Author: Roy Davids Ltd
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 160
Book Description
Manuscripts and Letters, Portraits, Artefacts, and Works of Art
Author: Roy Davids Ltd
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 160
Book Description
A Catalogue of the Antiquities and Works of Art
Author: London and Middlesex Archaeological Society
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 354
Book Description
A Catalogue of the Antiquities and Works of Art Exhibited at Ironmongers' Hall, London... May, 1861
Author:
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 352
Book Description
A Catalogue of the Antiquities and Works of Art Exhibited at Ironmongers' Hall ... May, 1861
Author: Worshipful Company of Ironmongers (London, England)
Publisher:
ISBN:
Category : Archaeological museums and collections
Languages : en
Pages : 730
Book Description
Publisher:
ISBN:
Category : Archaeological museums and collections
Languages : en
Pages : 730
Book Description
Agincourt
Author: Anne Curry
Publisher: OUP Oxford
ISBN: 0191502782
Category : History
Languages : en
Pages : 303
Book Description
From Shakespeare to The Beatles, the battle of Agincourt has dominated the cultural landscape as one of the most famous battles in British history. Anne Curry seeks to find out how and why the legacy of Agincourt has captured the popular imagination. Agincourt (1415) is an exceptionally famous battle, one that has generated a huge and enduring cultural legacy in the six hundred years since it was fought. Everybody thinks they know what the battle was about. Even John Lennon, aged 12, wrote a poem and drew a picture headed 'Agincourt'. But why and how has Agincourt come to mean so much, to so many? Why do so many people claim their ancestors served at the battle? Is the Agincourt of popular image the real Agincourt, or is our idea of the battle simply taken from Shakespeare's famous depiction of it? Written by the world's leading expert on the battle, this book shows just why it has occupied such a key place in English identity and history in the six centuries since it was fought, exploring a cultural legacy that stretches from bowmen to Beatles, via Shakespeare, Dickens, and the First World War. Anne Curry first sets the scene, illuminating how and why the battle was fought, as well as its significance in the wider history of the Hundred Years War. She then takes the Agincourt story through the centuries from 1415 to now, from the immediate, and sometimes surprising, responses to it on both sides of the Channel, through its reinvention by Shakespeare in King Henry V (1599), and the enduring influence of both the play and the film versions of it, especially the patriotic Laurence Olivier version of 1944, at the time of the D-Day landings in Normandy. But the legacy of Agincourt does not begin and end with Shakespeare's play: from the eighteenth century onwards, on both sides of the Channel and in both the English and French speaking worlds the battle was used as an explanation of national identity, giving rise to jingoistic works in print and music. It was at this time that it became fashionable for the gentry to identify themselves with the victory, and in the Victorian period the Agincourt archer came to be emphasized as the epitome of 'English freedom'. Indeed, even today, historians continue to 'refight' the battle.
Publisher: OUP Oxford
ISBN: 0191502782
Category : History
Languages : en
Pages : 303
Book Description
From Shakespeare to The Beatles, the battle of Agincourt has dominated the cultural landscape as one of the most famous battles in British history. Anne Curry seeks to find out how and why the legacy of Agincourt has captured the popular imagination. Agincourt (1415) is an exceptionally famous battle, one that has generated a huge and enduring cultural legacy in the six hundred years since it was fought. Everybody thinks they know what the battle was about. Even John Lennon, aged 12, wrote a poem and drew a picture headed 'Agincourt'. But why and how has Agincourt come to mean so much, to so many? Why do so many people claim their ancestors served at the battle? Is the Agincourt of popular image the real Agincourt, or is our idea of the battle simply taken from Shakespeare's famous depiction of it? Written by the world's leading expert on the battle, this book shows just why it has occupied such a key place in English identity and history in the six centuries since it was fought, exploring a cultural legacy that stretches from bowmen to Beatles, via Shakespeare, Dickens, and the First World War. Anne Curry first sets the scene, illuminating how and why the battle was fought, as well as its significance in the wider history of the Hundred Years War. She then takes the Agincourt story through the centuries from 1415 to now, from the immediate, and sometimes surprising, responses to it on both sides of the Channel, through its reinvention by Shakespeare in King Henry V (1599), and the enduring influence of both the play and the film versions of it, especially the patriotic Laurence Olivier version of 1944, at the time of the D-Day landings in Normandy. But the legacy of Agincourt does not begin and end with Shakespeare's play: from the eighteenth century onwards, on both sides of the Channel and in both the English and French speaking worlds the battle was used as an explanation of national identity, giving rise to jingoistic works in print and music. It was at this time that it became fashionable for the gentry to identify themselves with the victory, and in the Victorian period the Agincourt archer came to be emphasized as the epitome of 'English freedom'. Indeed, even today, historians continue to 'refight' the battle.
The Divine Comedy
Author: Craig Raine
Publisher: Atlantic Books
ISBN: 0857897225
Category : Fiction
Languages : en
Pages : 199
Book Description
The Divine Comedy is a fugue and a black comedy. In delicious and bawdy detail, an unnamed narrator offers snapshots into the lives and loves of an astonishing cast of philanderers and fuckups while along the way, the evidence amasses for a comic, cosmic conspiracy. Craig Raine's second novel, The Divine Comedy, is a voyeuristic meditation on sex and insecurity, God and the nature of the human body—its capacity for pleasure and pain, its desires, disappointments, and its many mortifying betrayals.
Publisher: Atlantic Books
ISBN: 0857897225
Category : Fiction
Languages : en
Pages : 199
Book Description
The Divine Comedy is a fugue and a black comedy. In delicious and bawdy detail, an unnamed narrator offers snapshots into the lives and loves of an astonishing cast of philanderers and fuckups while along the way, the evidence amasses for a comic, cosmic conspiracy. Craig Raine's second novel, The Divine Comedy, is a voyeuristic meditation on sex and insecurity, God and the nature of the human body—its capacity for pleasure and pain, its desires, disappointments, and its many mortifying betrayals.
A Catalogue of the Books, Manuscripts, Works of Art, Antiquities and Relics
Author: Stratford-upon-Avon (England). Shakespeare's birthplace
Publisher:
ISBN:
Category : Stratford-upon-Avon (England)
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Stratford-upon-Avon (England)
Languages : en
Pages : 204
Book Description
Fakes and Forgeries of Written Artefacts from Ancient Mesopotamia to Modern China
Author: Cécile Michel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110714418
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110714418
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.
The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Catalogue of Antiquities, Works of Art, and Historical Scottish Relics Exhibited in the Museum of the Archæological Institute ... During Their Annual Meeting, Held in Edinburgh, July 1856, Etc. [Edited by A. Way.]
Author: Archaeological Institute of Great Britain and Ireland (ENGLAND)
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description