Mary of Mercy in Medieval and Renaissance Italian Art PDF Download
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Author: KatherineT. Brown
Publisher: Routledge
ISBN: 1351559060
Category : Art
Languages : en
Pages : 257
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Book Description
Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.
Author: KatherineT. Brown
Publisher: Routledge
ISBN: 1351559060
Category : Art
Languages : en
Pages : 257
Get Book Here
Book Description
Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.
Author: Katharine D. Scherff
Publisher: Taylor & Francis
ISBN: 1000841863
Category : Art
Languages : en
Pages : 171
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Book Description
Examining the history of altar decorations, this study of the visual liturgy grapples with many of the previous theoretical frameworks to reveal the evolution and function of these ritual objects. Using an interdisciplinary approach, this book uses traditional art-historical methodologies and media technology theory to reexamine ritual objects. Previous analysis has not considered the in-between nature of these objects as deliberate and virtual conduits to the divine. The liturgy, the altarpiece, the altar environment, relics, and their reliquaries are media. In a series of case studies, several objects tell a different story about culture and society in medieval Europe. In essence, they reveal that media and media technologies generate and modulate the individual and collective structure of feelings of sacredness among assemblages of humans and nonhumans. The book will be of interest to scholars working in art history, medieval studies, early modern studies, and architectural history.
Author: Katherine T. Brown
Publisher:
ISBN: 9781351559041
Category : Christian art and symbolism
Languages : en
Pages :
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Book Description
Author: Katherine T. Brown
Publisher: Routledge
ISBN: 042951607X
Category : Art
Languages : en
Pages : 221
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Book Description
In The Legend of Veronica in Early Modern Art, Katherine T. Brown explores the lore of the apocryphal character of Veronica and the history of the “true image” relic as factors in the Franciscans’ placement of her character into the Via Crucis (Way of the Cross) as the Sixth Station, in both Jerusalem and Western Europe, around the turn of the fifteenth century. Katherine T. Brown examines how the Franciscans adopted and adapted the legend of Veronica to meet their own evangelical goals by intervening in the fabric of Jerusalem to incorporate her narrative − which is not found in the Gospels − into an urban path constructed for pilgrims, as well as in similar participatory installations in churchyards and naves across Western Europe. This book proposes plausible reasons for the subsequent proliferation of works of art depicting Veronica, both within and independent of the Stations of the Cross, from the early fifteenth through the mid-seventeenth centuries. This book will be of interest to scholars in art history, theology, and medieval and Renaissance studies.
Author: Toshio Ohnuki, Gert Melville, Yuichi Akae, Kazuhisa Takeda
Publisher: LIT Verlag Münster
ISBN: 3643154976
Category :
Languages : en
Pages : 282
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Book Description
Monasticism has a special position in the history of pastoral care. It produced innovations in various aspects of pastoral care despite, or more precisely, because of its isolation in legal or social terms from the secular world. The thirteen papers contained in this volume will reveal that there was a great variety in the ways pastoral care continued to be practised by monasticism, depending on time, space, and the nature of each religious order. Adopting a comparative approach, their historical and geographical range of investigation is not limited to medieval Europe but expands to the Americas and even to Japan in the early Modern Age. This volume bases on a conference held on 1 and 2 March 2019 at Okayama University, Japan, as part of the close collaboration between a Japanese research group on Christian/Buddhist religious movements and the Research Project "Monasteries in the High Middle Ages: Innovation Laboratories for European Life Designs and Regulatory Models" of the Saxon and the Heidelberg Academies of Sciences and Humanities, as well as the Research Center for Comparative History of Religious Orders (FOVOG, Dresden).
Author: Katherine T. Brown
Publisher: Taylor & Francis
ISBN: 1040098487
Category : Art
Languages : en
Pages : 220
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Book Description
Arboreal Symbolism in European Art, 1300–1800 probes the significance of trees in religious iconography of Western art. Based in the disciplines of art history, botany, and theology, this study focuses on selected works of art in which tree forms embody and reflect Christian themes. Through this triple lens, Brown examines trees that early modern artists rendered as sacred symbols—symbols with origins in the Old Testament, New Testament, Greek and Roman cultures, and early medieval legends. Tree components and wood depicted in works of art can serve as evidence for early modern artists’ embrace of biblical metaphor, classical sources, and devotional connotations. The author considers how artists rendered seasonal change in Christian narratives to emphasize themes of spiritual transformation. Brown argues that many artists and their patrons drew parallels between the life cycle of a tree and events in the Gospels with their respective annual, liturgical celebrations. This book will interest scholars in art history, religion, humanities, and interdisciplinary studies.
Author: Francesco Zucconi
Publisher: Springer
ISBN: 3319933787
Category : Art
Languages : en
Pages : 249
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Book Description
This book takes its start from a series of attempts to use Caravaggio’s works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio’s work, Francesco Zucconi takes Baroque art as a point of departure to guide readers through some of the most haunting and compelling images of our time. Each chapter analyzes a different form of media and explores a problem that ties together art history and humanitarian communications: from Caravaggio’s attempt to represent life itself as a subject of painting to the way bodies and emotions are presented in NGO campaigns. What emerges from this probing inquiry at the intersection of art theory, media studies and political philosophy is an original critical path in humanitarian visual culture.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1786736233
Category : Art
Languages : en
Pages : 311
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Book Description
The history of art in the late Middle Ages and the Renaissance has generally been written as a story of elites: bankers, noblemen, kings, cardinals, and popes and their artistic interests and commissions. Recent decades have seen attempts to recast the story in terms of material culture, but the focus seems to remain on the upper strata of society. In his inclusive analysis of art from 1300 to 1600, Rembrandt Duits rectifies this. Bringing together thought-provoking ideas from art historians, historians, anthropologists and museum curators, The Art of the Poor examines the role of art in the lower social classes of Europe and explores how this influences our understanding of medieval and early modern society. Introducing new themes and raising innovative research questions through a series of thematically grouped short case studies, this book gives impetus to a new field on the cusp of art history, social history, urban archaeology, and historical anthropology. In doing so, this important study helps us re-assess the very concept of 'art' and its function in society.
Author: Ashley Elston
Publisher: Taylor & Francis
ISBN: 1000429822
Category : Art
Languages : en
Pages : 191
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Book Description
This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400–1600. The book will be of interest to art historians, visual culture historians, and early modern historians.
Author: Alberto Melloni
Publisher: V&R Unipress
ISBN: 3847014757
Category : Religion
Languages : en
Pages : 229
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Book Description
This volume aims to take up the theme of the relationship between faith and pestilence, which, despite its topicality, is rooted in a long-term dimension that involves different areas of knowledge. A markedly disciplinary look brings together historical, theological, political, and juridical analyses and thus allows to understand this relationship through paradigms, turning points, continuities, and discontinuities. Such a wide perspective makes it possible to observe how the theme has crossed ages and religions, from the fathers of the church, to medicine in medieval Islam, up to contemporary times, with Ivan Illich's harsh critique of forced medicalization and the issues that emerged during the Covid-19 pandemic.
