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Author: Matt Mullican
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 228
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Book Description
Author: Matt Mullican
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 228
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Book Description
Author: Lynne Cooke
Publisher: Skira
ISBN: 9780847839780
Category : Art
Languages : en
Pages : 271
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Book Description
The first major monograph on the rich and varied art of Matt Mullican. For more than three decades, Matt Mullican has created a complex body of work concerned with systems of knowledge, meaning, language, and signification. Mullican has always been concerned with the relationship between perception and reality, between the ability to see something and the ability to represent it. Mullican's oeuvre, which takes form as drawing, collage, video, sculpture, performance, and installation, confronts the nature of subjective understanding, rationality, and cognition - in essence proposing a "picture" of the world. This first major monograph on Mullican - being published following tremendous renewed interest in the artist's important work by a group of younger artists and curators - considers his work in-depth. Lynne Cooke, chief curator at the Reina Sofia in Madrid, and Hal Foster, art historian, address various aspects of Mullican's multidisciplinary practice. A roundtable discussion between Conceptual artist John Baldessari and critic and curator Hans Ulrich-Obrist completes this comprehensive survey with a discussion on the nature of creativity.
Author: Matt Mullican
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 104
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Book Description
Matt Mullican: Model Architecture ISBN 3-7757-1780-3 / 978-3-7757-1780-9 Hardcover, 9.75 x 12 in. / 96 pgs / 40 color and 20 b&w. / U.S. $35.00 CDN $42.00 October / Art
Author: Alexander Bigman
Publisher: University of Chicago Press
ISBN: 0226833089
Category : Art
Languages : en
Pages : 267
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Book Description
A fresh take on the group of artists known as the Pictures Generation, reinterpreting their work as haunted by the history of fascism, the threat of its return, and the effects of its recurring representation in postwar American culture. The artists of the Pictures Generation, converging on New York City in the late 1970s, indelibly changed the shape of American art. Rebelling against abstraction, they borrowed liberally from the aesthetics of mass media and sometimes the work of other artists. It has long been thought that the group’s main contribution was to upend received conceptions of authorial originality. In Pictures and the Past, however, art critic and historian Alexander Bigman shows that there is more to this moment than just the advent of appropriation art. He presents us with a bold new interpretation of the Pictures group’s most significant work, in particular its recurring evocations of fascist iconography. In the wake of the original Pictures show, curated by Douglas Crimp in 1977, artists such as Sarah Charlesworth, Jack Goldstein, Troy Brauntuch, Robert Longo, and Gretchen Bender raised pressing questions about what it means to perceive the world historically in a society saturated by images. Bigman argues that their references to past cataclysms—to the violence wrought by authoritarianism and totalitarianism—represent not only a coded form of political commentary about the 1980s but also a piercing reflection on the nature of collective memory. Throughout, Bigman situates their work within a larger cultural context including parallel trends in music, fashion, cinema, and literature. Pictures and the Past probes the shifting relationships between art, popular culture, memory, and politics in the 1970s and ’80s, examining how the specter of fascism loomed for artists then—and the ways it still looms for us today.
Author: Ann Lee Morgan
Publisher: Rowman & Littlefield
ISBN: 1442276681
Category : Art
Languages : en
Pages : 571
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Book Description
The Historical Dictionary of Contemporary Art illuminates important artists, styles, and movements of the past 70 years. Beginning with the immediate post-World War II period, it encompasses earlier 20th century masters, including Pablo Picasso, Henri Matisse, Henry Moore, Alberto Giacometti, Joan Miró, Jean Dubuffet, Stuart Davis, Georgia O’Keeffe, and other well-known figures, who remained creatively productive, while also inspiring younger generations. The book covers subsequent developments, including abstract expressionism, happenings, pop art, minimalism, conceptual art, arte povera, feminist art, photorealism, neo-expressionism, and postmodernism, as well as the contributions of such artists as Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, David Hockney, Ellsworth Kelly, Francis Bacon, Louise Bourgeois, Lucio Fontana, Andy Warhol, Richard Serra, Donald Judd, Joseph Beuys, Christo, Anselm Kiefer, Judy Chicago, Ai Weiwei, and Jeff Koons. Historical Dictionary of Contemporary Art contains a chronology, an introduction, and an extensive bibliography, including more than 900 cross-referenced entries on important artists, styles, terms, and movements.This book is an excellent resource for students, researchers, and anyone wanting to know more about contemporary art.
Author: Sarah Patricia Evans
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Book Description
Author: Royal College of Art (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Author: Galerie Georg Kargl
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 334
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Book Description
Georg Kargl founded the respected Galerie Metropol in Vienna in 1978, and in 1998 he opened Kargl Fine Arts, now called BOX. This history of Kargl's visionary take on contemporary art over the years includes John Baldessari, Dan Flavin, Christopher Williams, Collier Schorr, Raymond Pettibon and John Waters to name just a few.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3126
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Book Description
Author: Roland Nachtigäller
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
The catalogue of the 1992 Documenta, the international art exhibition held in Germany every five years. These three volumes consist of a complete catalogue, biographies, bibliographies, essays, colour spreads, and a black and white spread containing each artist's choice of images and information.
