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Author: Arthur Thomas
Publisher: Forgotten Books
ISBN: 9780332027340
Category : Poetry
Languages : en
Pages : 64
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Book Description
Excerpt from Mater Ave Atque Vale For I know a village, a summer-sweet village, Deep-tangled with trees in a complicate skein. The angels of Heaven might glide through her gardens, Their glorious pinions unconscious of stain. I know a village, a clover-claspt Village, Encircled of hills in an undulate plain. I know a Village, sweet Hamilton Village, Whose murmuring arches the maples sustain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Thomas
Publisher: Forgotten Books
ISBN: 9780332027340
Category : Poetry
Languages : en
Pages : 64
Get Book Here
Book Description
Excerpt from Mater Ave Atque Vale For I know a village, a summer-sweet village, Deep-tangled with trees in a complicate skein. The angels of Heaven might glide through her gardens, Their glorious pinions unconscious of stain. I know a village, a clover-claspt Village, Encircled of hills in an undulate plain. I know a Village, sweet Hamilton Village, Whose murmuring arches the maples sustain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Elizabeth Vandiver
Publisher: Oxford University Press on Demand
ISBN: 0199542740
Category : History
Languages : en
Pages : 476
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Book Description
A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Author: Linda K. Hughes
Publisher: Cambridge University Press
ISBN: 0521856248
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
An overview of British poetry from 1830 to 1901, with a glossary of literary terms and guide to further reading.
Author: George Moore
Publisher: Delphi Classics
ISBN: 1786561042
Category : Fiction
Languages : en
Pages : 7259
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Book Description
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Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Author:
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ISBN:
Category :
Languages : en
Pages : 588
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Author: Douglas Pulleyne
Publisher: Library of Alexandria
ISBN: 1613103247
Category : Fiction
Languages : en
Pages : 372
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Book Description
When a man has been turned down by the Only Girl (although she isn't, and never was) and, subsequently, finds her present in the same batch of dinner-guests as himself, it is hardly to be expected that he will prove the life and soul of the party. But, thought Mrs. Carmichael, vexed with herself for a blundering hostess who ought to have known, and still more vexed with Cyprian Sterne for not having waited until after the 17th to try his luck with Muriel, there was no need for him to gloom at his soup as if he were gauging its depths for a suicidal dive and there was no need for him to have waved aside the champagne. Champagne was clearly indicated on the occasion, medicinally, if not (as she felt inclined to insist, herself, despite appearances) in felicitation. Cyprian always showed himself so ridiculously sensitive. And Muriel looked so ... adamant. Yes, that was the word; hard and bright like a crystal prism you could not see through clearly, however often the attractive suggestion of buried rainbows within might tempt you to hold it close to your eyes. With the closeness even the rainbows became blurred. "An incarnation of the three B's which constitute the Perfect Woman," said her men-admirers. Brain, Beauty and Breeding. All by heredity. No wonder she behaved as if she had the right to wealth also, of a standard not to be extracted from the scholarly pockets of Cyprian and his like. Had he a like? Mrs. Carmichael doubted. She wondered what mislaid edition of Persian verse or Grecian ethics was, even now, spoiling the symmetry of his evening coat. A little bowed, the shoulders, even when he stood upright. The scrutiny of the very blue eyes a little fixed when he addressed you with that air of seeing behind things which betrays the short-sighted. Interesting, the long dreamy face, but hardly handsome. And his acknowledged cleverness did not flash in your face like Muriel's, so that, waiving her awareness of his Double Firsts at Oxford and all that, she had been heard to tick him off as "a dry old stick." Encouraging his transparent admiration the while. Minx! One had wished he would hurry up and propose and get the inevitable yearnings for a premature grave over and then forget. And now he had completed the first item on that programme—most inconsiderately before the 17th—and the yearnings were upon him and he was ruining his end of the dinner-party. Muriel sat opposite him and it was comprehensible that he should not want to look at her and, therefore, incomprehensible why he insisted on trying to. As usual, she was worth looking at. Those very fair women, particularly when dressed in soft watery greens, recalled old legends of sirens who floated gold hair about their insinuating bodies, luring mankind by music and provocative laughter to its destruction despite the warning, eternally present, of white bones on the sand.
Author: Harriet Semmes Alexander
Publisher: Manchester University Press
ISBN: 9780719017063
Category : Literary Criticism
Languages : en
Pages : 512
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Author: Melissa Fran Zeiger
Publisher: Cornell University Press
ISBN: 9780801484414
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker.
Author: Charles Edward Cutts Birch Appleton
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 592
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