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Author: Élodie Dupey García
Publisher: University of Arizona Press
ISBN: 0816538441
Category : Social Science
Languages : en
Pages : 329
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Book Description
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo
Author: Élodie Dupey García
Publisher: University of Arizona Press
ISBN: 0816538441
Category : Social Science
Languages : en
Pages : 329
Get Book Here
Book Description
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo
Author: Francesco Pellizzi
Publisher: Peabody Museum Press
ISBN: 087365854X
Category : Art
Languages : en
Pages : 369
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Book Description
This volume includes the editorial “The absconded subject of Pop,” by Thomas Crow; “Enlivening the soul in Chinese tombs,” by Wu Hung; “On the ‘true body’ of Huineng,” by Michele Matteini; “Apparition painting,” by Yukio Lippit; “Immanence out of sight,” by Joyce Cheng; “Absconding in plain sight,” by Roberta Bonetti; “Ancient Maya sculptures of Tikal, seen and unseen,” by Megan E. O’Neil; “Style and substance, or why the Cacaxtla paintings were buried,” by Claudia Brittenham; “The Parthenon frieze,” by Clemente Marconi; “Roma sotterranea and the biogenesis of New Jerusalem,” by Irina Oryshkevich; “Out of sight, yet still in place,” by Minou Schraven; “Behind closed doors,” by Melissa R. Katz; “Moving eyes,” by Bissera V. Pentcheva; “‘A secret kind of charm not to be expressed or discerned,’” by Rebecca Zorach; “Ivory towers,” by Richard Taws; “Boxed in,” by Miranda Lash; “A concrete experience of nothing,” by William S. Smith; “Believing in art,” by Irene V. Small; “Repositories of the unconditional,” by Gabriele Guercio; “From micro/macrocosm to the aesthetics of ruins and waste-bodies,” by Jeanette Zwingenberger; “Are shadows transparent?” by Roberto Casati; “Invisibility of the digital,” by Boris Groys; “Des formes et des catégories,” by Remo Guidieri; and “Further comments on ‘Absconding,’” by Francesco Pellizzi.
Author: Ralph Mayer
Publisher: Ediciones AKAL
ISBN: 9788487756177
Category : Art
Languages : es
Pages : 772
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Book Description
Author: Scott R. Hutson
Publisher: Routledge
ISBN: 1351029568
Category : Education
Languages : en
Pages : 995
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Book Description
The Maya World brings together over 60 authors, representing the fields of archaeology, art history, epigraphy, geography, and ethnography, who explore cutting-edge research on every major facet of the ancient Maya and all sub-regions within the Maya world. The Maya world, which covers Guatemala, Belize, and parts of Mexico, Honduras, and El Salvador, contains over a hundred ancient sites that are open to tourism, eight of which are UNESCO World Heritage Sites, and many thousands more that have been dug or await investigation. In addition to captivating the lay public, the ancient Maya have attracted scores of major interdisciplinary research expeditions and hundreds of smaller projects going back to the 19th century, making them one of the best-known ancient cultures. The Maya World explores their renowned writing system, towering stone pyramids, exquisitely painted murals, and elaborate funerary tombs as well as their creative agricultural strategies, complex social, economic, and political relationships, widespread interactions with other societies, and remarkable cultural resilience in the face of historical ruptures. This is an invaluable reference volume for scholars of the ancient Maya, including archaeologists, historians, and anthropologists.
Author:
Publisher: Erasmus Ediciones
ISBN: 8415462123
Category :
Languages : en
Pages : 190
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Book Description
Author: Adele Nelson
Publisher: Univ of California Press
ISBN: 0520385209
Category : Art
Languages : en
Pages : 392
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Book Description
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Author: Tom Learner
Publisher: Cambridge Scholars Publishing
ISBN: 1443881341
Category : Art
Languages : en
Pages : 555
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Book Description
This volume represents a forum for conservators, conservation scientists, artists and heritage managers. It includes the voices of many of the different partners involved in the complex task of preserving artworks: • The vital experience of artists who create murals and are sometimes asked to treat their creations; • Theoretical reflections on how to deal methodologically with conservation; • Scientific studies on the identification of constituent materials and/or on the development of procedures for their preservation; • The opinion of cultural managers; • The specific experiences of conservators. All of the above must have a voice in the difficult task of preserving such a challenging and changing heritage. Este volumen se plantea como un foro de encuentro entre conservadores restauradores, científicos, artistas y gestores del patrimonio. En él se incluye el trabajo de los diferentes interlocutores que participan en la compleja tarea de conservar una obra de arte: • La experiencia vital del artista creador de murales, que a veces es llamado para restaurar lo que ya hizo; • Las reflexiones teóricas sobre el modo de enfrentarnos metodológicamente a su conservación y restauración; • Los estudios científicos destinados a la identificación de materiales constitutivos o la puesta a punto de procedimientos para su conservación; • La opinión de quienes se encargan de su gestión; • Las experiencias concretas de conservadores restauradores. Todos ellos deben tener voz en la difícil tarea de conservar un patrimonio complejo y cambiante.
Author: Merideth Paxton
Publisher: University of New Mexico Press
ISBN: 0826359078
Category : Social Science
Languages : en
Pages : 263
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Book Description
Identities of power and place, as expressed in paintings from the periods before and after the Spanish conquest of Mesoamerica, are the subject of this book of case studies from Central Mexico, Oaxaca, and the Maya area. These sophisticated, skillfully rendered images occur with architecture, in manuscripts, on large pieces of cloth, and on ceramics.
Author: Salvador Muñoz Viñas
Publisher: Harvard Art Museum (Acc)
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
This is a bilingual summary of findings from man uscripts in a collection that belonged to Algonso V, King of Argon, now housed in the Historical Library at the University of Valencia, Span. The Focus of the study are the pigments.
Author: Robert G. Bednarik
Publisher: Archaeopress Publishing Ltd
ISBN: 1784914304
Category : Social Science
Languages : en
Pages : 256
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Book Description
This book addresses the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses. The issue of the materiality of visual productions of the distant past is addressed through various scientific approaches, including fieldwork, laboratory techniques and data analysis protocols.
