Author: Nevil Maskelyne
Publisher: Createspace Independent Publishing Platform
ISBN: 9781724875426
Category :
Languages : en
Pages : 504
Book Description
Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40
Our Magic
Author: Nevil Maskelyne
Publisher: Createspace Independent Publishing Platform
ISBN: 9781724875426
Category :
Languages : en
Pages : 504
Book Description
Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40
Publisher: Createspace Independent Publishing Platform
ISBN: 9781724875426
Category :
Languages : en
Pages : 504
Book Description
Books like this contain what may be called the raw material of the art, the processes which the magician can employ at will in building up his larger experiments in magic, each of which should be a complete play in itself. Then, when the student has found out how tricks can be done, he would do well to turn his attention to Our Magic, by Mr. Maskelyne and his associate, Mr. David Devant. And from this logical treatise he can learn how experiments in magic ought to be composed. It is from this admirable discussion of the basic principles of modern magic that more than one of the points made in this paper have been borrowed. Mr. Devant calls attention to the fact that new tricks are common, new manipulative devices, new examples of dexterity and new applications of science, whereas new plots, new ideas for effective presentation, are rare. He describes a series of experiments of his own, some of which utilize again but in a novel manner devices long familiar, while others are new both in idea and in many of the subsidiary methods of execution. One of the most hackneyed and yet one of the most effective illusions in the repertory of the conjurer is that known as the Rising Cards. The performer brings forward a pack of cards, several of which are drawn by members of the audience and returned to the pack, whereupon at the command of the magician they rise out of the pack one after the other in the order in which they were drawn. In the oldest form in which this illusion is described in the books on the art, the pack is placed in a case supported by a rod standing on a base, and the secret of the trick lies on this rod and its base. The rod is really a hollow tube and the base is really an empty box. The tube is filled with sand, on the top of which rests a leaden weight, to which is attached a thread so arranged over and under certain cards as to cause the chosen cards to rise when it descends down the tube; and in putting the cards into the case the conjurer released a valve at the bottom of the tube, so that the sand might escape into the box, whereby the weight was lowered, the thread then doing its allotted work, and the cards ascending into view, no matter how far distant the performer might then be standing. It seems likely that the invention of this primitive apparatus may have been due to the fact that some eighteenth century conjurer happened to observe the sand running out of an hour-glass and set about to find some means whereby this escape of sand could be utilized in his art. The hollow rod, the escaping sand, and the descending weight have long since been discarded; but the illusion of the Rising Cards survives and is now performed in an unending variety of ways. The pack may be held in the hand of the performer, without the use of any case, or it may be placed in a glass goblet, or it may be tied together with a ribbon and thus suspended from cords that swing to and from almost over the heads of the spectators; and however they may be isolated the chosen cards rise obediently when they are bidden. The original effect subsists, even though the devices differ.... The Bookman: A Review of Books and Life, Volume 40
Maskelyne's Book of Magic
Author: Jasper Maskelyne
Publisher: Courier Corporation
ISBN: 0486154262
Category : Games & Activities
Languages : en
Pages : 338
Book Description
A charming glimpse of stage magic in the early twentieth century, this engaging manual's time-honored tricks range from sleight of hand with coins, cards, and rope to thought-reading and juggling. Written by a famous magician, its tried-and-true feats and performance tips are illustrated by sixty figures and thirteen vintage photographs. A British stage magician of the 1930s and '40s, Jasper Maskelyne was a third-generation performer in a well-known family of illusionists. During World War II, Maskelyne assembled a squad known as the “Magic Gang” to misdirect Axis bombers and camouflage the activities of the Allied forces with illusions of tanks, battleships, and armies. This new edition of his captivating classic features an introduction by magic historian and author Edwin A. Dawes that recounts Maskelyne's larger-than-life career and exploits.
Publisher: Courier Corporation
ISBN: 0486154262
Category : Games & Activities
Languages : en
Pages : 338
Book Description
A charming glimpse of stage magic in the early twentieth century, this engaging manual's time-honored tricks range from sleight of hand with coins, cards, and rope to thought-reading and juggling. Written by a famous magician, its tried-and-true feats and performance tips are illustrated by sixty figures and thirteen vintage photographs. A British stage magician of the 1930s and '40s, Jasper Maskelyne was a third-generation performer in a well-known family of illusionists. During World War II, Maskelyne assembled a squad known as the “Magic Gang” to misdirect Axis bombers and camouflage the activities of the Allied forces with illusions of tanks, battleships, and armies. This new edition of his captivating classic features an introduction by magic historian and author Edwin A. Dawes that recounts Maskelyne's larger-than-life career and exploits.
The War Magician
Author: David Fisher
Publisher: Hachette UK
ISBN: 1780222041
Category : History
Languages : en
Pages : 322
Book Description
The incredible true story of the greatest illusionist of modern times and the man who altered the course of the second world war. Soon to be a major film starring Benedict Cumberbatch 'A richly entertaining read' SUNDAY TIMES Jasper Maskelyne was a world famous magician and illusionist in the 1930s. When war broke out, he volunteered his services to the British Army and was sent to Egypt when the desert war began. Here, he used his unique skills to save the vital port of Alexandria from German bombers and to 'hide' the Suez Canal from them. He invented all sorts of camouflage methods to make trucks look like tanks and vice versa. On Malta he developed 'the world's first portable holes': fake bomb craters used to fool the Germans into thinking they had hit their targets. His war culminated in the brilliant deception plan that helped win the Battle of El Alamein: the creation of an entire dummy army in the middle of the desert.
Publisher: Hachette UK
ISBN: 1780222041
Category : History
Languages : en
Pages : 322
Book Description
The incredible true story of the greatest illusionist of modern times and the man who altered the course of the second world war. Soon to be a major film starring Benedict Cumberbatch 'A richly entertaining read' SUNDAY TIMES Jasper Maskelyne was a world famous magician and illusionist in the 1930s. When war broke out, he volunteered his services to the British Army and was sent to Egypt when the desert war began. Here, he used his unique skills to save the vital port of Alexandria from German bombers and to 'hide' the Suez Canal from them. He invented all sorts of camouflage methods to make trucks look like tanks and vice versa. On Malta he developed 'the world's first portable holes': fake bomb craters used to fool the Germans into thinking they had hit their targets. His war culminated in the brilliant deception plan that helped win the Battle of El Alamein: the creation of an entire dummy army in the middle of the desert.
The Zig Zag Girl
Author: Elly Griffiths
Publisher: Houghton Mifflin Harcourt
ISBN: 0544527941
Category : Fiction
Languages : en
Pages : 341
Book Description
Investigating a murder committed in the style of a famous magic trick, Detective Inspector Edgar Stephens reconnects with an illusionist friend from World War II to uncover links to their special ops service.
Publisher: Houghton Mifflin Harcourt
ISBN: 0544527941
Category : Fiction
Languages : en
Pages : 341
Book Description
Investigating a murder committed in the style of a famous magic trick, Detective Inspector Edgar Stephens reconnects with an illusionist friend from World War II to uncover links to their special ops service.
The Art of Magic
Author: Thomas Nelson Downs
Publisher:
ISBN:
Category : Magic tricks
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Magic tricks
Languages : en
Pages : 368
Book Description
The Illustrated History of Magic
Author: Milbourne Christopher
Publisher: Running PressBook Pub
ISBN: 9780786716883
Category : History
Languages : en
Pages : 514
Book Description
Follow the fascinating stories of the world's greatest necromancers, from sorcerer-priests in ancient Egypt to such modern miracle workers as Houdini and David Copperfield.
Publisher: Running PressBook Pub
ISBN: 9780786716883
Category : History
Languages : en
Pages : 514
Book Description
Follow the fascinating stories of the world's greatest necromancers, from sorcerer-priests in ancient Egypt to such modern miracle workers as Houdini and David Copperfield.
Servais Le Roy
Author: Mike Caveney
Publisher:
ISBN: 9780915181339
Category : Magicians
Languages : en
Pages : 320
Book Description
Publisher:
ISBN: 9780915181339
Category : Magicians
Languages : en
Pages : 320
Book Description
The Spectacle of Illusion
Author: Matthew L. Tompkins
Publisher: Thames & Hudson
ISBN: 9780500022429
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
'A spectacular treasury of treats. Page after page of utter joy: I can't tear my eyes away' - Derren Brown In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief. Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements - particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle's closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.
Publisher: Thames & Hudson
ISBN: 9780500022429
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
'A spectacular treasury of treats. Page after page of utter joy: I can't tear my eyes away' - Derren Brown In The Spectacle of Illusion, professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief. Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements - particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. Highly illustrated throughout with entertaining and bizarre drawings, double-exposure spirit photographs and photographs of spoon-bending from hitherto inaccessible and un-mined archives, including the Wellcome Collection, the Harry Price Library, the Society for Physical Research, and last but not least, the Magic Circle's closely guarded collection, the book also features newly commissioned photography of planchettes, rapping boards, tilting tables, ectoplasm, automata and illusion boxes. Concluding with a modern-day analysis of the science of magic and illusion, analysing surprisingly weird phenomena such as ideomotor action, sleep paralysis, choice blindness and the psychology of misdirection, this unnerving volume highlights how unreliable our minds can be, and how complicit they can be in the perpetuation of illusions.
The Books of Wonder
Author: Tommy Wonder
Publisher:
ISBN: 9780945296171
Category : Magic tricks
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780945296171
Category : Magic tricks
Languages : en
Pages : 0
Book Description
The Spectacle of Illusion
Author: Matthew Tompkins
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781942884378
Category : Art
Languages : en
Pages : 224
Book Description
In 'The Spectacle of Illusion', professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief.0Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements ? particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. 00Exhibition: Wellcome Collection, London, UK (11.04.-15.09.2019).
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781942884378
Category : Art
Languages : en
Pages : 224
Book Description
In 'The Spectacle of Illusion', professional magician-turned experimental psychologist Dr. Matthew L. Tompkins investigates the arts of deception as practised and popularised by mesmerists, magicians and psychics since the early 18th century. Organised thematically within a broadly chronological trajectory, this compelling book explores how illusions perpetuated by magicians and fraudulent mystics can not only deceive our senses but also teach us about the inner workings of our minds. Indeed, modern scientists are increasingly turning to magic tricks to develop new techniques to examine human perception, memory and belief.0Beginning by discussing mesmerism and spiritualism, the book moves on to consider how professional magicians such as John Nevil Maskelyne and Harry Houdini engaged with these movements ? particularly how they set out to challenge and debunk paranormal claims. It also relates the interactions between magicians, mystics and scientists over the past 200 years, and reveals how the researchers who attempted to investigate magical and paranormal phenomena were themselves deceived, and what this can teach us about deception. 00Exhibition: Wellcome Collection, London, UK (11.04.-15.09.2019).