Single String Studies for Guitar Volume One PDF Download
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Author: Bruce E. Arnold
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
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Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Author: Bruce E. Arnold
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
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Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Author: Christopher Berg
Publisher: Mel Bay Publications
ISBN: 1610650581
Category : Music
Languages : en
Pages : 145
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Book Description
This book assumes a modest music reading ability and some familiarity with basic classic guitar technique. A comprehensive, exploration of the requirements for developing effortless and musically sensitive guitar technique.
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
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Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609740297
Category : Music
Languages : en
Pages : 281
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Book Description
This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.
Author: Multiple Authors
Publisher: Mel Bay Publications
ISBN: 1609744950
Category : Music
Languages : en
Pages : 65
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Book Description
These beginning to advanced jazz guitar ensembles are written for four and five guitars by some of the best guitar ensemble arrangers in the business. Arrangers include, Barry Greene, Dave Frackenpohl, Steve Schenkel, Andrian Ingram, and Chris Buzzelli. Not only are these fine performance pieces for ensembles, they are good material for sight-reading. These graded volumes follow Mel Bay's guitar grading system. Each chart in all three levels offers students the opportunity to improvise with rhythm guitar and, in some cases, background figures.Level I presents simple rhythms, is technically easy and all of the parts are primarily played in first position. These are perfect for beginning guitar classes and students who are starting to read standard notation. Each volume contains five pieces for the price of what one ensemble piece usually costs.
Author: William Bay
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 156
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Book Description
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609743741
Category : Music
Languages : en
Pages : 137
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Book Description
In this class guitar method, traditional fundamentals of playing guitar are presented using an innovative approach. Students are shown chords and accompaniment techniques as well as how to read music and play solo guitar. The carefully graded repertoire in this book is stylistically diverse and includes music from many cultures. A section is devoted to teaching students how to improvise over blues chord progressions and write original blues lyrics. A special feature of this class method is the inclusion of music written for guitar ensemble (2-5 guitars). Musical examples are provided with blend of standard notation and tab. Musical examples do not employ standard notation and tab at the same time. An accompanying audio and Teachers' Supplement are available. Includes access to online audio.
Author: Will Schmid
Publisher: Hal Leonard Corporation
ISBN: 1476862036
Category : Music
Languages : en
Pages : 84
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Book Description
(Guitar Method). The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 includes tuning; playing position; musical symbols; notes in first position; C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; over 80 great songs, riffs, and examples.
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609741609
Category : Music
Languages : en
Pages : 145
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Book Description
Mastering the Guitar is an innovative, exciting way to learn the guitar. Co-authored by William Bay and Mike Christiansen, this extremely comprehensive method applies the array of musical styles and techniques found in today's music. Written in notation and tablature, it covers a vast array of guitar solo and accompaniment styles. A special feature of this method is that it teaches both flatpicking and fingerstyle solo and accompaniment techniques. We feel that Mastering the Guitar is the most comprehensive approach to guitar technique repertoire and performance to be found anywhere. Volume 1A: Presents the essential foundational studies for contemporary guitar performance; Immediately introduces the student to the concept of playing contemporary music through the creative use of tablature; Logically and methodically teaches note-reading, utilizing the notes in first position on each string in numerous pages of playing material (over 155 solos and duets in the keys of C, A minor, G, and E minor); Contains more than 140 scale and picking studies, chord etudes, and accompaniment pieces, teaching contemporary techniques such as the slur, hammer-on, pull-off, vibrato and slide; Includes in-depth sections on back-up guitar and rhythm; Incorporates guitar duet material.
Author: Walter Carter
Publisher: Rowman & Littlefield
ISBN: 1493079239
Category : Music
Languages : en
Pages : 177
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Book Description
The story of Epiphone, one of the oldest and most famous guitar companies, is told by former staff historian Walter Carter. It's an epic story spanning three centuries, from Old World roots in the 19th century to the golden age of American makers in the 20th century and onward into the global market of the new millennium. It's the story of America's business, from an individual luthier to a family business and on to corporate ownership. And it's the story of American popular music, powered by Epiphone guitars, from big-bodied Emperor that drove the swing bands of the 1930s, to the electric hollowbodies of the 1960s used by The Beatles and studio ace Howard Roberts, to custom solidbody models for such modern rockers as Noel Gallagher (Oasis), Jeff Waters (Annihilator), and Frank Iero (My Chemical Romance). Beautifully illustrated with photos of all the important Epiphone instruments and the extraordinary musicians who played them, this is a fascinating history of an iconic name in the world of the guitar.
