Author: Richard Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 480
Book Description
Richard Wagner to Mathilde Wesendonck
Author: Richard Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 480
Book Description
Mathilde Wesendonck, Isolde's Dream
Author: Judith Cabaud
Publisher: Amadeus
ISBN: 9781574674910
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
(Amadeus). Truly great compositions spring, like Athena from Zeus' skull, at the juncture of genius and passion. In Mathilde Wesendonck: Isolde's Dream , author Judith Cabaud calls on a host of heretofore undiscovered resources to tell the story of Mathilde Wesendonck, muse and paramour to Richard Wagner and, later, Johannes Brahms. Alma Mahler, eat your heart out. In or about August 1857, Richard Wagner's character changed. He abandoned Der Ring des Nibelungen , the Gesamtkunstwerk he'd begun work on nearly a decade earlier, tore through a short set of songs now known as the Wesendonck Lieder , and dove headlong into Tristan und Isolde , "eine Handlung" whose seminal influence would ricochet down the ensuing century of Western romantic music. Why the dramatic shift? Wagner had been struck by lightning twice. The first bolt was sighted across Europe; his name was Arthur Schopenhauer. The second was restricted to a insular social world centered at the estate of Otto Wesendonck, one of Wagner's patrons. Her name was Mathilde Wesendonck, and this is her story.
Publisher: Amadeus
ISBN: 9781574674910
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
(Amadeus). Truly great compositions spring, like Athena from Zeus' skull, at the juncture of genius and passion. In Mathilde Wesendonck: Isolde's Dream , author Judith Cabaud calls on a host of heretofore undiscovered resources to tell the story of Mathilde Wesendonck, muse and paramour to Richard Wagner and, later, Johannes Brahms. Alma Mahler, eat your heart out. In or about August 1857, Richard Wagner's character changed. He abandoned Der Ring des Nibelungen , the Gesamtkunstwerk he'd begun work on nearly a decade earlier, tore through a short set of songs now known as the Wesendonck Lieder , and dove headlong into Tristan und Isolde , "eine Handlung" whose seminal influence would ricochet down the ensuing century of Western romantic music. Why the dramatic shift? Wagner had been struck by lightning twice. The first bolt was sighted across Europe; his name was Arthur Schopenhauer. The second was restricted to a insular social world centered at the estate of Otto Wesendonck, one of Wagner's patrons. Her name was Mathilde Wesendonck, and this is her story.
Sudden Death in Opera
Author: Michael Trimble
Publisher: Cambridge Scholars Publishing
ISBN: 1527575357
Category : Science
Languages : en
Pages : 641
Book Description
An aspect of dying in opera, rarely observed or commented on, is Sudden Unexpected Death. There are many deaths in this melodramatic genre: most follow expected causes like murder, suicide, or old age. This book explores those deaths which occur without obvious natural causes. These are often central to the overall drama of the opera, representing denouements forming the epiphany of the story and the apotheosis for the audience. The book identifies 50 operas where such events occur, exploring the role of the dramatis personae, the circumstances of their dying, and specific themes that emerge. These include a preponderance of females, especially in the 19th century, who die mainly at the end of the operas, often in the context of tragedy. It charts the growing awareness in the medical sciences of the unconscious forces driving human behaviour, including liminal mental states and trances, which influenced these operas and continue to affect human behaviour to the present day. In addition, the changing philosophies that are intertwined with operatic narratives, in particular stemming from Kant, Hegel, Schopenhauer and Nietzsche, are important in the book’s exegesis, as is the special role of Wagner’s compositions. This leads to the exploration of recurrent concepts such as the Liebestod, the ewig Weibliche and redemption itself.
Publisher: Cambridge Scholars Publishing
ISBN: 1527575357
Category : Science
Languages : en
Pages : 641
Book Description
An aspect of dying in opera, rarely observed or commented on, is Sudden Unexpected Death. There are many deaths in this melodramatic genre: most follow expected causes like murder, suicide, or old age. This book explores those deaths which occur without obvious natural causes. These are often central to the overall drama of the opera, representing denouements forming the epiphany of the story and the apotheosis for the audience. The book identifies 50 operas where such events occur, exploring the role of the dramatis personae, the circumstances of their dying, and specific themes that emerge. These include a preponderance of females, especially in the 19th century, who die mainly at the end of the operas, often in the context of tragedy. It charts the growing awareness in the medical sciences of the unconscious forces driving human behaviour, including liminal mental states and trances, which influenced these operas and continue to affect human behaviour to the present day. In addition, the changing philosophies that are intertwined with operatic narratives, in particular stemming from Kant, Hegel, Schopenhauer and Nietzsche, are important in the book’s exegesis, as is the special role of Wagner’s compositions. This leads to the exploration of recurrent concepts such as the Liebestod, the ewig Weibliche and redemption itself.
Program Notes
Author: Cleveland Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 324
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 324
Book Description
The Tragic and the Ecstatic
Author: Chafe
Publisher: Oxford University Press
ISBN: 0199711364
Category : Music
Languages : en
Pages : 344
Book Description
During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.
Publisher: Oxford University Press
ISBN: 0199711364
Category : Music
Languages : en
Pages : 344
Book Description
During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.
The Tragic and the Ecstatic
Author: Eric Thomas Chafe
Publisher:
ISBN: 0195176472
Category : Music
Languages : en
Pages : 344
Book Description
Argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The book is a critical account of Tristan, in which the drama is shown to develop through the music.
Publisher:
ISBN: 0195176472
Category : Music
Languages : en
Pages : 344
Book Description
Argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The book is a critical account of Tristan, in which the drama is shown to develop through the music.
Song
Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604
Book Description
Naslagwerk van de liedkunst en de literatuur hierover.
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604
Book Description
Naslagwerk van de liedkunst en de literatuur hierover.
School of Music Programs
Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 292
Book Description
Tristan and Isolde
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 328
Book Description
Richard Wagner
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 469
Book Description
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 469
Book Description