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Author: Mary Anne Schofield
Publisher: University of Delaware Press
ISBN: 9780874133653
Category : Fiction
Languages : en
Pages : 236
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Book Description
This work concentrates on how eighteenth-century feminine novelists articulate the concerns important to women's lives and fates, and argues that these novelists used their romances to combat the controlling ideologies of the age.
Author: Mary Anne Schofield
Publisher: University of Delaware Press
ISBN: 9780874133653
Category : Fiction
Languages : en
Pages : 236
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Book Description
This work concentrates on how eighteenth-century feminine novelists articulate the concerns important to women's lives and fates, and argues that these novelists used their romances to combat the controlling ideologies of the age.
Author: Catherine A. Craft-Fairchild
Publisher: Penn State Press
ISBN: 0271038209
Category : Social Science
Languages : en
Pages : 205
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Book Description
Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period—Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.
Author: Suzanne Aspden
Publisher: Cambridge University Press
ISBN: 1107067766
Category : Music
Languages : en
Pages : 309
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Book Description
The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.
Author: Megan A. Woodworth
Publisher: Routledge
ISBN: 1317145429
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
In the late eighteenth-century English novel, the question of feminism has usually been explored with respect to how women writers treat their heroines and how they engage with contemporary political debates, particularly those relating to the French Revolution. Megan Woodworth argues that women writers' ideas about their own liberty are also present in their treatment of male characters. In positing a 'Gentleman's Liberation Movement,' she suggests that Frances Burney, Charlotte Smith, Jane West, Maria Edgeworth, and Jane Austen all used their creative powers to liberate men from the very institutions and ideas about power, society, and gender that promote the subjection of women. Their writing juxtaposes the role of women in the private spheres with men's engagement in political structures and successive wars for independence (the American Revolution, the French Revolution, and the Napoleonic Wars). The failures associated with fighting these wars and the ideological debates surrounding them made plain, at least to these women writers, that in denying the universality of these natural freedoms, their liberating effects would be severely compromised. Thus, to win the same rights for which men fought, women writers sought to remake men as individuals freed from the tyranny of their patriarchal inheritance.
Author: George E. Haggerty
Publisher: Indiana University Press
ISBN: 9780253211835
Category : Fiction
Languages : en
Pages : 228
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Book Description
Author George Haggerty examines the ""unnatural"" affections that flout cultural taboos and challenge what are seen as natural boundaries to desire. Such affections abound in 18th-century novels, offering a complex understanding of the role of gender and the articulation of female desire during the age in which women novel writers came into their own.
Author: I. Csengei
Publisher: Springer
ISBN: 0230359175
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
What makes it possible for self-interest, cruelty and violence to become part of the benevolent, compassionate ideology of eighteenth-century sensibility? This book explores forms of emotional response, including sympathy, tears, swoons and melancholia through a range of eighteenth-century literary, philosophical and scientific texts.
Author: José Ramón Ibáñez Ibáñez
Publisher: Universidad Almería
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 224
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Book Description
Revista de Estudios Ingleses es un anuario dirigido y gestionado por miembros del Departamento de Filología Inglesa y Alemana de la Universidad de Almería con el propósito de ofrecer un foro de intercambio de producción científica en campos del conocimiento tan diversos como la lengua inglesa, literatura en lengua inglesa, didáctica del inglés, traducción, inglés para fines específicos y otros igualmente vinculados a los estudios ingleses.
Author: John Skinner
Publisher: Bloomsbury Publishing
ISBN: 0230629466
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
The formal and expressive range of canonic eighteenth-century fiction is enourmous: between them Defoe, Richardson, Fielding, Smollett and Sterne seem to have anticipated just about every question confronting the modern novelist; and Aphra Behn even raises a number of issues overlooked by her male successors. But one might also reverse the coin: much of what is present in these writers will today seem remote and bizarre. There is, in fact, only one novelist from the 'long' eighteenth century who is not an endangered species outside the protectorates of university English departments: Jane Austen. Plenty of people read her, moreover, without the need for secondary literature. These reservations were taken into account in the writing of this book. An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to English fiction from Aphra Behn to Jane Austen. It deals with novel criticism, canon formation and relations between genre and gender. The second part of the book contains an extensive discussion of Richardson and Fielding, followed by paired readings of major eighteenth-century novels, juxtaposing texts by Behn and Defoe, Sterne and Smollett, Lennox and Burney among others. The various sections of the book, and even the individual chapters, may be read independently or in any order. Works are discussed in a way intended to help students who have not read them, and even engage with some who never will. The author consumes eighteenth-century fiction avidly, but has tried to write a reader-friendly survey for those who may not.
Author: Emily Smith
Publisher: Cambridge Scholars Publishing
ISBN: 144380875X
Category : Literary Criticism
Languages : en
Pages : 150
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Book Description
Triumphant Bodies: Sexual-Political Conquest in British Women's Published Writing, 1660-1769 builds on recent scholarship such as Ros Ballaster's Seductive Forms and Catherine Gallagher's Nobody's Story in order to draw attention to professional female authors' use of a pliant vocabulary of sexuality and politics during the eighteenth century. Throughout the study, Smith emphasizes the blending of gendered, sexed, and politicized language a blending that allowed women to provocatively challenge, undermine, and rearticulate the terms of power and authority that were available to them in the literary marketplace. Triumphant Bodies centers on Aphra Behn, Mary Wortley Montagu, Charlotte Lennox, and Frances Brooke, with additional glances toward their contemporaries, including John Dryden, John Wilmot, Earl of Rochester, Delarivier Manley, Henry Fielding, Anne Finch, Mary Leapor, Alexander Pope, Jonathan Swift, and Horace Walpole. Smith positions women's writing within dominant traditions but argues that women writers simultaneously understood themselves s part of a gendered trajectory. By drawing together a diverse and expansive range of texts by women, this study suggests the complexity of any attempt to define women's authorial triumphs during this period of tremendous vigor and transformation in the literary marketplace.
Author: Bradford Keyes Mudge
Publisher: Oxford University Press, USA
ISBN: 0195135059
Category : English fiction
Languages : en
Pages : 293
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Book Description
Bradford Mudge's book looks at the origins of literary pornography in English, presenting a comprehensive overview of the complex issues surrounding pornography in the eighteenth century, as it appears in fiction, poetry, criticism, medical manuals, and illustrations. Mudge frames these battles in the context of contemporary feminine argument, while closely reading the moment in which the lines of battle were first drawn.
