Masculinity, Corporality and the English Stage 1580–1635 PDF Download
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Author: Christian M. Billing
Publisher: Routledge
ISBN: 1317099753
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
The significance of human anatomy to the most physical of art forms, the theatre, has hitherto been an under-explored topic. Filling this gap, Christian Billing questions conventional wisdom regarding the one-sex anatomical model and uses a range of medical treatises to delineate an emergent two-sex paradigm of human biology. The impact such a model had on the staging of the human form in English professional theatre is also explored in appraisals of: (i) the homo-erotic significance of a two-sex paradigm; (ii) social and theatrical cross-dressing; (iii) the uses of theatrical androgyny; (iv) masculine corporality and the representation of assertive women; and (v) the theatrical poetics of human dissection. Billing supports cultural and scientific study with close-readings of Lyly, Shakespeare, Jonson, Middleton, Dekker, Beaumont, Fletcher, and Ford. The book provides a sophisticated and original analysis of the early modern stage body as a discursive site in wider debates concerning sexuality and gender.
Author: Christian M. Billing
Publisher: Routledge
ISBN: 1317099753
Category : Literary Criticism
Languages : en
Pages : 248
Get Book Here
Book Description
The significance of human anatomy to the most physical of art forms, the theatre, has hitherto been an under-explored topic. Filling this gap, Christian Billing questions conventional wisdom regarding the one-sex anatomical model and uses a range of medical treatises to delineate an emergent two-sex paradigm of human biology. The impact such a model had on the staging of the human form in English professional theatre is also explored in appraisals of: (i) the homo-erotic significance of a two-sex paradigm; (ii) social and theatrical cross-dressing; (iii) the uses of theatrical androgyny; (iv) masculine corporality and the representation of assertive women; and (v) the theatrical poetics of human dissection. Billing supports cultural and scientific study with close-readings of Lyly, Shakespeare, Jonson, Middleton, Dekker, Beaumont, Fletcher, and Ford. The book provides a sophisticated and original analysis of the early modern stage body as a discursive site in wider debates concerning sexuality and gender.
Author: Christian M. Billing
Publisher: Routledge
ISBN: 9781138376021
Category :
Languages : en
Pages : 248
Get Book Here
Book Description
The significance of human anatomy to the most physical of art forms, the theatre, has hitherto been an under-explored topic. Filling this gap, Christian Billing questions conventional wisdom regarding the one-sex anatomical model and uses a range of medical treatises to delineate an emergent two-sex paradigm of human biology. The impact such a model had on the staging of the human form in English professional theatre is also explored in appraisals of: (i) the homo-erotic significance of a two-sex paradigm; (ii) social and theatrical cross-dressing; (iii) the uses of theatrical androgyny; (iv) masculine corporality and the representation of assertive women; and (v) the theatrical poetics of human dissection. Billing supports cultural and scientific study with close-readings of Lyly, Shakespeare, Jonson, Middleton, Dekker, Beaumont, Fletcher, and Ford. The book provides a sophisticated and original analysis of the early modern stage body as a discursive site in wider debates concerning sexuality and gender.
Author: J. Feather
Publisher: Springer
ISBN: 113734475X
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
During the early modern period in England, social expectations for men came under extreme pressure - the armed knight went into decline and humanism appeared. Here, original essays analyze a wide-range of violent acts in literature and culture, from civic violence to chivalric combat to brawls and battles.
Author: Arthur F. Kinney
Publisher: John Wiley & Sons
ISBN: 1118823982
Category : Literary Criticism
Languages : en
Pages : 660
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Book Description
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field
Author: Jennifer Feather
Publisher: Springer
ISBN: 113701041X
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
By examining these competing depictions of combat that coexist in sixteenth-century texts ranging from Arthurian romance to early modern medical texts, this study reveals both the importance of combat in understanding the humanist subject and the contours of the previously neglected pre-modern subject.
Author: Bridget Escolme
Publisher: A&C Black
ISBN: 1408179687
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how much is too much can distort our understanding of early modern drama and theatre. It argues that permitting the excesses of the early modern drama onto the contemporary stage might free actors and audiences alike from assumptions that in order to engage with the drama of the past, its characters must be just like us. The book deals with characters in the plays of Shakespeare and his contemporaries who are sad for too long, or angry to the point of irrationality; people who laugh when they shouldn't or make their audiences do so; people whose selfhood has broken down into an excess of fragmentary extremes and who are labelled mad. It is about moments in the theatre when excessive emotion is rewarded and applauded - and about moments when the expression of emotion is in excess of what is socially acceptable: embarrassing, shameful, unsettling or insane. The book explores the broader cultures of emotion that produce these theatrical moments, and the theatre's role in regulating and extending the acceptable expression of emotion. It is concerned with the acting of excessive emotion and with acting emotion excessively. And it asks how these excesses are produced or erased, give pleasure or pain, in versions of early modern drama in theatre, film and television today. Plays discussed include Hamlet, Romeo and Juliet, The Spanish Tragedy, Twelfth Night, Much Ado About Nothing, Measure for Measure, and Coriolanus.
Author: Kate Aughterson
Publisher: Bloomsbury Publishing
ISBN: 1474289991
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Shakespeare and Gender guides students, educators, practitioners and researchers through the complexities of the representation of gender and sexuality in Shakespeare's work. Informed by contemporary and early modern debates and insights into gender and sexuality, including intersectionality, feminist geography, queer and performance studies and fourth-wave feminism, this book provides a lucid and lively discussion of how gender and sexual identity are debated, contested and displayed in Shakespeare's plays and sonnets. Using close textual analysis hand-in- hand with diverse contextual materials, the book offers an accessible and intelligent introduction to how gender debates are integral to the plays and poems, and why we continue to read and perform them with this in mind. Topics and themes discussed include gendering madness, paternity and the patriarchy, sexuality, anxious masculinity, maternal bodies, gender transgression, and kingship and the male body politic.
Author: Amy Kenny
Publisher: Springer
ISBN: 303005201X
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This book explores how the humoral womb was evoked, enacted, and embodied on the Shakespearean stage by considering the intersection of performance studies and humoral theory. Galenic naturalism applied the four humors—yellow bile, black bile, phlegm, and blood—to delineate women as porous, polluting, and susceptible to their environment. This book draws on early modern medical texts to provocatively demonstrate how Shakespeare’s canon offers a unique agency to female characters via humoral discourse of the womb. Chapters discuss early modern medicine’s attempt to theorize and interpret the womb, specifically its role in disease, excretion, and conception, alongside passages of Shakespeare’s plays to offer a fresh reading of (geo)humoral subjectivity. The book shows how Shakespeare subversively challenges contemporary notions of female fluidity by accentuating the significance of the womb as a source of self-defiance and autonomy for female characters across his canon.
Author: Paxton Hehmeyer
Publisher: Cambridge Scholars Publishing
ISBN: 1443838306
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Cannibalism, severed hands and severed heads, rape, murder, tragedy and - of course - the Classics. These are a few of the delights audiences have to look forward to in Titus Andronicus. It's a play of extremes, as likely to provoke severe discomfort as s
Author: Mark S. Dawson
Publisher: Manchester University Press
ISBN: 1526134500
Category : History
Languages : en
Pages : 426
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Book Description
Bodily contrasts – from the colour of hair, eyes and skin to the shape of faces and skeletons – allowed the English of the seventeenth and early eighteenth centuries to discriminate systematically among themselves and against non-Anglophone groups. Making use of an array of sources, this book examines how early modern English people understood bodily difference. It demonstrates that individuals’ distinctive features were considered innate, even as discrete populations were believed to have characteristics in common, and challenges the idea that the humoral theory of bodily composition was incompatible with visceral inequality or racism. While ‘race’ had not assumed its modern valence, and ‘racial’ ideologies were still to come, such typecasting nonetheless had mundane, lasting consequences. Grounded in humoral physiology, and Christian universalism notwithstanding, bodily prejudices inflected social stratification, domestic politics, sectarian division and international relations.
