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Author: S. P. Cerasano
Publisher:
ISBN: 9780838644836
Category :
Languages : en
Pages : 254
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Book Description
Contains essays and reviews relevant to drama and theatre history to 1642.
Author: S. P. Cerasano
Publisher:
ISBN: 9780838644836
Category :
Languages : en
Pages : 254
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Book Description
Contains essays and reviews relevant to drama and theatre history to 1642.
Author: S.P. Cerasano
Publisher: Associated University Presse
ISBN: 0838644821
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.
Author: John Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636411
Category : Drama
Languages : en
Pages : 300
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Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author: John Pitcher
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638897
Category : Drama
Languages : en
Pages : 340
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Book Description
Annual collection of articles and book reviews on Medieval and Renaissance literature, excluding Shakespeare
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641194
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Author: J. Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635704
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Author: David M Bevington
Publisher: Humanities-Ebooks
ISBN: 1847603041
Category : History
Languages : en
Pages : 258
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Book Description
Author: Daniel Jernigan
Publisher: Routledge
ISBN: 0429755678
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Drawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
Author: Matthieu Chapman
Publisher: Taylor & Francis
ISBN: 1317195523
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
This is the first book to deploy the methods and ensemble of questions from Afro-pessimism to engage and interrogate the methods of Early Modern English studies. Using contemporary Afro-pessimist theories to provide a foundation for structural analyses of race in the Early Modern Period, it engages the arguments for race as a fluid construction of human identity by addressing how race in Early Modern England functioned not only as a marker of human identity, but also as an a priori constituent of human subjectivity. Chapman argues that Blackness is the marker of social death that allows for constructions of human identity to become transmutable based on the impossibility of recognition and incorporation for Blackness into humanity. Using dramatic texts such as Othello, Titus Andronicus, and other Early Modern English plays both popular and lesser known, the book shifts the binary away from the currently accepted standard of white/non-white that defines "otherness" in the period and examines race in Early Modern England from the prospective of a non-black/black antagonism. The volume corrects the Afro-pessimist assumption that the Triangle Slave Trade caused a rupture between Blackness and humanity. By locating notions of Black inhumanity in England prior to chattel slavery, the book positions the Triangle Trade as a result of, rather than the cause of, Black inhumanity. It also challenges the common scholarly assumption that all varying types of human identity in Early Modern England were equally fluid by arguing that Blackness functioned as an immutable constant. Through the use of structural analysis, this volume works to simplify and demystify notions of race in Renaissance England by arguing that race is not only a marker of human identity, but a structural antagonism between those engaged in human civil society opposed to those who are socially dead. It will be an essential volume for those with interest in Renaissance Literature and Culture, Shakespeare, Contemporary Performance Theory, Black Studies, and Ethnic Studies.
Author: Erik Grayson
Publisher: Springer Nature
ISBN: 3030743772
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of “Loss” explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of “loss” and “gain” in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.
