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Author: Jeffrey Richards
Publisher:
ISBN: 9781138980556
Category : Motion picture audiences
Languages : en
Pages : 0
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Book Description
"A selection of writings on film from the Mass-Observation archive"--Page 1.
Author: Jeffrey Richards
Publisher:
ISBN: 9781138980556
Category : Motion picture audiences
Languages : en
Pages : 0
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Book Description
"A selection of writings on film from the Mass-Observation archive"--Page 1.
Author: Jeffrey Richards
Publisher:
ISBN: 9780415838658
Category :
Languages : en
Pages : 477
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Book Description
Author: Mark Glancy
Publisher: Bloomsbury Publishing
ISBN: 0857723057
Category : History
Languages : en
Pages : 352
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Book Description
For 100 years, Hollywood has provided both the majority and the most popular of films shown on British screens. For many Britons, Hollywood films are not foreign films. Whether seen in the cinema, on television or the internet, they are regarded as normal screen fare and a part of everyday life. Hollywood and the Americanization of Britain is the first book to take a wide ranging view of this phenomenon, exploring the tastes and preferences of British audiences from the silent era to the present. Mark Glancy investigates the British reception of Hollywood films, ranging from The Public Enemy through film history to The Patriot and Grease. Drawing on rich original sources, his carefully researched and lively book explores Hollywood's capacity to appeal to British audiences, as well as its ability to alienate, enrage and amuse them.
Author: David Silverman
Publisher: SAGE
ISBN: 1412945968
Category : Social Science
Languages : en
Pages : 169
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Book Description
Writing in an informal and accessible style, David Silverman offers the reader an entry into the broader issues of qualitative research that many textbooks gloss over - the underlying arguments of qualitative research and the key debates about its future direction.
Author: Hilary Radner
Publisher: Routledge
ISBN: 1136519122
Category : Social Science
Languages : en
Pages : 351
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Book Description
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities. The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.
Author: Sarah Street
Publisher: Routledge
ISBN: 1136219889
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
British Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history. Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state.
Author: Andrew Spicer
Publisher: Manchester University Press
ISBN: 9780719059995
Category : Biography & Autobiography
Languages : en
Pages : 252
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Book Description
This is an authoritative account of the career of Sydney Box, one of British cinema's most successful and significant producers. Concentrating on the period 1940-65, it highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industry. This study will be essential reading for scholars and students interested in British cinema and television history, but its focus on the frequently misrepresented or misunderstood role of the producer will make it valuable for students of film generally.
Author: Andrew Davies
Publisher: Manchester University Press
ISBN: 9780719025433
Category : Social Science
Languages : en
Pages : 200
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Book Description
Manchester and Salford have a special place in the history of the British working class. They lay at the heart of the cotton industry, the spark of the industrial revolution, and as a consequence were among the first places to experience the application of steam power and the factory system to production. As a result, the Manchester-Salford conurbation was the first to see a fully-formed industrial working class. Whilst industrialization went through its heroic phase, the two cities seemed to be blazing a trail, not only for the rest of the country, but for the world. During the first half of the 19th century, social observers came from across Europe to see what they supposed to be their future. Manchester was, in Asa Briggs's influential phrase, the shock city of the age. The city demonstrated the ability of science to control nature: this was why, in 1843, Benjamin Disraeli described Manchester as the modern Athens. However, as Alexis de Tocqueville had noted eight years earlier, there was another side to increasing productivity -
Author: Amy Sargeant
Publisher: Bloomsbury Publishing
ISBN: 1838714758
Category : Performing Arts
Languages : en
Pages : 720
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Book Description
Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.
Author: Steve Chibnall
Publisher: Bloomsbury Publishing
ISBN: 1838717714
Category : Performing Arts
Languages : en
Pages : 334
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Book Description
This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). 'Quota Quickies' will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.
