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Author: Johnny Farraj
Publisher: Oxford University Press
ISBN: 019065838X
Category : Music
Languages : en
Pages : 272
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Book Description
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author: Johnny Farraj
Publisher: Oxford University Press
ISBN: 019065838X
Category : Music
Languages : en
Pages : 272
Get Book
Book Description
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author: Peter Thoegersen
Publisher: CRC Press
ISBN: 1040051413
Category : Music
Languages : en
Pages : 135
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Book Description
This book discusses microtonal tunings in the Arabic maqam, prevalent in the Middle East and Central Asia, which employs microtonal intervals from Pythagorean tuning by perfect fifths. The ratio 3/2, as the fifth overtone in the overtone series, is used as a multiplier leading to numeric ratios for all pitches in the tetrachords and pentachords of the maqam. Musicians today are highly curious about expanding the pitch palette and are already employing microtones in their music, from folk rock to classical music. The maqam is among the few extant analyzed systems of music from antiquity that reflect the methods of the Greek Genera, in terms of tuning and function. The book also discusses Charles Ives's use of microtones, Bach and his use of microtones, and a score of Hypercube, the seminal composition discussed in the author’s first book, Polytempic Polymicrotonal Music, which was not published in its entirety in the former book. The text covers microtones philosophically, questioning the efficacy of such tunings. This book is accessible to the beginners in the field and will be beneficial to musical analyses in colleges and universities also by showing detailed analysis of Bach chorales in their original modes, and how their tuning presented complete character shifts by the microtones they contained by mean-tone temperament, an offshoot of Pythagorean tuning during the Baroque.
Author: Mark L. Kligman
Publisher: Wayne State University Press
ISBN: 9780814332160
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Explores the cultural connection between Syrian Jewish life and Arab culture in present-day Brooklyn, New York, through liturgical music.
Author: Dorothea E. Hast
Publisher: Kendall Hunt
ISBN: 9780787271541
Category : Music
Languages : en
Pages : 340
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Book Description
Music and music theory including, frequency, amplitude, duration, timbre, natural enviornment (Bosnian, Ganga, Becarac, Australia, Papua, New Guinea, spirit world, Tuvan; modern urban music, modern minstrels, rap music, transformative power of music, contra dance music, healing music (Kung healing ceremony); political power music (national anthems, protest and resistance); labor movement music, civil rights movement music; toptical songs in the United States; music and memory; much more.
Author: David Muallem
Publisher:
ISBN: 9789655050530
Category : Arabs
Languages : en
Pages : 233
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Book Description
Author: Cameron Powers
Publisher: cameron powers
ISBN: 0974588245
Category : Maqām
Languages : en
Pages : 58
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Book Description
How to play Arabic music. Maqam structures with traditional quarter-tone intervals presented in easy-to-read formats. This book has become a widely-used standard for instrumentalists and singers who wish to enter the magical world of Arabic music.
Author: János Kárpáti
Publisher: Pendragon Press
ISBN: 9780945193197
Category : Juvenile Nonfiction
Languages : en
Pages : 520
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Book Description
At first sight a work devoted to Bartók's chamber music looks as though it were simply concerned with a genre division attempting an exposition of no more than a single aspect of the whole oeuvre. But in Bartók's case the chamber music is not simply a matter of grouping according to genre-it is really the framework for his whole oeuvre. (From the introduction) "János Kárpáti one of the outstanding scholars in the field of Bartók research here presents a revised and expanded edition of his Bartók's String Quartets (Corvina Press 1975)."
Author: Dalia Cohen
Publisher: University of Chicago Press
ISBN: 0226112993
Category : Music
Languages : en
Pages : 531
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Book Description
Sound disc consists of digitally remastered musical selections originally recorded by the authors.
Author: Johnny Farraj
Publisher: Oxford University Press, USA
ISBN: 0190658355
Category : Music
Languages : en
Pages : 481
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Book Description
What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.
Author: Rob Simms
Publisher: Scarecrow Press
ISBN: 1461673488
Category : Music
Languages : en
Pages : 212
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Book Description
The classical music of Iraq, known as Iraqi Maqam, features classical and vernacular poetry sung by a virtuoso soloist and accompanied by a small instrumental ensemble. It is a remarkably cosmopolitan art, sharing many features with neighboring classical traditions, particularly Iranian. Its repertoire consists of orally transmitted, multi-sectioned compositions, performed with some flexibility regarding ornamentation, arrangement and development. Focusing on the period between 1930-1980, this reference offers the first comprehensive view of the musical contents of the repertoire—scalar structure, melodic materials and overall form—through various tables and musical transcriptions. This reference consolidates information from prominent Iraqi sources and draws upon a selection of recordings by master musicians, including Rashid Qundarchi and Yusuf Omar. An introductory section provides a brief overview of pan-Middle Eastern modal theory along with an outline of the terminology, theory and practices specific to Iraqi Maqam. The main section of the work is a catalog of 40 maqams that constitute the central core of the contemporary repertoire. The Repertoire of Iraqi Maqam aims to foster a better musical understanding of a relatively little known tradition, promote further research, and enhance appreciative listening to this inspiring facet of Iraqi culture.
