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Author: John Gassner
Publisher: Hal Leonard Corporation
ISBN: 9780936839844
Category : Drama
Languages : en
Pages : 484
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Book Description
Presents examples of folk drama, and morality plays, and the early tragedies and comedies following classical models
Author: John Gassner
Publisher: Hal Leonard Corporation
ISBN: 9780936839844
Category : Drama
Languages : en
Pages : 484
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Book Description
Presents examples of folk drama, and morality plays, and the early tragedies and comedies following classical models
Author: Annette Kern-Stähler
Publisher: Narr Francke Attempto Verlag
ISBN: 382339326X
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
This volume explores practices of secrecy and surveillance in medieval and early modern England. The ten contributions by Swiss and international scholars (including Paul Strohm, Sylvia Tomasch, Karma Lochrie, and Richard Wilson) address in particular the intersections of secrecy and surveillance with gender and identity, public and private spheres, religious practices, and power structures. Covering a wide range of English literary texts from Old English riddles to medieval romances, the Book of Margery Kempe, and the plays and poems of Shakespeare, these essays seek to contribute to our understanding of the practices of secrecy, exclusion, and disclosure as well as to the much-needed historicisation of Surveillance Studies called for in the opening article by Sylvia Tomasch. ---
Author: Thomas Betteridge
Publisher: Oxford University Press
ISBN: 019956647X
Category : Drama
Languages : en
Pages : 709
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Book Description
This is the first comprehensive study of Tudor drama that sees the long 16th century from the accession of Henry Tudor to the death of Elizabeth as a whole, taking in the numinous drama of the 'Mystery Plays' and the early work of Shakespeare. It is an invaluable account of current scholarship and an introduction to the complexity of Tudor drama.
Author: Sheila Campbell
Publisher: Springer
ISBN: 1349218820
Category : History
Languages : en
Pages : 227
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Book Description
This volume of studies seeks an anthropological view of medicine and the healing arts as they were situated within the lives of medieval people. Miracle cures and charms as well as drugs and surgery fall within the scope of the authors represented here, as does advice about diet and regimen. As well, the volume looks at wellness and illness in broad contexts, avoiding the tendency of modern medicine to focus on the isolation and definition of pathological states.
Author: Gary Day
Publisher: Bloomsbury Publishing
ISBN: 1408183536
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Tracing the history of tragedy and comedy from their earliest beginnings to the present, this book offers readers an exceptional study of the development of both genres, grounded in analysis of landmark plays and their context. It argues that sacrifice is central to both genres, and demonstrates how it provides a key to understanding the grand sweep of Western drama. For students of literature and drama the volume serves as an accessible companion to over two millennia of drama organised by period, and reveals how sacrifice represents a through-line running from classical drama to today's reality TV and blockbuster movies. Across the chapters devoted to each period, Day explores how the meanings of sacrifice change over time, but never quite disappear. He charts the influences of religion, social change and politics on the status and purposes of theatre in each period, and on the drama itself. But it is through a close study of key plays that he reveals the continuities centred around sacrifice that persist and which illuminate aspects of human psychology and social organisation. Among the many plays and events considered are Aeschylus' trilogy The Oresteia, Aristophanes' Women at the Thesmorphia, Menander's The Bad-Tempered Man, the spectacles of the Roman Games, Seneca's The Trojan Women, Plautus's The Rope, the Cycle plays and Everyman from the Middle Ages, Shakespeare's King Lear and A Midsummer Night's Dream, Middleton's The Revenger's Tragedy, Jonson's Every Man in His Humour, Thomas Otway's The Orphan, William Wycherley's The Country Wife, Wilde's A Woman of No Importance, Beckett' Waiting for Godot, Tennessee Williams's A Streetcar Named Desire, Suzan-Lori Parks's Topdog/Underdog, Sarah Kane's Blasted and Charlotte Jones' Humble Boy. A conclusion examines the persistence of ideas of sacrifice in today's reality TV and blockbuster movies.
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 738
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 356
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Book Description
Author: Clive Aslet
Publisher: Yale University Press
ISBN: 0300255055
Category : Architecture
Languages : en
Pages : 256
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Book Description
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present "An eclectic scholarly account, tracing the evolution of the country house from the hunting lodges of the Middle Ages to the modern villas of today. . . . Mr. Aslet is an elegant writer with a wry sense of humor."--Moira Hodgson, Wall Street Journal "[Aslet] doesn't just tell us who built what, and for whom, and in what style, but about the prevailing economic circumstances and fashions of each period."--Simon Heffer, Daily Telegraph The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.
Author: Mike Rodman Jones
Publisher: Boydell & Brewer
ISBN: 1843846594
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
Directs scholarly focus towards a deeper appreciation of medievalist trends in the Elizabethan literary landscape and challenges traditional narratives of 'modernity'. Themes and motifs from the Middle Ages are found across the drama, poetry, prose fiction, polemic, and satire of the later Elizabethan and early Jacobean period, but their impact and influence on this literary landscape have rarely been considered. This study offers a nuanced examination of this intricate interplay between pre-Reformation culture and its post-Reformation reception in England. Each chapter explores a particular genre or aspect of medievalism at play in this writing: civic medievalism; literary adaptation and satire in ecclesiastical polemic; multiple uses of temporality in post-Marprelatian prose fiction; the poetics of memorialisation and voice in medievalist complaint poetry; and the construction of Reformation history and confessional difference on the stage in the early Jacobean period. Moving beyond canonical writers such as Shakespeare and Spenser, the book deals in detail with the drama of Thomas Heywood and Thomas Dekker (alongside unattributed plays); the prose fiction of Robert Greene, Thomas Deloney, Henry Chettle and anonymous others; the historical verse of Samuel Daniel and Michael Drayton, and the polemical writing of Samuel Harsnett, Job Throckmorton and Matthew Sutcliffe. Through a meticulous analysis of these writers and their works, it shows how medieval texts were creatively deployed and adapted in new literary forms, fashioning the emergence of early forms of medievalism, and challenging conventional notions of temporal and cultural divides.
