inform the representation of creatures who teach. In so doing, she reveals a rich and nuanced sense of animals as participants in interspecies collaborative culture-making.
Forging Boethius in Medieval Intellectual Fantasies
Author: Brooke Hunter
Publisher: Routledge
ISBN: 0429763271
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
Forging Boethius in Medieval Intellectual Fantasies reconsiders the influence of the thirteenth-century Pseudo-Boethian forgery De disciplina scolarium on medieval understandings of Boethius (d. 524). Tracing the medieval popularity of De disciplina’s reimagined vision of Boethius alongside the current scholarly neglect of this forged Boethian persona offers insight into how medieval schoolmen saw themselves and the past, and how modern scholars imagine the medieval past. In exploring this alternate Boethian persona through a variety of different works including texts of translatio studii et imperii, common school texts, the poetry of Geoffrey Chaucer, and humanist writings, this book reveals a new vein of medieval Boethianism that is earthy, practical, and even humorous. Forging Boethius is an essential reference book for students and researchers in the fields of medieval literature and philosophy, as well as for anyone interested in gaining a better understanding of one the most significant authors of the Middle Ages.
Publisher: Routledge
ISBN: 0429763271
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
Forging Boethius in Medieval Intellectual Fantasies reconsiders the influence of the thirteenth-century Pseudo-Boethian forgery De disciplina scolarium on medieval understandings of Boethius (d. 524). Tracing the medieval popularity of De disciplina’s reimagined vision of Boethius alongside the current scholarly neglect of this forged Boethian persona offers insight into how medieval schoolmen saw themselves and the past, and how modern scholars imagine the medieval past. In exploring this alternate Boethian persona through a variety of different works including texts of translatio studii et imperii, common school texts, the poetry of Geoffrey Chaucer, and humanist writings, this book reveals a new vein of medieval Boethianism that is earthy, practical, and even humorous. Forging Boethius is an essential reference book for students and researchers in the fields of medieval literature and philosophy, as well as for anyone interested in gaining a better understanding of one the most significant authors of the Middle Ages.