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Author: Christine Sylvester
Publisher: Routledge
ISBN: 1317608909
Category : Political Science
Languages : en
Pages : 246
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Book Description
This collection explores the concepts and practices of masquerade as they apply to concepts and practices of war. The contributors insist that masquerades are everyday aspects of the politics, praxis, and experiences of war, while also discovering that finding masquerades and tracing how they work with war is hardly simple. With a range of theories, innovative methodologies, and contextual binoculars, masquerade emerges as a layered and complex phenomenon. It can appear as state deception, lie, or camouflage, as in the population-centric American warfare in Iraq that was sold as good for the local people, or the hidden violence Russian military forces used on each other and on local men in Chechnya. Masquerade can also be part of a people's war logic as exemplified by the Maoist movement in India. Yet masquerade can also be understood as a normal social mask that people don to foreground an identity or belief from one's cluttered repertoire in order to gain agency. Elements of masquerade can appear in texts that proclaim seemingly unequivocal positions while simultaneously yet subtly suggesting opposing positions. Masquerades of all kinds also seem ubiquitous in fieldwork research and in resistance movements in war zones. Perhaps masquerade, though, is ultimately the denial of death lurking behind the clarion call of security, a call that bolsters war by making militarized policing normal to secure populations from terrorists. These interpretations and others comprise Masquerades of War. This book will be of much interest to students of critical war studies, critical security, conflict studies and IR in general.
Author: Christine Sylvester
Publisher: Routledge
ISBN: 1317608909
Category : Political Science
Languages : en
Pages : 246
Get Book Here
Book Description
This collection explores the concepts and practices of masquerade as they apply to concepts and practices of war. The contributors insist that masquerades are everyday aspects of the politics, praxis, and experiences of war, while also discovering that finding masquerades and tracing how they work with war is hardly simple. With a range of theories, innovative methodologies, and contextual binoculars, masquerade emerges as a layered and complex phenomenon. It can appear as state deception, lie, or camouflage, as in the population-centric American warfare in Iraq that was sold as good for the local people, or the hidden violence Russian military forces used on each other and on local men in Chechnya. Masquerade can also be part of a people's war logic as exemplified by the Maoist movement in India. Yet masquerade can also be understood as a normal social mask that people don to foreground an identity or belief from one's cluttered repertoire in order to gain agency. Elements of masquerade can appear in texts that proclaim seemingly unequivocal positions while simultaneously yet subtly suggesting opposing positions. Masquerades of all kinds also seem ubiquitous in fieldwork research and in resistance movements in war zones. Perhaps masquerade, though, is ultimately the denial of death lurking behind the clarion call of security, a call that bolsters war by making militarized policing normal to secure populations from terrorists. These interpretations and others comprise Masquerades of War. This book will be of much interest to students of critical war studies, critical security, conflict studies and IR in general.
Author: Alfred F. Young
Publisher: Vintage
ISBN: 0679761853
Category : History
Languages : en
Pages : 434
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Book Description
In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and fought as a soldier for seventeen months toward the end of the American Revolution. Deborah Sampson was not the only woman to pose as a male and fight in the war, but she was certainly one of the most successful and celebrated. She managed to fight in combat and earn the respect of her officers and peers, and in later years she toured the country lecturing about her experiences and was partially successful in obtaining veterans’ benefits. Her full story, however, was buried underneath exaggeration and myth (some of which she may have created herself), becoming another sort of masquerade. Young takes the reader with him through his painstaking efforts to reveal the real Deborah Sampson in a work of history that is as spellbinding as the best detective fiction.
Author: Carolyn Nordstrom
Publisher: University of Pennsylvania Press
ISBN: 9780812216219
Category : History
Languages : en
Pages : 276
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Book Description
"A deeply researched study into the nature of political violence."--
Author: Kit Williams
Publisher:
ISBN:
Category : Fantasy
Languages : en
Pages : 40
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Book Description
On his way to deliver a splendid necklace to the Sun from the Moon, Jack Hare is diverted by a series of odd characters and when he finally reaches his destination he realizes that the necklace is missing. The reader is invited to answer several riddles and solve the mystery from clues given in the text.
Author: Eric R. Wolf
Publisher: University of Oklahoma Press
ISBN: 9780806131962
Category : History
Languages : en
Pages : 356
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Book Description
"Peasant Wars of the Twentieth Century provides a good short course in the major popular revolutions of our century--in Russia, Mexico, China, Algeria, Cuba, and Viet Nam--not from the perspective of governments or parties or leaders, but from the perspective of the peasant peoples whose lives and ways of living were destroyed by the depredations of the imperial powers, including American imperial power."-New York Times Book Review "Eric Wolf's study of the six great peasant-based revolutions of the century demonstrates a mastery of his field and the methods required to negotiate it that evokes respect and admiration. In six crisp essays, and a brilliant conclusion, he extends our understanding of the nature of peasant reactions to social change appreciably by his skill in isolating and analyzing those factors, which, by a magnification of the anthropologist's techniques, can be shown to be crucial in linking local grievances and protest to larger movements of political transformation."--American Political Science Review "An intellectual tour de force."--Comparative Politics
Author: Colleen McQuillen
Publisher: University of Wisconsin Pres
ISBN: 029929613X
Category : History
Languages : en
Pages : 299
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Book Description
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.
Author: John Thabiti Willis
Publisher: Indiana University Press
ISBN: 0253031451
Category : Social Science
Languages : en
Pages : 217
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Book Description
“Willis should be commended for penetrating a complex and socially guarded ritual resource to glean the hidden histories manifested therein.” —African Studies Review In West Africa, especially among Yoruba people, masquerades have the power to kill enemies, appoint kings, and grant fertility. John Thabiti Willis takes a close look at masquerade traditions in the Yoruba town of Otta, exploring transformations in performers, performances, and the institutional structures in which masquerade was used to reveal ongoing changes in notions of gender, kinship, and ethnic identity. As Willis focuses on performers and spectators, he reveals a history of masquerade that is rich and complex. His research offers a more nuanced understanding of performance practices in Africa and their role in forging alliances, consolidating state power, incorporating immigrants, executing criminals, and projecting individual and group power on both sides of the Afro-Atlantic world. “Willis cites oral traditions, archival sources, and publications to draw attention to the link between economic development and spectacular and historically influential masquerade performances.” —Babatunde Lawal, author of The Gelede Spectacle “Important in its emphasis on the history of an art form and its specific cultural context; of interest to academic audiences as well as general readers.” —Henry Drewal, editor of Sacred Waters “Willis’s work should be a must-read for students and established scholars alike.” —Africa
Author: Frank J Gaffney
Publisher: Naval Institute Press
ISBN: 1612513492
Category : Political Science
Languages : en
Pages : 328
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Book Description
America has been at war for years, but until now, it's not been clear with whom. We have been fighting without being clear for what. We have been waging war without using the full resources we need to win. With the publication of "War Footing", Frank Gaffney and his colleagues make it clear not only whom the enemy is and how high the stakes are, but also how we can prevail. Their book explains that we are engaged in nothing less than a War for the Free World —a fight to the death with Islamofascists who adhere to a political ideology bent on our destruction. It then offers ten specific steps that Americans, as individuals and as communities, can take to ensure our way of life and the safety and well-being of our children. These steps include specific recommendations about how to know the enemy, support our troops, provide for our energy security, stop investing in terror, equip the country for war at home, counter an EMP attack, secure our borders and interior against illegal immigration, wage political warfare, launch regional initiatives, and wield effective diplomacy. This definitive, highly readable "owner's manual" for the War for the Free World has been written by one of the most prominent national security experts of our time, Frank J. Gaffney, and his extraordinary team of respected experts. Among them are R. James Woolsey, Victor Davis Hanson, Generals Tom McInerney, USAF (Ret.) and Paul Vallely, USA (Ret.); Alex Alexiev, Andrew McCarthy, Claudia Rosett, Michael Rubin, Daniel Goure, Caroline Glick, Michael Waller, and many others.
Author:
Publisher: Indiana University Press
ISBN: 0253070562
Category :
Languages : en
Pages : 595
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Book Description
Author: Efrat Tseëlon
Publisher:
ISBN: 9781783203673
Category : Beauty, Personal
Languages : en
Pages : 0
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Book Description
"Critical Studies in Fashion and Beauty" focuses on issues of power, social positioning, ideologies and practices within the web of relationships between creators, producers, practitioners and end-users of fashion. This book explores the contemporary meanings of masks, masking and masquerade. The editors argue that these concepts have been transformed over the centuries but they continue to serve as useful tools for critical cultural analysis. The history of fashion is a story of codification of visual appearance as a measure of rank and power. Historically it has been expressed in ways that secure a hegemonic reading of fashion signification as follows: 1) controlling what one can wear: Powerful agents (parents, pedagogues, religious leaders) or institu-tions (schools, army, religious institutions, civil service, health service, private enterprises) prescribe uniforms or ways of dressing and set rules for appropriate dress (manners and etiquette regarding what materials and styles are suitable for particular times and places). 2) controlling the gaze: Powerful agents (in homes and institutions, people with elected or appointed authority, celebrities) are usually the ones controlling the gaze in the sense of surveillance. But they are also the focus of the gaze in the sense of being in the public eye, and being publicly visible). What counters these forms of hegemonic control is masking in its various forms as a conscious or unconscious form of behaviour. Masking provides a strategy for deconstructing meaning by reclaiming control over the construction of meaning. This it achieves by creating a space for resistance that is independent from either social prescriptions or the controlling gaze. It is in this sense that masking is deployed in this volume by the various authors. Masking operates in two ways: (1) by adding ambivalence to dress codes, and (2) by increasing the gap between dress as a signifier and the social reality it signifies. Ambivalence is the result of blurring the clear unambiguous links between fashion and the social reality it indexes. It introduces a contextual and negotiated element to the meaning of clothing symbols over time (as in the shift in attitudes to fur from a sign of opulence to a sign of animal cruelty), or across increasingly fragmented social groups with their distinctive and fast-changing codes (Davis 1992; Tseelon 1989, 2012). The second way in which masking resists the hegemonic meanings of fashion is captured in my analysis (Tseelon [1995] 2000a) of fashion signification inspired by Baudrillard s concept of simulacra. Using a linguistic analogy to analyse commodities, Baudrillard outlined a genealogy of sign structures consisting of three orders. The first order, founded on imitation characterizes the pre-modern period and presupposes a dualism where appearances reflect reality. In the second order, founded on production, appearances conceal reality. In the third order, founded on simulation, appearances deconstruct reality. No longer concerned with the real, the visual code is subverted from a language to a playful spectacle. It is this lack of a reference point that threatens the distinction between true and false. "Fashion and Masquerade" showcases the articles from the third volume of Intellect s journal "Critical Studies in Fashion & Beauty." "
