Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 670
Book Description
The Nineteenth Century and After
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 670
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 670
Book Description
Gender and Voice in the French Novel, 1730–1782
Author: Aurora Wolfgang
Publisher: Routledge
ISBN: 1351934724
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Analyzing four best-selling novels - by both women and men - written in the feminine voice, this book traces how the creation of women-centered salons and the emergence of a feminine poetic style engendered a new type of literature in eighteenth-century France. The author argues that writing in a female voice allowed writers of both sexes to break with classical notions of literature and style, so that they could create a modern sensibility that appealed to a larger reading public, and gave them scope to innovate with style and form. Wolfgang brings to light how the 'female voice' in literature came to embody the language of sociability, but also allowed writers to explore the domain of inter-subjectivity, while creating new bonds between writers and the reading public. Through examination of Marivaux's La Vie de Marianne, Graffigny's Lettres d'une Péruvienne, Riccoboni's Lettres de Mistriss Fanni Butlerd, and Laclos's Les Liaisons dangereuses, she shows that in France, this modern 'feminine' sensibility turned the least prestigious of literary genres - the novel - into the most compelling and innovative literary form of the eighteenth century. Emphasizing how the narratives analyzed here refashioned the French literary world through their linguistic innovation and expression of new forms of subjectivity, this study claims an important role for feminine-voice narratives in shaping the field of eighteenth-century literature.
Publisher: Routledge
ISBN: 1351934724
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Analyzing four best-selling novels - by both women and men - written in the feminine voice, this book traces how the creation of women-centered salons and the emergence of a feminine poetic style engendered a new type of literature in eighteenth-century France. The author argues that writing in a female voice allowed writers of both sexes to break with classical notions of literature and style, so that they could create a modern sensibility that appealed to a larger reading public, and gave them scope to innovate with style and form. Wolfgang brings to light how the 'female voice' in literature came to embody the language of sociability, but also allowed writers to explore the domain of inter-subjectivity, while creating new bonds between writers and the reading public. Through examination of Marivaux's La Vie de Marianne, Graffigny's Lettres d'une Péruvienne, Riccoboni's Lettres de Mistriss Fanni Butlerd, and Laclos's Les Liaisons dangereuses, she shows that in France, this modern 'feminine' sensibility turned the least prestigious of literary genres - the novel - into the most compelling and innovative literary form of the eighteenth century. Emphasizing how the narratives analyzed here refashioned the French literary world through their linguistic innovation and expression of new forms of subjectivity, this study claims an important role for feminine-voice narratives in shaping the field of eighteenth-century literature.
The Nineteenth Century
Author:
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1234
Book Description
Publisher:
ISBN:
Category : Nineteenth century
Languages : en
Pages : 1234
Book Description
Love in the Theatre of Marivaux
Author: Valentini Papadopoulou Brady
Publisher: Librairie Droz
ISBN: 9782600035057
Category : Love in literature
Languages : en
Pages : 368
Book Description
Publisher: Librairie Droz
ISBN: 9782600035057
Category : Love in literature
Languages : en
Pages : 368
Book Description
The Monthly Review
Author: Ralph Griffiths
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 598
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 598
Book Description
Writers of the French Enlightenment
Author: Samia I. Spencer
Publisher: Dictionary of Literary Biograp
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
Annotation Dedicated to making literature and its creators more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars, the series systematically presents career biographies of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods. Entries are written by experts in the field and include bibliographies and illustrations.
Publisher: Dictionary of Literary Biograp
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
Annotation Dedicated to making literature and its creators more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars, the series systematically presents career biographies of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods. Entries are written by experts in the field and include bibliographies and illustrations.
The Monthly Review, Or, Literary Journal
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 604
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 604
Book Description
The Monthly Review Or Literary Journal Enlarged
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
Nineteenth Century
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1104
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1104
Book Description
The Rise of the French Novel
Author: Martin Turnell
Publisher: New Directions Publishing
ISBN: 9780811207164
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Martin Turnell's The Rise of the French Novel is a successor to his highly praised earlier books, The Novel in France (1951) and The Art of French Fiction (1959). His aim now, however, is somewhat different, as can be seen from the title. It is well known that the reputations of many writers, novelists especially, diminish for a period following their deaths. Although in the eighteenth century Marivaux, Crébillon fils, and Rousseau all enjoyed a great deal of popularity during their lifetimes, it is only recently that they have been subject to truly searching studies. Yet they remain little read in English-speaking countries. Turnell emphasizes that in spite of the hostility of French critics and the fact that the novel did not reach its supremacy even in France until the nineteenth century, the beginning of its great rise was indeed with such writers as these. Their strong influence led such nineteenth-century novelists as Stendhal and Flaubert to all kinds of changes related to style, the enormous increase in the range of subject matter, and the marked development of language. Flaubert is the most striking example. It was pointed out some time ago by Eisenstein that Madame Bovary anticipates cinematic technique. One of Turnell's most interesting chapters explores the connections between the novel and film in general, and Madame Bovary in particular. In our own time, two of the most popular French novelists in both the United States and England are Alain-Fournier and Radiguet. They are given enthusiastic appreciations in Turnell's thoughtful book.
Publisher: New Directions Publishing
ISBN: 9780811207164
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Martin Turnell's The Rise of the French Novel is a successor to his highly praised earlier books, The Novel in France (1951) and The Art of French Fiction (1959). His aim now, however, is somewhat different, as can be seen from the title. It is well known that the reputations of many writers, novelists especially, diminish for a period following their deaths. Although in the eighteenth century Marivaux, Crébillon fils, and Rousseau all enjoyed a great deal of popularity during their lifetimes, it is only recently that they have been subject to truly searching studies. Yet they remain little read in English-speaking countries. Turnell emphasizes that in spite of the hostility of French critics and the fact that the novel did not reach its supremacy even in France until the nineteenth century, the beginning of its great rise was indeed with such writers as these. Their strong influence led such nineteenth-century novelists as Stendhal and Flaubert to all kinds of changes related to style, the enormous increase in the range of subject matter, and the marked development of language. Flaubert is the most striking example. It was pointed out some time ago by Eisenstein that Madame Bovary anticipates cinematic technique. One of Turnell's most interesting chapters explores the connections between the novel and film in general, and Madame Bovary in particular. In our own time, two of the most popular French novelists in both the United States and England are Alain-Fournier and Radiguet. They are given enthusiastic appreciations in Turnell's thoughtful book.