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Author: David Ehrenstein
Publisher: Phaidon Press
ISBN: 9782866429171
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Roman Polanski (born 1933) is a French-Polish film director, producer, writer and actor, who stands as one of the most influential directors living today.
Author: David Ehrenstein
Publisher: Phaidon Press
ISBN: 9782866429171
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Roman Polanski (born 1933) is a French-Polish film director, producer, writer and actor, who stands as one of the most influential directors living today.
Author: James Greenberg
Publisher: Harry N. Abrams
ISBN: 9781419707216
Category : Art
Languages : en
Pages : 0
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Book Description
This is the story of Roman Polanski's career from his early work such as 'Knife in the Water', through to his latest masterpiece, 'Carnage'.
Author: John Orr
Publisher: Wallflower Press
ISBN: 9781904764755
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
Roman Polanski is one of the great maverick figures of world cinema, with a long career starting in Poland with his short films of the 1950s and running through to the present with Oliver Twist. This collection highlights the bold and dazzling diversity of his work as well as recurrent themes and obsessions.
Author: Ewa Mazierska
Publisher: Bloomsbury Publishing
ISBN: 0857716557
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Polanski is one of the most talented and distinguished of modern film makers. A well-informed cultural traveller, interested in the position of the outsider, he is hard to pigeonhole: he moves easily between mass audience and art-house tastes, between settings and genres; his films, including 'Two Men and a Wardrobe', 'Cul de Sac', 'Rosemary?s Baby', 'The Pianist' and 'Oliver Twist', represent diverse characters and cinematic influences. Like a magpie, he?s interested in everything he encounters, but then easily discards his treasures and moves onward. Covering all Polanski?s films as director, this welcome book addresses the eclecticism, ambiguity and paradoxes of his cinema, while seeking out the common elements in his films. Ewa Mazierska examines the autobiographical effect of Polanski?s films, his characters and diverse narratives, and the place of absurdism, surrealism and the ?double life? of things in his cinema. She looks into the function of music, of religion, power, patriarchy and racism in the films, as well as Polanski?s literary adaptations and his use and subversion of film genres. Herself a Polish emigre, she uncovers Polanski's Polish roots and the extent of their influence on the cinema of this mercurial film maker, at large in the world.
Author: Annette Insdorf
Publisher: Northwestern University Press
ISBN: 081013506X
Category : Performing Arts
Languages : en
Pages : 175
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Book Description
In this first study in English of a master of Polish cinema, Annette Insdorf explores Has’s thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski, Double Lives, Second Chances (Northwestern, 2013). Wojciech Has’s films are still less known outside of his native Poland than those of his countrymen Andrzej Wajda, Krzysztof Zanussi, and Krzysztof Kieslowski. Yet thanks to his singular vision, many critics rank Has among the masters of world cinema. Some of his movies have developed a cult following, notably The Saragossa Manuscript, the favorite film of the Grateful Dead’s Jerry Garcia, which has been praised by directors such as Luis Buñuel, Francis Ford Coppola, and Roman Polanski. Has’s films reveal the inner lives of his characters, which he portrays by giving free rein to his own wildly creative imagination. In addition toThe Saragossa Manuscript, his diverse and innovative filmography includes The Hourglass Sanatorium, a vividly surreal depiction of Hassidic life in Poland between the world wars; The Noose, a stark poetic drama about a lucid alcoholic who knows he will not be able to kick the habit; and How to Be Loved, in which an actress remembers her wartime past. Has made disparate but formally striking movies infused with European strains of existentialism and the avant-garde. With many of his films being restored and rereleased, new generations of film lovers are discovering his artistic genius. Intimations: The Cinema of Wojciech Has is the definitive guide in English to his work.
Author: Jeremy Carr
Publisher: Liverpool University Press
ISBN: 1800858515
Category : Performing Arts
Languages : en
Pages : 105
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Book Description
Roman Polanski’s Repulsion (1965), starring Catherine Deneuve as a repressed and tormented manicurist, is a gripping, visually inventive descent into paranoia and self-destructive alienation. Emblematic of recurrent Polanski motifs, evinced in his student short films, in his striking debut feature, Knife in the Water (1962), and in subsequent features like Death and the Maiden (1994), Repulsion is a tour de force examination of crippling anxiety and the sinister potency of inanimate objects. Repulsion amplifies the realm of psychological horror by evoking the seething impact of increasing delusion, literal and figurative seclusion, and the consequences of one woman’s foreboding sensitivity to the unsettling world that surrounds her. This Devil’s Advocate considers Repulsion within the context of familiar horror tropes and the prevailing qualities of Polanski’s broader oeuvre. Drawing on the research of Sigmund Freud, Julia Kristeva, Barbara Creed and others, concerning issues of abjection, the ‘monstrous-feminine’, and the psychology of horror spectatorship, this text focuses on central themes of isolation, sexuality and setting. Bookended by introductory biographical details and concluding with a roundup of the film’s reception, Jeremy Carr situates Repulsion within the horror genre at large as well as its various off-shoots, such as the rape/revenge subgenre. There is also an analysis of the film’s technical qualities, from its sound design to its brilliantly low-key special effects, all of which define the film as Polanski’s most audaciously stylish realisation of dread and unease.
Author: Marek Haltof
Publisher: Berghahn Books
ISBN: 1785339737
Category : Performing Arts
Languages : en
Pages : 516
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Book Description
First published in 2002, Marek Haltof’s seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe’s most distinguished—yet unjustly neglected—film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieślowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture.
Author: Jeffrey Andrew Weinstock
Publisher: Fordham University Press
ISBN: 0823297918
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan’s ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind’s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers’ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the “prince of darkness” merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary’s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O’Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock
Author: Laurent Tirard
Publisher: Macmillan
ISBN: 9780571211029
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Publisher Description
Author: Mikhail Bulgakov
Publisher: Grove/Atlantic, Inc.
ISBN: 0802190510
Category : Fiction
Languages : en
Pages : 306
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Book Description
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
