Author: Thomas Hemker
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 148
Book Description
Medien, Musik, Mensch
Author: Thomas Hemker
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 148
Book Description
Publisher:
ISBN:
Category : Music
Languages : de
Pages : 148
Book Description
Medien und Musik
Author: Holger Schramm
Publisher: Springer-Verlag
ISBN: 3658013249
Category : Social Science
Languages : de
Pages : 129
Book Description
Musik und Medien gehören einfach zusammen. Radio und Fernsehen, Werbung und Kino, Smartphones, MP3-Player und Streamingdienste haben dafür gesorgt, dass Musik uns im Alltag ständig begleitet: Von den 16 Stunden am Tag, die wir nicht schlafen, hören wir im Durchschnitt mindestens fünf Stunden Musik. Musik entfaltet ihre Wirkung nicht beim Lesen, sondern beim Hören und Sehen. Dieses Buch thematisiert deshalb die wichtigen Musikmedien zum Hören und Sehen sowie ihre Inhalte. Zugleich ist das Buch ein Streifzug durch die Entwicklung und die Geschichte von Musik in den Medien: Es geht auf die wichtigsten und spannendsten Ereignisse, Erkenntnisse und Anekdoten ein und macht die Entwicklung und den Wandel medialer Musik von den Anfängen der Tonaufzeichnung bis hin zu den aktuellsten Angeboten und Entwicklungen nachvollziehbar.
Publisher: Springer-Verlag
ISBN: 3658013249
Category : Social Science
Languages : de
Pages : 129
Book Description
Musik und Medien gehören einfach zusammen. Radio und Fernsehen, Werbung und Kino, Smartphones, MP3-Player und Streamingdienste haben dafür gesorgt, dass Musik uns im Alltag ständig begleitet: Von den 16 Stunden am Tag, die wir nicht schlafen, hören wir im Durchschnitt mindestens fünf Stunden Musik. Musik entfaltet ihre Wirkung nicht beim Lesen, sondern beim Hören und Sehen. Dieses Buch thematisiert deshalb die wichtigen Musikmedien zum Hören und Sehen sowie ihre Inhalte. Zugleich ist das Buch ein Streifzug durch die Entwicklung und die Geschichte von Musik in den Medien: Es geht auf die wichtigsten und spannendsten Ereignisse, Erkenntnisse und Anekdoten ein und macht die Entwicklung und den Wandel medialer Musik von den Anfängen der Tonaufzeichnung bis hin zu den aktuellsten Angeboten und Entwicklungen nachvollziehbar.
Musik in den Medien
Author:
Publisher:
ISBN:
Category : Mass media and music
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : Mass media and music
Languages : en
Pages : 238
Book Description
Musik UND Medien | Musik ALS Medium
Author: Iwan Pasuchin, Martin Losert
Publisher: LIT Verlag Münster
ISBN: 3643511302
Category :
Languages : de
Pages : 180
Book Description
Die Art und Weise, wie wir Musik rezipieren, aber auch produzieren, hat sich in den letzten Jahrzehnten durch den Einsatz digitaler Technologien grundlegend verändert. Computer haben längst nicht nur eine unterstützende Funktion, sie übernehmen zunehmend auch kreative Aufgaben beim Musikmachen. Gleichwohl kann Musik aber auch selbst als Medium verstanden werden, das kommunikative bzw. vermittelnde Eigenschaften besitzt. Musik drückt etwas aus, das eben keiner Worte oder irgendwelcher digitaler Werkzeuge bedarf. Beide Sichtweisen werden im vorliegenden Sammelband diskutiert und vielfältige Schattierungen zwischen beiden Positionen entfaltet. Es kommen Autor*innen zu Wort, deren Meinungen, Zugänge und Methoden sich deutlich voneinander unterscheiden und zum Teil auch widersprechen.
Publisher: LIT Verlag Münster
ISBN: 3643511302
Category :
Languages : de
Pages : 180
Book Description
Die Art und Weise, wie wir Musik rezipieren, aber auch produzieren, hat sich in den letzten Jahrzehnten durch den Einsatz digitaler Technologien grundlegend verändert. Computer haben längst nicht nur eine unterstützende Funktion, sie übernehmen zunehmend auch kreative Aufgaben beim Musikmachen. Gleichwohl kann Musik aber auch selbst als Medium verstanden werden, das kommunikative bzw. vermittelnde Eigenschaften besitzt. Musik drückt etwas aus, das eben keiner Worte oder irgendwelcher digitaler Werkzeuge bedarf. Beide Sichtweisen werden im vorliegenden Sammelband diskutiert und vielfältige Schattierungen zwischen beiden Positionen entfaltet. Es kommen Autor*innen zu Wort, deren Meinungen, Zugänge und Methoden sich deutlich voneinander unterscheiden und zum Teil auch widersprechen.
Musical Instruments in the 21st Century
Author: Till Bovermann
Publisher: Springer
ISBN: 9811029512
Category : Technology & Engineering
Languages : en
Pages : 406
Book Description
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Publisher: Springer
ISBN: 9811029512
Category : Technology & Engineering
Languages : en
Pages : 406
Book Description
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Listening Devices
Author: Jens Gerrit Papenburg
Publisher: Bloomsbury Publishing USA
ISBN: 1501346717
Category : Music
Languages : en
Pages : 345
Book Description
From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term listening device. In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its other-a history of non-listening. The book proposes listening device as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.
Publisher: Bloomsbury Publishing USA
ISBN: 1501346717
Category : Music
Languages : en
Pages : 345
Book Description
From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term listening device. In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its other-a history of non-listening. The book proposes listening device as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.
RILM Abstracts of Music Literature
Author: International Repertory of Music Literature (Organization)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1184
Book Description
A comprehensive, ongoing guide to publications on music from all over the world, with abstracts written in English. All scholarly works are included: articles, books, bibliographies, catalogues, dissertations, Festschriften, films and videos, iconographies, critical commentaries to complete works, ethnographic recordings, conference proceedings, electronic resources, and reviews.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1184
Book Description
A comprehensive, ongoing guide to publications on music from all over the world, with abstracts written in English. All scholarly works are included: articles, books, bibliographies, catalogues, dissertations, Festschriften, films and videos, iconographies, critical commentaries to complete works, ethnographic recordings, conference proceedings, electronic resources, and reviews.
Medien - Politik - Geschichte
Author: Mosheh Tsuḳerman
Publisher: Wallstein Verlag
ISBN: 9783892446576
Category : Communication in politics
Languages : de
Pages : 452
Book Description
Publisher: Wallstein Verlag
ISBN: 9783892446576
Category : Communication in politics
Languages : de
Pages : 452
Book Description
Mensch und Computer 2015 – Usability Professionals
Author: Anja Endmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311043556X
Category : Computers
Languages : en
Pages : 606
Book Description
Usability Professionals Workshop deals with the practical applications of human-machine interaction research. It is organized by the German ACM specialty section of the UPA (Usability Professionals Association). The volume presents the latest research findings through case studies and practice reports along with in-depth discussions.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311043556X
Category : Computers
Languages : en
Pages : 606
Book Description
Usability Professionals Workshop deals with the practical applications of human-machine interaction research. It is organized by the German ACM specialty section of the UPA (Usability Professionals Association). The volume presents the latest research findings through case studies and practice reports along with in-depth discussions.
Mensch und Computer 2015 – Workshopband
Author: Anette Weisbecker
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110435586
Category : Computers
Languages : en
Pages : 842
Book Description
The Workshop Volume from the Humans and Computers Conference documents the advanced tutorials that were presented to deepen the understanding gained from the conference lectures. It presents case studies along with accompanying exercises.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110435586
Category : Computers
Languages : en
Pages : 842
Book Description
The Workshop Volume from the Humans and Computers Conference documents the advanced tutorials that were presented to deepen the understanding gained from the conference lectures. It presents case studies along with accompanying exercises.