Author: James Crenshaw Shepard
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Collections
Languages : en
Pages : 196
Book Description
This book examines mannerism and baroque in the poetry of Tristan L'Hermite, a leading lyric poet of the seventeenth century. After presenting a history of scholarship on both the mannerist and baroque styles, James Shepard offers a definition of each as it applies to seventeenth-century lyric poetry. He then turns to Tristan's works, examining the poems contained in the Plaintes d'Acante et autres ouvres, Les Amours, La Lyre, and the Vers heroiques; his religious poetry; La Renomme; and his recently discovered poems. Shepard reveals Tristan's amatory poetry to be mannerist and his heroic and religious poetry to be baroque. Many poems, however, contain elements of both styles. This supports Frank J. Warnke's theory that Baroque is the period style, with mannerism and baroque being two aspects of the period. Shepard also uncovers a baroque dompte style--the toned-down baroque that Helmut Hatzfeld and others argue characterized French classicism--in some of Tristan's heroic and religious poetry.
Mannerism and Baroque in Seventeenth-century French Poetry
Author: James Crenshaw Shepard
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Collections
Languages : en
Pages : 196
Book Description
This book examines mannerism and baroque in the poetry of Tristan L'Hermite, a leading lyric poet of the seventeenth century. After presenting a history of scholarship on both the mannerist and baroque styles, James Shepard offers a definition of each as it applies to seventeenth-century lyric poetry. He then turns to Tristan's works, examining the poems contained in the Plaintes d'Acante et autres ouvres, Les Amours, La Lyre, and the Vers heroiques; his religious poetry; La Renomme; and his recently discovered poems. Shepard reveals Tristan's amatory poetry to be mannerist and his heroic and religious poetry to be baroque. Many poems, however, contain elements of both styles. This supports Frank J. Warnke's theory that Baroque is the period style, with mannerism and baroque being two aspects of the period. Shepard also uncovers a baroque dompte style--the toned-down baroque that Helmut Hatzfeld and others argue characterized French classicism--in some of Tristan's heroic and religious poetry.
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Collections
Languages : en
Pages : 196
Book Description
This book examines mannerism and baroque in the poetry of Tristan L'Hermite, a leading lyric poet of the seventeenth century. After presenting a history of scholarship on both the mannerist and baroque styles, James Shepard offers a definition of each as it applies to seventeenth-century lyric poetry. He then turns to Tristan's works, examining the poems contained in the Plaintes d'Acante et autres ouvres, Les Amours, La Lyre, and the Vers heroiques; his religious poetry; La Renomme; and his recently discovered poems. Shepard reveals Tristan's amatory poetry to be mannerist and his heroic and religious poetry to be baroque. Many poems, however, contain elements of both styles. This supports Frank J. Warnke's theory that Baroque is the period style, with mannerism and baroque being two aspects of the period. Shepard also uncovers a baroque dompte style--the toned-down baroque that Helmut Hatzfeld and others argue characterized French classicism--in some of Tristan's heroic and religious poetry.
Seventeenth-Century French Writers
Author: Françoise Jaouën
Publisher: Dictionary of Literary Biograp
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 520
Book Description
Essays on French writers of the seventeenth-century, or Classical century. What best defines the literature of this period are political order and the growing awareness of literature as a separate domain in need of rules and regulations. Discusses the political turmoil during this period as well as the Reformation and the Counter Reformation encouraging research on ancient tests, methods of research, and the standardization of the French language.
Publisher: Dictionary of Literary Biograp
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 520
Book Description
Essays on French writers of the seventeenth-century, or Classical century. What best defines the literature of this period are political order and the growing awareness of literature as a separate domain in need of rules and regulations. Discusses the political turmoil during this period as well as the Reformation and the Counter Reformation encouraging research on ancient tests, methods of research, and the standardization of the French language.
Gods of Play
Author: Kristiaan Aercke
Publisher: SUNY Press
ISBN: 9780791420492
Category : Performing Arts
Languages : en
Pages : 300
Book Description
This book studies the close connections between politics, culture, art, and philosophy in seventeenth-century Europe. As an emblem of this interrelationship, the author has chosen the phenomenon of the "splendid festive performance" of spectacular plays and operas given at absolutist courts in Rome, Madrid, Paris, Versailles, and Vienna between 1631 and 1668. Gods of Play fills voids in the scholarly literature on the seventeenth-century, on absolutism, on courtly theatricality, and on the philosophy of play. Aercke demonstrates that such splendid performances were not just frivolous entertainment for the courtly class but were serious activities with far-ranging political consequences.
Publisher: SUNY Press
ISBN: 9780791420492
Category : Performing Arts
Languages : en
Pages : 300
Book Description
This book studies the close connections between politics, culture, art, and philosophy in seventeenth-century Europe. As an emblem of this interrelationship, the author has chosen the phenomenon of the "splendid festive performance" of spectacular plays and operas given at absolutist courts in Rome, Madrid, Paris, Versailles, and Vienna between 1631 and 1668. Gods of Play fills voids in the scholarly literature on the seventeenth-century, on absolutism, on courtly theatricality, and on the philosophy of play. Aercke demonstrates that such splendid performances were not just frivolous entertainment for the courtly class but were serious activities with far-ranging political consequences.
A Critical Bibliography of French Literature: The seventeenth century
Author: David Clark Cabeen
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 704
Book Description
A Critical Bibliography of French Literature: The seventeenth century; ed. by N. Edelman
Author: David Clark Cabeen
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 688
Book Description
French Literature and the Arts
Author:
Publisher: BRILL
ISBN: 9004651489
Category : Art
Languages : en
Pages : 241
Book Description
Publisher: BRILL
ISBN: 9004651489
Category : Art
Languages : en
Pages : 241
Book Description
Questioning Racinian Tragedy
Author: John Campbell
Publisher: UNC Press Books
ISBN: 9780807892855
Category : Drama
Languages : en
Pages : 284
Book Description
Noting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad
Publisher: UNC Press Books
ISBN: 9780807892855
Category : Drama
Languages : en
Pages : 284
Book Description
Noting significant differences between the individual tragedies of Racine and the many current notions of what "Racinian tragedy" is deemed to imply, John Campbell explores the identity and meaning of the modern "Racine." He asks if any one critical parad
The Oxford Handbook of the Baroque
Author: John D. Lyons
Publisher: Oxford University Press
ISBN: 0190678461
Category : Literary Criticism
Languages : en
Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Publisher: Oxford University Press
ISBN: 0190678461
Category : Literary Criticism
Languages : en
Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1992
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1992
Book Description
John Donne and Baroque Allegory
Author: Hugh Grady
Publisher: Cambridge University Press
ISBN: 1107195802
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.
Publisher: Cambridge University Press
ISBN: 1107195802
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.