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Author: Ian Fielding
Publisher: Cambridge University Press
ISBN: 1316832627
Category : History
Languages : en
Pages : 271
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Book Description
Ovid could be considered the original poet of late antiquity. In his exile poetry, he depicts a world in which Rome has become a distant memory, a community accessible only through his imagination. This, Ovid claimed, was a transformation as remarkable as any he had recounted in his Metamorphoses. Ian Fielding's book shows how late antique Latin poets referred to Ovid's experiences of isolation and estrangement as they reflected on the profound social and cultural transformations taking place in the fourth, fifth and sixth centuries AD. There are detailed new readings of texts by major figures such as Ausonius, Paulinus of Nola, Boethius and Venantius Fortunatus. For these authors, Fielding emphasizes, Ovid was not simply a stylistic model, but an important intellectual presence. Ovid's fortunes in late antiquity reveal that poetry, far from declining into irrelevance, remained a powerful mode of expression in this fascinating period.
Author: Ian Fielding
Publisher: Cambridge University Press
ISBN: 1316832627
Category : History
Languages : en
Pages : 271
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Book Description
Ovid could be considered the original poet of late antiquity. In his exile poetry, he depicts a world in which Rome has become a distant memory, a community accessible only through his imagination. This, Ovid claimed, was a transformation as remarkable as any he had recounted in his Metamorphoses. Ian Fielding's book shows how late antique Latin poets referred to Ovid's experiences of isolation and estrangement as they reflected on the profound social and cultural transformations taking place in the fourth, fifth and sixth centuries AD. There are detailed new readings of texts by major figures such as Ausonius, Paulinus of Nola, Boethius and Venantius Fortunatus. For these authors, Fielding emphasizes, Ovid was not simply a stylistic model, but an important intellectual presence. Ovid's fortunes in late antiquity reveal that poetry, far from declining into irrelevance, remained a powerful mode of expression in this fascinating period.
Author: Maximianus
Publisher: University of Pennsylvania Press
ISBN: 0812249798
Category : History
Languages : en
Pages : 240
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Book Description
A. M. Juster presents a faithful, poetic translation of the elegies of Maximianus, "last of the Roman poets." This comprehensive volume includes an introduction by renowned classicist Michael Roberts, the first English translation of an additional six poems attributed to Maximianus, and the first commentary in English on the elegies since 1900.
Author: Massimiliano Vitiello
Publisher: University of Toronto Press
ISBN: 1442647833
Category : History
Languages : en
Pages : 352
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Book Description
Educated in Platonic philosophy rather than the military arts, the Ostrogothic king Theodahad was never meant to rule. His unexpected nomination as co-regent by his cousin Queen Amalasuintha plunged him into the intrigues of the Gothic court, and Theodahad soon conspired to assassinate the queen. But, once alone on the throne, his lack of political experience and military skill made him ineffective at best and dangerously incompetent at worst. Defeated by the Byzantine emperor Justinian, Theodahad was killed by his own subjects. In Theodahad, Massimiliano Vitiello rigorously investigates the ancient sources in order to reconstruct the events of Theodahad's life and the contours of sixth-century diplomacy and political intrigues. Painting a picture of an unlikely king whose reign helped spell the end of Ostrogothic Italy, Vitiello's book not only illuminates Theodahad's own life but also offers new insight into the sixth-century Mediterranean world.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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Book Description
Author: Paul White
Publisher: Routledge
ISBN: 0429535074
Category : History
Languages : en
Pages : 95
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Book Description
Gallus Reborn is the first comprehensive study of the publication history and reception of the works that have been attributed to Gaius Cornelius Gallus, first canonical Roman elegist, friend of Virgil, and ‘missing link’ in Roman literary history. Gallus was a widely read and frequently imitated author from the Renaissance onwards, when he overcame the disadvantage of having no surviving works by putting his name to a substantial body of pseudepigrapha: misattributed, faked or forged poems. This monograph asks what Gallus was like, during that phase of his existence; how was he read, and by whom; and what impact did he have on literary history? Combining close readings of the texts with a comparative overview of their wider reception, Gallus Reborn will interest scholars and advanced students of classical reception, Neo-Latin, comparative literature and early modern studies.
Author: David Wallace
Publisher: Cambridge University Press
ISBN: 9780521890465
Category : Literary Criticism
Languages : en
Pages : 1060
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Book Description
This was the first full-scale history of medieval English literature for nearly a century. Thirty-three distinguished contributors offer a collaborative account of literature composed or transmitted in England, Wales, Ireland and Scotland between the Norman conquest and the death of Henry VIII in 1547. The volume has five sections: 'After the Norman Conquest'; 'Writing in the British Isles'; 'Institutional Productions'; 'After the Black Death' and 'Before the Reformation'. It provides information on a vast range of literary texts and the conditions of their production and reception, which will serve both specialists and general readers, and also contains a chronology, full bibliography and a detailed index. This book offers an extensive and vibrant account of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists.
Author: Hunter H. Gardner
Publisher: BRILL
ISBN: 9004688153
Category : Literary Criticism
Languages : en
Pages : 101
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Book Description
Latin love elegy’s flourishing concurrent with Rome’s transition from Republic to Principate has remained an issue central to scholarship on the genre since the turn of the last millennium. This book addresses the Greco-Roman literary inheritance and Augustan socio-political context that paved the way for that flourishing, while examining the genre’s key elements and characters as illustrated in the poetry of Propertius, Tibullus, Ovid, and Sulpicia. Special attention is paid to the gendered dynamics that govern the relationship between “poet-lover” (amator) and beloved and to the role of the poet as artist and creator of a “written girl” (scripta puella).
Author: Hannah Lavery
Publisher: Routledge
ISBN: 1317027671
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
The first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Author: Todd H.J. Pettigrew
Publisher: BRILL
ISBN: 9004372849
Category : History
Languages : en
Pages : 461
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Book Description
This volume presents, for the first time, a critical edition of the works of the early modern English physician John Cotta. No mere country doctor, Cotta spoke out eloquently and courageously against what he saw as abuses in medicine and injustices in the prosecution of witchcraft. Read by important thinkers such as Robert Burton in England, and by colonial administrators in New England, Cotta helped shape two of the most important debates of his time. Included are the full texts of Cotta’s Short Discovery and The Trial of Witchcraft, both books painstakingly edited and annotated. Also included is a detailed introduction dealing with Cotta’s medical and religious contexts, his extensive learning and much more.
Author: Philip Lindsay Sohm
Publisher: Yale University Press
ISBN: 9780300121230
Category : Art
Languages : en
Pages : 244
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Book Description
How does the artist’s self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline—Poussin’s hands became shaky, Titian’s eyesight dimmed. For others, psychological symptoms emerged. The book’s cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.
