Mathilde Blind: Selected Fin-de-Siècle Poetry and Prose PDF Download
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Author: James Diedrick
Publisher: MHRA
ISBN: 1781889635
Category : Poetry
Languages : en
Pages : 289
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Book Description
Mathilde Blind’s contributions to the New Woman and Decadent movements in the 1880s and 1890s placed her at the centre of fin-de-siècle literary culture. She rose to prominence in the early 1870s, both as an expert on and proponent of the poetry of Percy Bysshe Shelley and as one of the few women writers published in the Dark Blue (1871–73), an influential journal that featured the work of Britain’s leading Pre-Raphaelites and aesthetes. By the late 1880s, she had established close associations with key figures of England’s emergent Decadent communities, from Vernon Lee and Rosamund Marriott Watson to Oscar Wilde and Arthur Symons. When her Dramas in Miniature appeared in 1891, she was fusing aestheticism and Decadence so distinctively in her poetry that Symons evoked Charles Baudelaire in calling the dramatic monologues in the volume ‘flowers of evil’. Her career thus highlights the connections between mid-Victorian aestheticism and late-century Decadence. It also serves as an important corrective to the male-focused narratives that long dominated accounts of these movements. In addition, and because Blind was born in Germany of Jewish parents and part of a community of exiled European radicals, her poetry and prose alike are characterized by a transnational, cosmopolitan outlook that ranges across national borders and consistently engages with Continental writers and ideas. This new edition for the first time brings together the three major volumes of poetry Blind published between 1889 and 1895 alongside a critical introduction and explanatory notes. Because she was also an active reviewer and essayist throughout her career, it includes a selection of her reviews as well as her essay ‘Shelley’s View of Nature Contrasted with Darwin’s’, which serves as an important supplement to her 1889 volume The Ascent of Man. The edition also features a selection of critical responses to Blind’s writing by leading late-Victorian poets and critics.
Author: James Diedrick
Publisher: MHRA
ISBN: 1781889635
Category : Poetry
Languages : en
Pages : 289
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Book Description
Mathilde Blind’s contributions to the New Woman and Decadent movements in the 1880s and 1890s placed her at the centre of fin-de-siècle literary culture. She rose to prominence in the early 1870s, both as an expert on and proponent of the poetry of Percy Bysshe Shelley and as one of the few women writers published in the Dark Blue (1871–73), an influential journal that featured the work of Britain’s leading Pre-Raphaelites and aesthetes. By the late 1880s, she had established close associations with key figures of England’s emergent Decadent communities, from Vernon Lee and Rosamund Marriott Watson to Oscar Wilde and Arthur Symons. When her Dramas in Miniature appeared in 1891, she was fusing aestheticism and Decadence so distinctively in her poetry that Symons evoked Charles Baudelaire in calling the dramatic monologues in the volume ‘flowers of evil’. Her career thus highlights the connections between mid-Victorian aestheticism and late-century Decadence. It also serves as an important corrective to the male-focused narratives that long dominated accounts of these movements. In addition, and because Blind was born in Germany of Jewish parents and part of a community of exiled European radicals, her poetry and prose alike are characterized by a transnational, cosmopolitan outlook that ranges across national borders and consistently engages with Continental writers and ideas. This new edition for the first time brings together the three major volumes of poetry Blind published between 1889 and 1895 alongside a critical introduction and explanatory notes. Because she was also an active reviewer and essayist throughout her career, it includes a selection of her reviews as well as her essay ‘Shelley’s View of Nature Contrasted with Darwin’s’, which serves as an important supplement to her 1889 volume The Ascent of Man. The edition also features a selection of critical responses to Blind’s writing by leading late-Victorian poets and critics.
Author: James Diedrick
Publisher: University of Virginia Press
ISBN: 0813939321
Category : Biography & Autobiography
Languages : en
Pages : 443
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Book Description
With Mathilde Blind: Late-Victorian Culture and the Woman of Letters, James Diedrick offers a groundbreaking critical biography of the German-born British poet Mathilde Blind (1841–1896), a freethinking radical feminist. Born to politically radical parents, Blind had, by the time she was thirty, become a pioneering female aesthete in a mostly male community of writers, painters, and critics, including Algernon Charles Swinburne, William Morris, Ford Madox Brown, William Michael Rossetti, and Richard Garnett. By the 1880s she had become widely recognized for a body of writing that engaged contemporary issues such as the Woman Question, the forced eviction of Scottish tenant farmers in the Highland Clearances, and Darwin’s evolutionary theory. She subsequently emerged as a prominent voice and leader among New Woman writers at the end of the century, including Mona Caird, Rosamund Marriott Watson, and Katharine Tynan. She also developed important associations with leading male decadent writers of the fin de siècle, most notably, Oscar Wilde and Arthur Symons. Despite her extensive contributions to Victorian debates on aesthetics, religion, nationhood, imperialism, gender, and sexuality, however, Blind has yet to receive the prominence she deserves in studies of the period. As the first full-length biography of this trailblazing woman of letters, Mathilde Blind underscores the importance of her poetry and her critical writings (her work on Shelley, biographies of George Eliot and Madame Roland, and her translations of Strauss and Bashkirtseff) for the literature and culture of the fin de siècle.
Author: William Morris
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 166
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Book Description
Author: Mathilde Blind
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Book Description
Author: Barbara Barrow
Publisher: Routledge
ISBN: 0429575203
Category : Literary Collections
Languages : en
Pages : 185
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Book Description
Barrow’s timely book is the first to examine the link between Victorian poetry, the study of language, and political reform. Focusing on a range of literary, scientific, and political texts, Barrow demonstrates that nineteenth-century debates about language played a key role in shaping emergent ideas about popular sovereignty. While Victorian scientists studied the origins of speech, the history of dialects, and the barrier between human and animal language, poets such as Elizabeth Barrett Browning, Alfred Tennyson, and Thomas Hardy drew on this research to explore social unrest, the expansion of the electorate, and the ever-widening boundaries of empire. Science, Language, and Reform in Victorian Poetry recovers unacknowledged links between poetry, philology, and political culture, and contributes to recent movements in literary studies that combine historicist and formalist approaches.
Author: PATRICIA MURPHY
Publisher: University of Missouri Press
ISBN: 0826274293
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Surprisingly, glimmerings of ecofeminist theory that would emerge a century later can be detected in women’s poetry of the late Victorian period. In Reconceiving Nature, Patricia Murphy examines the work of six ecofeminist poets—Augusta Webster, Mathilde Blind, Michael Field, Alice Meynell, Constance Naden, and L. S. Bevington—who contested the exploitation of the natural world. Challenging prevalent assumptions that nature is inferior, rightly subordinated, and deservedly manipulated, these poets instead “reconstructed” nature.
Author: Edmund White
Publisher: Atlas and Company
ISBN: 9781934633205
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Poet and prodigy Arthur Rimbaud led a life that was tragically brief, but just as dramatically eventful and accomplished.
Author: Laura Kolb
Publisher: Oxford University Press
ISBN: 0192603515
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
In Shakespeare's England, credit was synonymous with reputation, and reputation developed in the interplay of language, conduct, and social interpretation. As a consequence, artful language and social hermeneutics became practical, profitable skills. Since most people both used credit and extended it, the dual strategies of implication and inference--of producing and reading evidence--were everywhere. Like poetry or drama, credit was constructed: fashioned out of the interplay of artifice and interpretation. The rhetorical dimension of economic relations produced social fictions on a range of scales: from transitory performances facilitating local transactions to the long-term project of maintaining creditworthiness to the generalized social indeterminacy that arose from the interplay of performance and interpretation. Fictions of Credit in the Age of Shakespeare examines how Shakespeare and his contemporaries represented credit-driven artifice and interpretation on the early modern stage. It also analyses a range of practical texts--including commercial arithmetics, letter-writing manuals, legal formularies, and tables of interest--which offered strategies for generating credit and managing debt. Looking at plays and practical texts together, Fictions of Credit argues that both types of writing constitute “equipment for living”: practical texts by offering concrete strategies for navigating England's culture of credit, and plays by exploring the limits of credit's dangers and possibilities. In their representations of a world re-written by debt relations, dramatic texts in particular articulate a phenomenology of economic life, telling us what it feels like to live in credit culture: to live, that is, inside a fiction.
Author: Arthur William Edgar O'Shaughnessy
Publisher: Franklin Classics
ISBN: 9780342741830
Category :
Languages : en
Pages : 228
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Hermynia Zur Mühlen
Publisher: Open Book Publishers
ISBN: 1906924279
Category : Biography & Autobiography
Languages : en
Pages : 302
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Book Description
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
