Author: Herman Melville
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 348

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Author: Carol Borden
Publisher: Lulu.com
ISBN: 0557958393
Category : Education
Languages : en
Pages : 218

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Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

Author: Herman Melville
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 348

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"Following the commercial and critical success of his first book, Typee, Herman Melville continued his series of South Seas adventure-romances with Omoo. Melville's second book chronicles the narrator's involvement in a mutiny aboard a South Seas whaling vessel, his incarceration in a Tahitian jail, and then his wanderings as an omoo, or rover, on the island of Eimeo (Moorea). Based on Melville's personal experience as a sailor on a South Pacific whaleship, Omoo is a first-person account of life as a sailor during the nineteenth century, filled with colorful characters and detailed descriptions of the far-flung locales of Polynesia."--BOOK JACKET.

Author: Herman Melville
Publisher: Pinnacle Press
ISBN: 9781374910096
Category : Literary Collections
Languages : en
Pages : 168

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Melville H.
Publisher: Рипол Классик
ISBN: 5521074600
Category : Fiction
Languages : en
Pages : 449

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Herman Melville (1819 – 1891) was an American poet and novelist of the American Renaissance, best known for his allusive adventure novel “Moby-Dick.” “Mardi: And a Voyage Thither,” the third book of the author, dives deep into the pure fiction territory. As the ideological successor to “Typee” and “Omoo,” it tells the story of an American sailor who decided to explore the South Pacifi c. This time Melville masterfully injects the elements of romance, philosophical refl ections, and satire, revealing his writer talent in all its glory.

Author: Herman Melville
Publisher: Createspace Independent Publishing Platform
ISBN: 9781542688314
Category :
Languages : en
Pages : 346

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Mardi, and a Voyage Thither is the third book by American writer Herman Melville, first published in London in 1849. Beginning as a travelogue in the vein of the author's two previous efforts, the adventure story gives way to a romance story, which in its turn gives way to a philosophical quest.Mardi is Melville's first pure fiction work (while featuring fictional narrators; his previous novels were heavily autobiographical). It details (much like Typee and Omoo) the travelings of an American sailor who abandons his whaling vessel to explore the South Pacific. Unlike the first two, however, Mardi is highly philosophical and said to be the first work to show Melville's true potential. The tale begins as a simple narrative, but quickly focuses upon discourse between the main characters and their interactions with the different symbolic countries they encounter. While not as cohesive or lengthy as Moby-Dick, it shares a similar writing style as well as many of the same themes. As a preface to Mardi, Melville wrote somewhat ironically that his first two books were nonfiction but disbelieved; by the same pattern he hoped the fiction book would be accepted as fact. The voyage from island to island echoes Rabelais's Gargantua and Pantagruel, especially the last two books. According to scholar Newton Arvin, "The praise of eating and drinking is highly Rabelaisian in intention, and so in general is all the satire on bigotry, dogmatism, and pedantry. Taji and his friends wandering about on the island of Maramma, which stands for ecclesiastical tyranny and dogmatism, are bound to recall Pantagruel and his companions wandering among the superstitious inhabitants of Papimany; and the pedantic, pseudo-philosophi of Melville's Doxodox is surely, for a reader of Rabelais, an echo of the style of Master Janotus de Bragmardo holding forth polysyllabically to Gargantua in Book I."[1] Arvin also recognizes the influence of Gulliver's Travels by Jonathan Swift, "there is something very Swiftian in Melville's Hooloomooloo, the Isle of Cripples, the inhabitants of which are all twisted and deformed, and whose shapeless king is horrified at the straight, strong figures of his visitors from over sea..." Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic, and the abundance of allusion extends to Scripture, myth, philosophy, literature, and the visual arts. Born in New York City as the third child of a merchant in French dry goods, Melville's formal education ended abruptly after his father died in 1832, leaving the family in financial straits. Melville briefly became a schoolteacher before he took to sea in 1839 as a common sailor on a merchant ship. In 1840 he signed aboard the whaler Acushnet for his first whaling voyage, but jumped ship in the Marquesas Islands. After further adventures, he returned to Boston in 1844. His first book, Typee (1845), a highly romanticized account of his life among Polynesians, became such a best-seller that he worked up a sequel, Omoo (1847). These successes encouraged him to marry Elizabeth Shaw, of a prominent Boston family, but were hard to sustain. His first novel not based on his own experiences, Mardi (1849), is a sea narrative that develops into a philosophical allegory, but was not well received....

Author: Herman Melville
Publisher:
ISBN:
Category :
Languages : en
Pages : 400

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Author: Steven B. Herrmann
Publisher: North Atlantic Books
ISBN: 1583948333
Category : Literary Criticism
Languages : en
Pages : 425

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Exploring what the author calls the "shaman-poets"—Walt Whitman, Herman Melville, and Emily Dickinson—this book demonstrates how far ahead of their times these writers were in forecasting developments of our current time. It was Whitman who first wrote of "Spiritual Democracy" as a vision of transformation and global equality. Steven Herrmann delves deep into the visionary expressions of this idea of Spiritual Democracy—"the realization of the oneness of humanity with the universe and all its forces"—in these early American writers, showing the influence the groundbreaking work of the geologist and thinker Alexander Von Humboldt had on Whitman and others. Writing that every member of the global community regardless of color, gender, or sexual orientation can realize these freedoms, the author explores how one can tap into the vitalizing source of equalizing, vocational energy to bring a sense of purpose and peace. Although the book shines as a work of literary criticism, the author's insights as a Jungian psychotherapist take the reader ever deeper into the creative impulses of Whitman, Melville, Dickinson, and other poets in their crafting of the seminal notion of Spiritual Democracy. In addition, Herrmann offers practical methodologies for personal and global transformation in the section, "Ten Ways to Practice Spiritual Democracy." Table of Contents Visions of Spiritual Democracy - Introduction 1. Cosmos 2. Spiritual Democracy as a Science of God 3. From Humboldt to Jung 4. Jung on Spiritual Democracy 5. Healing the National Complex 6. Whitman's "New Bible": The Foundation of a Religious Vision 7. Walt Whitman's Global Vision 8. The Bi-Erotic as Transcendent Sexuality 9. Shamanism and Spiritual Democracy: A Post-Humboldtian Notion of the Cosmos 10. Whitman as a Preserver of the Psychic Integrity of the Community 11. Moby Dick: The Evolution of a New Myth for our Times 12. Herman Melville: The Quest for Yillah 13. Towards a Hypothesis of the Bi-erotic 14. Moby Dick and the Trickster 15. The Marriage of Sames: "A Bosom Friend" 16. Moby Dick: The Characters Behind the Names 17. The Fall of the Dictatorships as Portrayed in Moby Dick 18. Metamorphosis of the Gods 19. The Re-emergence of the Feminine 20. Afterward: A Bi-Erotic Model for The Way Forward a) Ten Ways to Practice Spiritual Democracy

Author: John Freeman
Publisher:
ISBN:
Category :
Languages : en
Pages : 226

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Author: David Farrell Krell
Publisher: Bloomsbury Publishing
ISBN: 1350076724
Category : Philosophy
Languages : en
Pages : 353

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Humankind has a profound and complex relationship with the sea, a relationship that is extensively reflected in biology, psychology, religion, literature and poetry. The sea cradles and soothes us, we visit it often for solace and inspiration, it is familiar, being the place where life ultimately began. Yet the sea is also dark and mysterious and often spells catastrophe and death. The sea is a set of contradictions: kind, cruel, indifferent. She is a blind will that will 'have her way'. In exploring this most capricious of phenomena, David Farrell Krell engages the work of an array of thinkers and writers including, but not limited to, Homer, Thales, Anaximander, Heraclitus, Plato, Aristotle, Hölderlin, Melville, Woolf, Whitman, Nietzsche, Heidegger, Schelling, Ferenczi, Rank and Freud. The Sea explores the significance in Western civilization of the catastrophic and generative power of the sea and what humankind's complex relationship with it reveals about the human condition, human consciousness, temporality, striving, anxiety, happiness and mortality.