Author: Patrick Keilbart
Publisher: Rowman & Littlefield
ISBN: 1793627169
Category : History
Languages : en
Pages : 365
Book Description
This book studies the Indonesian martial art Pencak Silat and related media practices, and, building on that, assesses mediatization processes, meaning the potential influence of technology-based media practices. Pencak Silat represents a cultural system of values and beliefs, with hierarchical structures and relations, and social advancement being mediated in embodied social learning. The study contributes to martial arts studies and media studies, demonstrating potentials and limitations of media technologies and their (dis-)embodiment – their extension or reduction of the body as medium, and their embeddedness in or detachment from a given socio-cultural context. With Pencak Silat being practiced all over Indonesia, by a large part of the population, the thesis also represents a contribution to Indonesian studies. Based on extensive fieldwork (between 2008 and 2016), the study analyzes martial arts and/as media in Indonesia, and presents an ethnography of Pencak Silat and mediatization.
Martial Arts in Indonesian Cinema and Television
Author: Patrick Keilbart
Publisher: Rowman & Littlefield
ISBN: 1793627169
Category : History
Languages : en
Pages : 365
Book Description
This book studies the Indonesian martial art Pencak Silat and related media practices, and, building on that, assesses mediatization processes, meaning the potential influence of technology-based media practices. Pencak Silat represents a cultural system of values and beliefs, with hierarchical structures and relations, and social advancement being mediated in embodied social learning. The study contributes to martial arts studies and media studies, demonstrating potentials and limitations of media technologies and their (dis-)embodiment – their extension or reduction of the body as medium, and their embeddedness in or detachment from a given socio-cultural context. With Pencak Silat being practiced all over Indonesia, by a large part of the population, the thesis also represents a contribution to Indonesian studies. Based on extensive fieldwork (between 2008 and 2016), the study analyzes martial arts and/as media in Indonesia, and presents an ethnography of Pencak Silat and mediatization.
Publisher: Rowman & Littlefield
ISBN: 1793627169
Category : History
Languages : en
Pages : 365
Book Description
This book studies the Indonesian martial art Pencak Silat and related media practices, and, building on that, assesses mediatization processes, meaning the potential influence of technology-based media practices. Pencak Silat represents a cultural system of values and beliefs, with hierarchical structures and relations, and social advancement being mediated in embodied social learning. The study contributes to martial arts studies and media studies, demonstrating potentials and limitations of media technologies and their (dis-)embodiment – their extension or reduction of the body as medium, and their embeddedness in or detachment from a given socio-cultural context. With Pencak Silat being practiced all over Indonesia, by a large part of the population, the thesis also represents a contribution to Indonesian studies. Based on extensive fieldwork (between 2008 and 2016), the study analyzes martial arts and/as media in Indonesia, and presents an ethnography of Pencak Silat and mediatization.
Willing Collaborators
Author: Michael Keane
Publisher: Rowman & Littlefield
ISBN: 1786604264
Category : Social Science
Languages : en
Pages : 271
Book Description
Now in paperback, this volume examines this phenomenon, looking at examples from film, documentary, television, animation and games. In recent years, many media producers, screenwriters, technicians and investors from the Asia-Pacific region have been attracted to projects in the People's Republic of China. The Chinese state’s willingness to consider collaboration with foreign partners is a major factor that is enticing and supporting a range of new ventures. Projects, often with a lighter commercial entertainment feel, compared with the propaganda-oriented content of the past, are multiplying. With this surge in production and the availability of resources and locations, creative talent is moving to the Mainland from South Korea, Hong Kong, Taiwan and Japan.
Publisher: Rowman & Littlefield
ISBN: 1786604264
Category : Social Science
Languages : en
Pages : 271
Book Description
Now in paperback, this volume examines this phenomenon, looking at examples from film, documentary, television, animation and games. In recent years, many media producers, screenwriters, technicians and investors from the Asia-Pacific region have been attracted to projects in the People's Republic of China. The Chinese state’s willingness to consider collaboration with foreign partners is a major factor that is enticing and supporting a range of new ventures. Projects, often with a lighter commercial entertainment feel, compared with the propaganda-oriented content of the past, are multiplying. With this surge in production and the availability of resources and locations, creative talent is moving to the Mainland from South Korea, Hong Kong, Taiwan and Japan.
Ghost Movies in Southeast Asia and Beyond
Author:
Publisher: BRILL
ISBN: 9004323643
Category : Social Science
Languages : en
Pages : 309
Book Description
Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became major box office hits. The emergence of the phenomenally popular “J-Horror” genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion.
Publisher: BRILL
ISBN: 9004323643
Category : Social Science
Languages : en
Pages : 309
Book Description
Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became major box office hits. The emergence of the phenomenally popular “J-Horror” genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion.
Emerging Dynamics in Contemporary India–Malaysia Relations
Author: Sarjit S. Gill
Publisher: Rowman & Littlefield
ISBN: 1666936995
Category : Political Science
Languages : en
Pages : 131
Book Description
This edited volume examines the many facets of contemporary Malaysia-India bilateral relations. The contributors provide analysis from the perspectives of trade and economic relations, people-to-people connections, tourism, security cooperation, ethnic identities, comparative religiosity, and revisiting the historical links between these countries.
Publisher: Rowman & Littlefield
ISBN: 1666936995
Category : Political Science
Languages : en
Pages : 131
Book Description
This edited volume examines the many facets of contemporary Malaysia-India bilateral relations. The contributors provide analysis from the perspectives of trade and economic relations, people-to-people connections, tourism, security cooperation, ethnic identities, comparative religiosity, and revisiting the historical links between these countries.
The Oxford History of World Cinema
Author: Geoffrey Nowell-Smith
Publisher: Oxford University Press
ISBN: 0198742428
Category : History
Languages : en
Pages : 847
Book Description
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.
Publisher: Oxford University Press
ISBN: 0198742428
Category : History
Languages : en
Pages : 847
Book Description
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world.
Martial Arts of Indonesia
Author: Donn F. Draeger
Publisher: Tuttle Publishing
ISBN: 1462922023
Category : Sports & Recreation
Languages : en
Pages : 413
Book Description
Preserved in music, dance, and art--as well as in ritual, tribal law, and mythology--the fighting arts of the Indonesian archipelago play a central role in Indonesian culture. The Martial Arts of Indonesia is a heavily illustrated and well-researched work from revered martial arts scholar and teacher Donn F. Draeger. Draeger offers an expert's perspective on the story of Indonesia's martial culture, providing a comprehensive introduction to the sophisticated forms of empty-hand combat. These acrobatic fighting styles like Pencak Silat--which was granted World Cultural Heritage status by UNESCO in 2019--and Kuntao are growing in popularity around the world. This book also has extensive information on traditional Indonesian weapons including: Keris: A dagger with a waved blade and pistol-grip handle Kujang: A sickle-shaped dagger with a distinctive curve Rencong: An L-shaped knife with a slightly curved blade Draeger shows how these unique Indonesian forms are related to their mainland cousins, provides a historical context for their development, and describes the various combat methods employed throughout Indonesia. This edition includes a new foreword by Gary Nathan Gartenberg, the world's leading expert on Indonesian martial arts, which explains the lasting importance of this classic study of an ancient martial tradition. With over 400 photos and illustrations of moves and weapons that showcase the intricacies of the Indonesian fighting forms, The Martial Arts of Indonesia is an indispensable addition to any martial artist's library.
Publisher: Tuttle Publishing
ISBN: 1462922023
Category : Sports & Recreation
Languages : en
Pages : 413
Book Description
Preserved in music, dance, and art--as well as in ritual, tribal law, and mythology--the fighting arts of the Indonesian archipelago play a central role in Indonesian culture. The Martial Arts of Indonesia is a heavily illustrated and well-researched work from revered martial arts scholar and teacher Donn F. Draeger. Draeger offers an expert's perspective on the story of Indonesia's martial culture, providing a comprehensive introduction to the sophisticated forms of empty-hand combat. These acrobatic fighting styles like Pencak Silat--which was granted World Cultural Heritage status by UNESCO in 2019--and Kuntao are growing in popularity around the world. This book also has extensive information on traditional Indonesian weapons including: Keris: A dagger with a waved blade and pistol-grip handle Kujang: A sickle-shaped dagger with a distinctive curve Rencong: An L-shaped knife with a slightly curved blade Draeger shows how these unique Indonesian forms are related to their mainland cousins, provides a historical context for their development, and describes the various combat methods employed throughout Indonesia. This edition includes a new foreword by Gary Nathan Gartenberg, the world's leading expert on Indonesian martial arts, which explains the lasting importance of this classic study of an ancient martial tradition. With over 400 photos and illustrations of moves and weapons that showcase the intricacies of the Indonesian fighting forms, The Martial Arts of Indonesia is an indispensable addition to any martial artist's library.
Genders and Sexualities in Indonesian Cinema
Author: Ben Murtagh
Publisher: Routledge
ISBN: 1135097518
Category : Performing Arts
Languages : en
Pages : 216
Book Description
Indonesia has a long and rich tradition of homosexual and transgender cultures, and the past 40 years in particular has seen an increased visibility of sexual minorities in the country, which has been reflected through film and popular culture. This book examines how representations of gay, lesbian and transgender individuals and communities have developed in Indonesian cinema during this period. The book first explores Indonesian engagement with waria (male-to-female transgender) identities and the emerging representation of gay and lesbi Indonesians during Suharto’s New Order regime (1966-98), before going on to the reimagining of these positions following the fall of the New Order, a period which saw the rebirth of the film industry with a new generation of directors, producers and actors. Using original interview research and focus groups with gay, lesbi and waria identified Indonesians, alongside the films themselves and a wealth of archival sources, the book contrasts the ways in which transgendered lives are actually lived with their representations on screen.
Publisher: Routledge
ISBN: 1135097518
Category : Performing Arts
Languages : en
Pages : 216
Book Description
Indonesia has a long and rich tradition of homosexual and transgender cultures, and the past 40 years in particular has seen an increased visibility of sexual minorities in the country, which has been reflected through film and popular culture. This book examines how representations of gay, lesbian and transgender individuals and communities have developed in Indonesian cinema during this period. The book first explores Indonesian engagement with waria (male-to-female transgender) identities and the emerging representation of gay and lesbi Indonesians during Suharto’s New Order regime (1966-98), before going on to the reimagining of these positions following the fall of the New Order, a period which saw the rebirth of the film industry with a new generation of directors, producers and actors. Using original interview research and focus groups with gay, lesbi and waria identified Indonesians, alongside the films themselves and a wealth of archival sources, the book contrasts the ways in which transgendered lives are actually lived with their representations on screen.
A Dictionary of Film Studies
Author: Annette Kuhn
Publisher: Oxford University Press
ISBN: 0192568043
Category : Performing Arts
Languages : en
Pages : 576
Book Description
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.
Publisher: Oxford University Press
ISBN: 0192568043
Category : Performing Arts
Languages : en
Pages : 576
Book Description
A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.
Indonesian Cinema after the New Order
Author: Thomas Barker
Publisher: Hong Kong University Press
ISBN: 9888528076
Category : Performing Arts
Languages : en
Pages : 243
Book Description
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University
Publisher: Hong Kong University Press
ISBN: 9888528076
Category : Performing Arts
Languages : en
Pages : 243
Book Description
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University
The Worlds of John Wick
Author: Caitlin G. Watt
Publisher: Indiana University Press
ISBN: 0253062438
Category : Performing Arts
Languages : en
Pages : 488
Book Description
Each John Wick film has earned more money and recognition than its predecessor, defying the conventional wisdom about the box office's action movie landscape, normally dominated by superhero movies and science fiction epics. As The Worlds of John Wickexplores, the worldbuilding of John Wick offers thrills that you simply can't find anywhere else. The franchise's plot combines familiar elements of the revenge thriller and crime film with seamlessly coordinated action. One of its most distinctive appeals, however, is the detailed and multifaceted fictional world—or rather, worlds—it constructs. The contributors to this volume consider everything from fight sequences, action aesthetics, and stunts to grief, cinematic space and time, and gender performance to map these worlds and explore how their range and depth make John Wick a hit. A deep dive into this popular neo-noir franchise, The Worlds of John Wickcelebrates and complicates the cult phenomenon that is John Wick.
Publisher: Indiana University Press
ISBN: 0253062438
Category : Performing Arts
Languages : en
Pages : 488
Book Description
Each John Wick film has earned more money and recognition than its predecessor, defying the conventional wisdom about the box office's action movie landscape, normally dominated by superhero movies and science fiction epics. As The Worlds of John Wickexplores, the worldbuilding of John Wick offers thrills that you simply can't find anywhere else. The franchise's plot combines familiar elements of the revenge thriller and crime film with seamlessly coordinated action. One of its most distinctive appeals, however, is the detailed and multifaceted fictional world—or rather, worlds—it constructs. The contributors to this volume consider everything from fight sequences, action aesthetics, and stunts to grief, cinematic space and time, and gender performance to map these worlds and explore how their range and depth make John Wick a hit. A deep dive into this popular neo-noir franchise, The Worlds of John Wickcelebrates and complicates the cult phenomenon that is John Wick.