Author: Willy Bang
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 402
Book Description
Materialien Zur Kunde Des Älteren Englischen Dramas
Author: Willy Bang
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 402
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 402
Book Description
Materialien zur Kunde des älteren Englischen Dramas
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 716
Book Description
Materialien Zur Kunde Des Älteren Englischen Dramas: v. 8-11. Pedantius, a Latin comedy formerly acted in Trinity College, Cambridge, edited by G.C. Moore Smith ; Studien Über Shakespeare's Wirkung auf Zeitgenössische Dramatiker, von E. Koeppel ; Ben Jonson's Every man in his humor, reprinted from the Quarto 1601 by W. Bang and W.W. Greg ; Ben Jonson's Sad shepherd with Waldron's continuation, edited by W.W. Greg
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 572
Book Description
Textual Patronage in English Drama, 1570-1640
Author: David M. Bergeron
Publisher: Routledge
ISBN: 1351148028
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production.
Publisher: Routledge
ISBN: 1351148028
Category : Literary Criticism
Languages : en
Pages : 359
Book Description
Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production.
The Earliest English Translations of Erasmus' Colloquia, 1536-1566
Author: Desiderius Erasmus
Publisher:
ISBN:
Category : Dialogues, Latin (Medieval and modern)
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Dialogues, Latin (Medieval and modern)
Languages : en
Pages : 428
Book Description
Bibliography of Medieval Drama
Author: Carl J. Stratman
Publisher: Univ of California Press
ISBN: 0520345576
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
Publisher: Univ of California Press
ISBN: 0520345576
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
Bibliograpy of Medieval Drama
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 434
Book Description
To Chester and Beyond: Meaning, Text and Context in Early English Drama
Author: David Mills
Publisher: Taylor & Francis
ISBN: 1000950360
Category : History
Languages : en
Pages : 228
Book Description
This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work.
Publisher: Taylor & Francis
ISBN: 1000950360
Category : History
Languages : en
Pages : 228
Book Description
This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work.
British Drama, 1533-1642: 1603-1608
Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 019871923X
Category : Drama
Languages : en
Pages : 545
Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Publisher: Oxford University Press, USA
ISBN: 019871923X
Category : Drama
Languages : en
Pages : 545
Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Dissembling Disability in Early Modern English Drama
Author: Lindsey Row-Heyveld
Publisher: Springer
ISBN: 3319921355
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Why do able-bodied characters fake disability in 40 early modern English plays? This book uncovers a previously unexamined theatrical tradition and explores the way counterfeit disability captivated the Renaissance stage. Through detailed case studies of both lesser-known and canonical plays (by Shakespeare, Jonson, Marston, and others), Lindsey Row-Heyveld demonstrates why counterfeit disability proved so useful to early modern playwrights. Changing approaches to almsgiving in the English Reformation led to increasing concerns about feigned disability. The theater capitalized on those concerns, using the counterfeit-disability tradition to explore issues of charity, epistemology, and spectatorship. By illuminating this neglected tradition, this book fills an important gap in both disability history and literary studies, and explores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments.
Publisher: Springer
ISBN: 3319921355
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
Why do able-bodied characters fake disability in 40 early modern English plays? This book uncovers a previously unexamined theatrical tradition and explores the way counterfeit disability captivated the Renaissance stage. Through detailed case studies of both lesser-known and canonical plays (by Shakespeare, Jonson, Marston, and others), Lindsey Row-Heyveld demonstrates why counterfeit disability proved so useful to early modern playwrights. Changing approaches to almsgiving in the English Reformation led to increasing concerns about feigned disability. The theater capitalized on those concerns, using the counterfeit-disability tradition to explore issues of charity, epistemology, and spectatorship. By illuminating this neglected tradition, this book fills an important gap in both disability history and literary studies, and explores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments.