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Author: Christian Hübler
Publisher: Scheidegger and Spiess
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Media art is one of the most exciting experimental fields to emerge in contemporary art in recent years--and yet its innovations have been sparsely documented. Media Arts Zurich, the third yearbook published by the Department New Media at the newly founded Zurich University of the Arts, seeks to fill this gap, offering an illuminating overview of the Swiss media art scene of the past decade. This book examines the varying approaches, techniques, and strategies of acclaimed media artists as well as the public reception of their work. Accompanied by a companion DVD in PAL format and 400 lavish illustrations, this volume presents thirteen individual artists and groups in the context of their backgrounds, exhibitions, and the state of European media art. Two essays by art and media historians here position these Swiss media artists in the international art world and document the first ten years and visions for the future of the media art program at the Zurich University of the Arts and its predecessor, the School of Art and Design Zurich. Richly illustrated and deeply informed, Media Arts Zurich points the way to a new European avant-garde.
Author: Christian Hübler
Publisher: Scheidegger and Spiess
ISBN:
Category : Art
Languages : de
Pages : 316
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Book Description
Media art is one of the most exciting experimental fields to emerge in contemporary art in recent years--and yet its innovations have been sparsely documented. Media Arts Zurich, the third yearbook published by the Department New Media at the newly founded Zurich University of the Arts, seeks to fill this gap, offering an illuminating overview of the Swiss media art scene of the past decade. This book examines the varying approaches, techniques, and strategies of acclaimed media artists as well as the public reception of their work. Accompanied by a companion DVD in PAL format and 400 lavish illustrations, this volume presents thirteen individual artists and groups in the context of their backgrounds, exhibitions, and the state of European media art. Two essays by art and media historians here position these Swiss media artists in the international art world and document the first ten years and visions for the future of the media art program at the Zurich University of the Arts and its predecessor, the School of Art and Design Zurich. Richly illustrated and deeply informed, Media Arts Zurich points the way to a new European avant-garde.
Author: Dominik Landwehr
Publisher: Christoph Merian Verlag
ISBN: 3856168648
Category : Art
Languages : en
Pages : 56
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Book Description
Noch nie in der Geschichte hat ein Medium Gesellschaft und Kultur so radikal verändert wie die Digitalisierung und das Internet. Die Entwicklung hat auch eine neue Kunstrichtung hervorgebracht: Die Medienkunst. Die Publikation folgt dieser explosionsartigen Entwicklung in der Schweiz seit Mitte der Neunzigerjahre. Sie thematisiert die wichtigsten künstlerischen Strategien - Sound und Video Art, Netzkunst, Hacking, Mashup und Remix, Do-it-yourself, Robotik und Maschinenkunst sowie rein konzeptionelle Ansätze - und die Rolle der Förderer, Festivals, Hochschulen und Ausstellungsräume. Der Schwerpunkt liegt auf Projekten und Künstlern, die von Migros-Kulturprozent seit 1998 gefördert wurden. Künstlerische Arbeiten werden diskutiert und deren oft international ausgezeichneten Protagonisten kommen zu Wort.
Author: Randy Adams
Publisher: Springer Science & Business Media
ISBN: 3540794867
Category : Computers
Languages : en
Pages : 499
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Book Description
This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), two parallel festivals of digital media art. The work represented in Transdisciplinary Digital Art is a confirmation of the vitality and breadth of the digital arts. Collecting essays that broadly encompass the digital arts, Transdisciplinary Digital Art gives a clear overview of the on-going strength of scientific, philosophical, aesthetic and artistic research that makes digital art perhaps the defining medium of the 21st Century.
Author: Hans-Peter Schwarz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
What does the actor Bruno Ganz have in common with photographer Olaf Breuning, or film director Andrea Staka with dancer Kusha Alexi? Along with designer Adrian Frutiger and musician Anne-Sophie Mutter, they all studied atZurich s legendary art schools. In August 2007, these institutions, which were previously separated by discipline, merged to form one of Europe s most multifaceted and significant art education centers, Zurich University of the Arts. To mark its founding, "ZHdK A Future for the Arts" recounts the history of the previous schools, examines the importance of their well-known alumni, and sets forth ambitious goals for the newly formed institution. Richly illustrated and accompanied by companion CD and DVD in PAL format, this volume traces the history of Swiss art education and features perspectives that span the entire curriculum. "ZHdK A Future for the Arts "is not just a portrait of a single university, but a rendering of Swiss cultural history of the past fifty years. "
Author: Dieter Mersch
Publisher: transcript Verlag
ISBN: 3839467616
Category : Philosophy
Languages : en
Pages : 313
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Book Description
What kind of relationship do we have with artificial beings (avatars, puppets, robots, etc.)? What does it mean to mirror ourselves in them, to perform them or to play trial identity games with them? Actor & Avatar addresses these questions from artistic and scholarly angles. Contributions on the making of »technical others« and philosophical reflections on artificial alterity are flanked by neuroscientific studies on different ways of perceiving living persons and artificial counterparts. The contributors have achieved a successful artistic-scientific collaboration with extensive visual material.
Author: Sarah M. Schlachetzki
Publisher: transcript Verlag
ISBN: 3839420261
Category : Art
Languages : en
Pages : 263
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Book Description
Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future.
Author: Stephen C. Foster
Publisher: G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Launches an eight-volume series on the rebellious art form created during World War I by artists and writers in Zurich reacting to the horror of war, the onslaught of new technology, and the stifling aesthetics of futurism and cubism. In 11 essays, provides parameters for the historical and sociological context of the movement; its manifestation in visual arts, theater, the media, and literature; the correspondence between the actual works and the various manifestos; and the relevance of studying the phenomenon to present concerns. Illustrated in black and white. Annotation copyrighted by Book News, Inc., Portland, OR.
Author: Arthur Clay
Publisher:
ISBN: 9788770225953
Category : Art
Languages : en
Pages : 0
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Book Description
The book 'On Media, On Technology, On Life: Interviews with Innovators' features thirteen artist-researchers whose artworks reconfigure the relationships between living bodies, microorganisms, tools, techniques, and institutions to ask new questions of life itself. When encountered for the first time, these are works that seem to challenge a conventional understanding of what artists and scientists do. Through the words of the artists themselves, these interviews explore what it means to spearhead innovative new partnerships able to create work that takes on a life of its own. By posing new questions at the interface between media, technology, and life, the book explores themes such as the life of multi-species bodies, the future of food security in the age of biotechnology, the microbial lives of historic archives, and the biohacker communities of the future. Together, they reveal how we are all actors in this theatre of life innovation.Full Text - Short description/annotation (Text)
Author: Nicole de Brabandere
Publisher: Series in Art
ISBN: 9781648895043
Category :
Languages : en
Pages : 0
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Book Description
This volume gathers research at the intersection of art and the interdisciplinary humanities to develop an understanding of media assemblages that insist on the generativity of their situatedness within ecologies of practice. These contributions propose media assemblages that enlarge the time and space for co-compositions between media and bodies that reshape subjective, perceptual, and affective registers of experience. Media assemblages include photography, performance, criticism, curation, installation, animation, collage, video and VR, as well as archival and somatic practices. Research as a form of practice is a key orientation in this volume since it offers a means of engaging the world-making proposition offered by Isabelle Stengers that practices are specified through irreducible entanglements that cause one to think, feel, and hesitate. The generative linkages between different disciplinary approaches for engaging research practice across the arts and humanities are favoured over disciplinary and media-based exclusivity. When practice is not posed as an intervention or counterpoint to scholarly research or in opposition to the discursive, differences emerge, not based on convention but through the situatedness of emergent insight. The goal is thus not to forward a reproducible formula for knowledge creation but to weave the conditions for utterances both within and in excess of discipline, convention, and establishment. How can research engender the making of communities between, across, and in excess of institutional frameworks through the emergent affinities, postures, and formats of evolving and inclusive forms of research? This volume is a valuable reference for researchers/practitioners within the arts and humanities as it exemplifies both critical and situated methods for developing interdisciplinary research as a means of transforming the terms of research itself.
Author: Fabienne Liptay
Publisher: Brill / Rodopi
ISBN: 9789004308190
Category : Language Arts & Disciplines
Languages : en
Pages : 396
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Book Description
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media.
