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Author: Judith Cabaud
Publisher: Amadeus
ISBN: 9781574674910
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
(Amadeus). Truly great compositions spring, like Athena from Zeus' skull, at the juncture of genius and passion. In Mathilde Wesendonck: Isolde's Dream , author Judith Cabaud calls on a host of heretofore undiscovered resources to tell the story of Mathilde Wesendonck, muse and paramour to Richard Wagner and, later, Johannes Brahms. Alma Mahler, eat your heart out. In or about August 1857, Richard Wagner's character changed. He abandoned Der Ring des Nibelungen , the Gesamtkunstwerk he'd begun work on nearly a decade earlier, tore through a short set of songs now known as the Wesendonck Lieder , and dove headlong into Tristan und Isolde , "eine Handlung" whose seminal influence would ricochet down the ensuing century of Western romantic music. Why the dramatic shift? Wagner had been struck by lightning twice. The first bolt was sighted across Europe; his name was Arthur Schopenhauer. The second was restricted to a insular social world centered at the estate of Otto Wesendonck, one of Wagner's patrons. Her name was Mathilde Wesendonck, and this is her story.
Author: Judith Cabaud
Publisher: Amadeus
ISBN: 9781574674910
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
(Amadeus). Truly great compositions spring, like Athena from Zeus' skull, at the juncture of genius and passion. In Mathilde Wesendonck: Isolde's Dream , author Judith Cabaud calls on a host of heretofore undiscovered resources to tell the story of Mathilde Wesendonck, muse and paramour to Richard Wagner and, later, Johannes Brahms. Alma Mahler, eat your heart out. In or about August 1857, Richard Wagner's character changed. He abandoned Der Ring des Nibelungen , the Gesamtkunstwerk he'd begun work on nearly a decade earlier, tore through a short set of songs now known as the Wesendonck Lieder , and dove headlong into Tristan und Isolde , "eine Handlung" whose seminal influence would ricochet down the ensuing century of Western romantic music. Why the dramatic shift? Wagner had been struck by lightning twice. The first bolt was sighted across Europe; his name was Arthur Schopenhauer. The second was restricted to a insular social world centered at the estate of Otto Wesendonck, one of Wagner's patrons. Her name was Mathilde Wesendonck, and this is her story.
Author: Sudhir Jain
Publisher: Bayeux Arts, Incorporated
ISBN: 9781896209913
Category : Composers
Languages : en
Pages : 0
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Book Description
In Sudhir Jain's first collection of stories, the title story is the love affair between composer Richard Wagner and Mathilde, young wife of his patron Otto Wesendonck. The story is narrated by Mathilde. The other love story in the collection is the tragic affair between young Gustav Mahler, another great composer, and Marion von Weber, seen through her eyes. The other stories are humorous, based on life experiences of people the author has come across; these are generally told in the first person with a rare sense of self-deprecating wit. Sudhir Jain and his wife have made their home in Calgary, Alberta, for over thirty years. He has appeared on radio and television, and in the pages of national newspapers.
Author: Gustav Kobbé
Publisher: Cambridge University Press
ISBN: 1108078559
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
The 1905 translation of Wagner's intense letters to the poet Mathilde Wesendonck, muse for one of his greatest operas.
Author: Richard Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 488
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 410
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 404
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
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Book Description
Author: Roger Scruton
Publisher: Oxford University Press
ISBN: 9780195347210
Category : Music
Languages : en
Pages : 256
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Book Description
A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.
Author: Richard Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 480
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Book Description
Author: Michael Trimble
Publisher: Cambridge Scholars Publishing
ISBN: 1527575357
Category : Science
Languages : en
Pages : 641
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Book Description
An aspect of dying in opera, rarely observed or commented on, is Sudden Unexpected Death. There are many deaths in this melodramatic genre: most follow expected causes like murder, suicide, or old age. This book explores those deaths which occur without obvious natural causes. These are often central to the overall drama of the opera, representing denouements forming the epiphany of the story and the apotheosis for the audience. The book identifies 50 operas where such events occur, exploring the role of the dramatis personae, the circumstances of their dying, and specific themes that emerge. These include a preponderance of females, especially in the 19th century, who die mainly at the end of the operas, often in the context of tragedy. It charts the growing awareness in the medical sciences of the unconscious forces driving human behaviour, including liminal mental states and trances, which influenced these operas and continue to affect human behaviour to the present day. In addition, the changing philosophies that are intertwined with operatic narratives, in particular stemming from Kant, Hegel, Schopenhauer and Nietzsche, are important in the book’s exegesis, as is the special role of Wagner’s compositions. This leads to the exploration of recurrent concepts such as the Liebestod, the ewig Weibliche and redemption itself.
