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Author: Laurence Ariel Jarvik
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
Provides insight into the many forces that shaped Masterpiece Theatre, the popular British-made series: its sponsor (Mobil Oil Company), its American broadcast affiliate (television station WGBH in Boston), the Public Broadcasting Service (PBS), its host (Alistair Cooke), and the Nixon Administration.
Author: Laurence Ariel Jarvik
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 282
Get Book Here
Book Description
Provides insight into the many forces that shaped Masterpiece Theatre, the popular British-made series: its sponsor (Mobil Oil Company), its American broadcast affiliate (television station WGBH in Boston), the Public Broadcasting Service (PBS), its host (Alistair Cooke), and the Nixon Administration.
Author: Jeffrey S. Miller
Publisher: U of Minnesota Press
ISBN: 9780816632404
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
Between Emma Peel and tire Ministry of Silly Walks British television had a significant impact on American popular culture in the 1960s and 1970s. In Something Completely Different, Jeffrey Miller offers the first comprehensive study of British programming on American television, discussing why the American networks imported such series as The Avengers and Monty Python's Flying Circus; how American audiences received these uniquely British shows; and how the shows' success reshaped American television. Miller's lively analysis covers three genres: spy shows, costume dramas, and sketch comedies. In addition to his close readings of the series themselves, Miller considers the networks' packaging of the programs for American viewers and the influences that led to their acceptance, including the American television industry's search for new advertising revenue and the creation of PBS.
Author: Janet McCabe
Publisher: Bloomsbury Publishing
ISBN: 0857715992
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
In his seminal book "Television's Second Golden Age", Robert Thompson described quality TV as 'best defined by what it is not': 'it is not "regular" TV'. Audacious maybe, but his statement renewed debate on the meaning of this highly contentious term. Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the field of contemporary television to debate what we currently mean by quality TV. They go deep into contemporary American television fictions, from "The Sopranos" and "The West Wing", to "CSI" and "Lost" - innovative, sometimes controversial, always compelling dramas, which one scholar has described as 'now better than the movies!' But how do we understand the emergence of these kinds of fiction? Are they genuinely new? What does quality TV have to tell us about the state of today's television market? And is this a new Golden Age of quality TV? Original, often polemic, each chapter proposes new ways of thinking about and defining quality TV. There is a foreword from Robert Thompson, and heated dialogue between British and US television critics. Also included - and a great coup - are interviews with W. Snuffy Walden (scored "The West Wing" among others) and with David Chase ("The Sopranos" creator). "Quality TV" provides throughout groundbreaking and innovative theoretical and critical approaches to studying television and for understanding the current - and future - TV landscape.
Author: James Ledbetter
Publisher: Verso
ISBN: 9781859840290
Category : Business & Economics
Languages : en
Pages : 292
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Book Description
A critique of American public broadcasting explores how its mission has been eroded from public-supported educational and cultural programming to corporate sponsorship of mainstream entertainment.
Author: Laurie Oullette
Publisher: Columbia University Press
ISBN: 0231529317
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
How "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Author: James Leggott
Publisher: Rowman & Littlefield
ISBN: 1442244836
Category : Performing Arts
Languages : en
Pages : 330
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Book Description
The international success of Downton Abbey has led to a revived interest in period dramas, with older programs like The Forsyte Saga being rediscovered by a new generation of fans whose tastes also include grittier fare like Ripper Street. Though often criticized as a form of escapist, conservative nostalgia, these shows can also provide a lens to examine the class and gender politics of both the past and present. In Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey, James Leggott and Julie Anne Taddeo provide a collection of essays that analyze key developments in the history of period dramas from the late 1960s to the present day. Contributors explore such issues as how the genre fulfills and disrupts notions of “quality television,” the process of adaptation, the relationship between UK and U.S. television, and the connection between the period drama and wider developments in TV and popular culture. Additional essays examine how fans shape the content and reception of these dramas and how the genre has articulated or generated debates about gender, sexuality, and class. In addition to Downton Abbey and Upstairs, Downstairs, other programs discussed in this collection include Call the Midwife, Danger UXB, Mr. Selfridge, Parade’s End, Piece of Cake, and Poldark. Tracing the lineage of costume drama from landmark productions of the late 1960s and 1970s to some of the most talked-about productions of recent years, Upstairs and Downstairs will be of value to students, teachers, and researchers in the areas of film, television, Victorian studies, literature, gender studies, and British history and culture.
Author: Paul J. Niemeyer
Publisher: McFarland
ISBN: 0786481358
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
"Great authors" are increasingly being encountered by general audiences and critics thanks to films and television programs that have been adapted from their best-known works. Thomas Hardy is one of those authors. His work has inspired filmmakers from the silent age and modern times. This book is the first book-length study in what has become a growing field of interest in film adaptations of Hardy's novels. Part One of this book analyzes the popular image of Hardy and his work, the reproduction of this image in film adaptations, and critical stereotypes about him and his fiction. Part Two juxtaposes Hardy's Far from the Madding Crowd and Schlesinger's adaptation, Hardy's Tess of the d'Urbervilles and Polanski's adaptation, and Hardy's Jude the Obscure and Winterbottom's adaptation. Each discussion of the novel and adaptation in question considers the novel itself, the critical history of the novel, how it has been adapted to film, and how the individual filmmakers have struggled with problems inherent in Hardy's novels. Part Three analyzes adaptations of The Woodlanders, The Scarlet Tunic, and The Claim, all of which have scarcely been seen in the United States or which were not distributed in the United States, and four television movies and miniseries that were based on Hardy's work.
Author: Matt Hills
Publisher:
ISBN: 019066312X
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen. Focusing on production strategies, performance styles, and audience reception, chapters delve into some of the most widely-discussed programs on the transatlantic circuit, from ongoing series like Game of Thrones, Downton Abbey, Orphan Black, and Sherlock, to those with long histories of transnational circulation like Masterpiece and Doctor Who, to others whose transnational success speaks to the process of exchange, adaptation, and cooperation such as Rome, Parade's End, Broadchurch, and Gracepoint. The book's first section investigates the platforms that support British/American exchange, from distribution partnerships and satellite providers to streaming services. The second section concentrates on the shift in meaning across cultural contexts, such as invocations of heritage, genre shifts in adaptation, performance styles, and, in the case of Episodes, actual dramatized depiction of the process of transatlantic television production. In section three, attention turns to contexts of audience reception, ranging from fan conventions and fiction to television criticism, the effects of national branding on audiences, and the role of social media in de- or re-contextualizing fans' response to transnational programs.
Author: Christopher Sterling
Publisher: Routledge
ISBN: 113568510X
Category : Language Arts & Disciplines
Languages : en
Pages : 1169
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Book Description
Since its initial publication in 1978, Stay Tuned has been recognized as the most comprehensive and useful single-volume history of American broadcasting and electronic media available. This third edition has been thoroughly revised and updated to bring the story of American broadcasting forward to the 21st century, affording readers not only the history of the most important and pervasive institution affecting our society, but also providing a contextual transition to the Internet and other modern media. The enthusiasm of authors Christopher H. Sterling and John Michael Kittross is apparent as they lead readers through the development of American electronic mass media, from the first electrical communication (telegraph and telephone); through radio and television; to the present convergence of media, business entities, programming, and delivery systems, including the Internet. Their presentation is engaging, as well as informative, promoting an interest in history and making the connections between the developments of yesterday and the industry of today. Features of this third edition include: *chronological and topical tables of contents; *new material reflecting modern research in the field; *a new chapter describing historical developments from 1988 through to the current day; *an expanded bibliography, including Web site and museum listings; *an updated and expanded glossary and chronology; and *extensive statistical data of the development of television and radio stations, networks, advertising, programming, audiences, and other aspects of broadcasting. Designed for use in undergraduate and graduate courses on the history of American mass media, broadcasting, and electronic media, Stay Tuned also fits well into mass communication survey courses as an introduction to electronic media topics. As a chronicle of American broadcasting, this volume is also engaging reading for anyone interested in old radio, early television, and the origins and development of American broadcasting.
Author: William Hawes
Publisher: Sunstone Press
ISBN: 9780865342453
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
KUHT-TV in Houston, Texas was the first non-commercial, educational television station. This is the story of its development and struggle for survival.
