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Author: Marcy Kennedy
Publisher:
ISBN: 9780992037161
Category :
Languages : en
Pages : 88
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Book Description
You've heard the advice "show, don't tell" until you can't stand to hear it anymore. Yet fiction writers of all levels still seem to struggle with it. There are three reasons for this. The first is that this isn't an absolute rule. Telling isn't always wrong. The second is that we lack a clear way of understanding the difference between showing and telling. The third is that we're told "show, don't tell," but we're often left without practical ways to know how and when to do that, and how and when not to. So that's what this book is about. Chapter One defines showing and telling and explains why showing is normally better. Chapter Two gives you eight practical ways to find telling that needs to be changed to showing and guides you in understanding how to make those changes. Chapter Three explains how telling can function as a useful first draft tool. Chapter Four goes in-depth on the seven situations when telling might be the better choice than showing. Chapter Five provides you with practical editing tips to help you take what you've learned to the pages of your current novel or short story. "Mastering Showing and Telling in Your Fiction" also includes three appendices covering how to use "The Emotion Thesaurus," dissecting an example so you can see the concepts of showing vs. telling in action, and explaining the closely related topic of As-You-Know-Bob Syndrome. Each book in the "Busy Writer's Guides" series is intended to give you enough theory so that you can understand why things work and why they don't, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor's-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life.
Author: Marcy Kennedy
Publisher:
ISBN: 9780992037161
Category :
Languages : en
Pages : 88
Get Book Here
Book Description
You've heard the advice "show, don't tell" until you can't stand to hear it anymore. Yet fiction writers of all levels still seem to struggle with it. There are three reasons for this. The first is that this isn't an absolute rule. Telling isn't always wrong. The second is that we lack a clear way of understanding the difference between showing and telling. The third is that we're told "show, don't tell," but we're often left without practical ways to know how and when to do that, and how and when not to. So that's what this book is about. Chapter One defines showing and telling and explains why showing is normally better. Chapter Two gives you eight practical ways to find telling that needs to be changed to showing and guides you in understanding how to make those changes. Chapter Three explains how telling can function as a useful first draft tool. Chapter Four goes in-depth on the seven situations when telling might be the better choice than showing. Chapter Five provides you with practical editing tips to help you take what you've learned to the pages of your current novel or short story. "Mastering Showing and Telling in Your Fiction" also includes three appendices covering how to use "The Emotion Thesaurus," dissecting an example so you can see the concepts of showing vs. telling in action, and explaining the closely related topic of As-You-Know-Bob Syndrome. Each book in the "Busy Writer's Guides" series is intended to give you enough theory so that you can understand why things work and why they don't, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor's-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life.
Author: Lisa Zeidner
Publisher: W. W. Norton & Company
ISBN: 0393356124
Category : Language Arts & Disciplines
Languages : en
Pages : 211
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Book Description
A thorough, illuminating, and entertaining guide to crafting point of view, a fiction writer’s most essential choice. Who is telling the story to whom is the single most important question about any work of fiction; the answer is central to everything from style and tone to plot and pacing. Using hundreds of examples from Jane Austen to Chimamanda Ngozi Adichie, Leo Tolstoy to Stephen King, novelist and longtime MFA professor Lisa Zeidner dives deep into the points of view we are most familiar with—first and third person—and moves beyond to second-person narration, frame tales, and even animal points of view. Engaging and accessible, Who Says? presents any practicing writer with a new system for choosing a point of view, experimenting with how it determines the narrative, and applying these ideas to revision.
Author: Marcy Kennedy
Publisher: Tongue Untied Communications
ISBN: 9781988069043
Category :
Languages : en
Pages : 158
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Book Description
Do you want readers to be so caught up in your book that they forget they're reading? Then you need deep POV. Deep POV takes the reader and places them inside of our characters-hearing their thoughts, feeling their emotions, and living the story through them. Compared to other writing styles, it builds a stronger emotional connection between the reader and our characters, creates the feeling of a faster pace, and helps avoid point-of-view errors and telling rather than showing. In "Deep Point of View," writing instructor and fiction editor Marcy Kennedy brings her years of experience into showing you how to write deep POV. You'll learn specific, practical things you can do immediately to take your fiction to the next level. Each book in the "Busy Writer's Guide" series is intended to give you enough theory so that you can understand why things work and why they don't, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story, with an editor's-eye view. Most importantly, they cut the fluff so that you have more time to write and to live your life.
Author: Jessica Brody
Publisher: Ten Speed Press
ISBN: 0399579753
Category : Language Arts & Disciplines
Languages : en
Pages : 322
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Book Description
The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success. Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.
Author:
Publisher:
ISBN: 9780992037147
Category :
Languages : en
Pages :
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Book Description
You've heard the advice "show, don't tell" until you can't stand to hear it anymore. Yet fiction writers of all levels still seem to struggle with it.There are three reasons for this. The first is that this isn't an absolute rule. Telling isn't always wrong. The second is that we lack a clear way of understanding the difference between showing and telling. The third is that we're told "show, don't tell," but we're often left without practical ways to know how and when to do that, and how and when not to. So that's what this book is about.Chapter One defines showing and telling and explains why showing is normally better.Chapter Two gives you eight practical ways to find telling that needs to be changed to showing and guides you in understanding how to make those changes.Chapter Three explains how telling can function as a useful first draft tool.Chapter Four goes in-depth on the seven situations when telling might be the better choice than showing.Chapter Five provides you with practical editing tips to help you take what you've learned to the pages of your current novel or short story.Showing and Telling in Fiction also includes three appendices covering how to use The Emotion Thesaurus, dissecting an example so you can see the concepts of showing vs. telling in action, and explaining the closely related topic of As-You-Know-Bob Syndrome.Each book in the Busy Writer's Guides series is intended to give you enough theory so that you can understand why things work and why they don't, but also enough examples to see how that theory looks in practice. In addition, they provide tips and exercises to help you take it to the pages of your own story with an editor's-eye view. Most importantly, they cut the fluff so you have more time to write and to live your life.
Author: Becca Puglisi
Publisher: JADD Publishing
ISBN: 0999296353
Category : Language Arts & Disciplines
Languages : en
Pages : 541
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Book Description
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last.
Author: Paul Dawson
Publisher: Psychology Press
ISBN: 9780415332217
Category : Education
Languages : en
Pages : 268
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Book Description
This polemic account provides a fresh perspective on the importance of Creative Writing to the emergence of the 'new humanities' and makes a major contribution to current debates about the role of the writer as public intellectual.
Author: C. S. Lakin
Publisher:
ISBN: 9780991389452
Category : Authorship
Languages : en
Pages : 184
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Book Description
Want to write a visually powerful novel? Shoot Your Novel takes an in-depth look at cinematic technique for fiction writers. No other writing craft book teaches you the secret of how to "show, don't tell." Best-selling authors of every genre know the secret to hooking readers--by showing, not telling, their story. But writers are not taught how to "show" scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel.Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too--by adapting their methods in their fiction writing. By "shooting" your novel, you can supercharge your story!Inside, you'll learn: * The real secret to "show, don't tell" and how it's all about "the moment" * More than a dozen "camera shots" novelists can borrow from screenwriters and directors to create powerful, active scenes * Instruction on how to piece camera shots together to create cinematic scene segments * Examples from novels and screenplays showcasing each facet of cinematic technique * How to devise a thematic image system of key shots, motifs, and images * Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect Shooting your novel with a filmmaker's eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic technique for fiction writing. Here's what some best writing instructors and best-selling authors have to say about this essential writing craft book: "With such an extensive amount of experience in the screenwriting and filmmaking process, it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels.
Author: Tony Vanderwarker
Publisher: Simon and Schuster
ISBN: 1628739150
Category : Language Arts & Disciplines
Languages : en
Pages : 189
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Book Description
With seven unpublished novels wasting away on his hard drive, Tony Vanderwarker is astonished when John Grisham offers to take him under his wing and teach him the secrets of thriller writing. “The beginning and the end are easy,” Grisham tells him. “It’s the three hundred pages in the middle that’s the hard part.” To ensure his plot doesn’t run out of gas, Grisham puts Tony though his outline process. Tony does one, and then Grisham asks for another … and another … and another. As they work together, Grisham reveals the techniques that have helped him create compelling bestsellers for more than two decades—for instance, “You’ve got to hook your reader in the first forty pages or you’ll lose them.” After a year of constructing outlines, Grisham finally gives Tony the go-ahead to start writing. Writing with the Master immerses the reader in the creative process as Tony struggles to produce a successful thriller. It’s a roller coaster ride, sometimes hilarious, and often full of ups and downs. Grisham’s critiques and margin notes to Tony reveal his nimble imagination and plot development genius. For Grisham fans, Vanderwarker’s memoir pulls back the curtain on his writing secrets, and for aspiring writers, it’s a master class in thriller writing. In the end, Tony resolves to take Grisham’s teachings to heart and eventually decides to write what he thinks he was meant to: a book about the creative process and his incredible two years working with John Grisham.
Author: Elizabeth George
Publisher: Penguin
ISBN: 1984878328
Category : Language Arts & Disciplines
Languages : en
Pages : 336
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Book Description
As the author of twenty-four novels, Elizabeth George is one of the most successful--and prolific--novelists today. In Mastering the Process, George offers readers a master class in the art and science of crafting a novel. This is a subject she knows well, having taught creative writing both nationally and internationally for over thirty years. "I have never before read a book about writing that is so thorough, thoughtful, and most of all, helpful." --Lisa See, New York Times bestselling author of The Island of Sea Women For many writers, the biggest challenge is figuring out how to take that earliest glimmer of inspiration and shape it into a full-length novel. How do you even begin to transform a single idea into a complete book? In these pages, award-winning, number one New York Times bestselling author Elizabeth George takes us behind the scenes through each step of her writing process, revealing exactly what it takes to craft a novel. Drawing from her personal photos, early notes, character analyses, and rough drafts, George shows us every stage of how she wrote her novel Careless in Red, from researching location to imagining plot to creating characters to the actual writing and revision processes themselves. George offers us an intimate look at the procedures she follows, while also providing invaluable advice for writers about what has worked for her--and what hasn't. Mastering the Process gives writers practical, prescriptive, and achievable tools for creating a novel, editing a novel, and problem solving when in the midst of a novel, from a master storyteller writing at the top of her game.
