Manhunter (2004-) #36 PDF Download
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Author: Marc Andreyko
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 24
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Book Description
The ÒForgottenÓ arc concludes, revealing the high price of superpowers. And what's the final fate of Dylan Battles?
Author: Marc Andreyko
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 24
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Book Description
The ÒForgottenÓ arc concludes, revealing the high price of superpowers. And what's the final fate of Dylan Battles?
Author: United States. Patent Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 1700
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Book Description
Author: Marc Andreyko
Publisher:
ISBN: 9781401207281
Category : Comic books, strips, etc
Languages : en
Pages : 0
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Book Description
When top federal prosecutor Kate Spencer loses a case against a super-villain--setting him free to kill again--she breaks the laws she's long upheld to become Los Angeles' newest crimefighting vigilante.
Author: J. Nelson
Publisher: Springer
ISBN: 1137373865
Category : Political Science
Languages : en
Pages : 266
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Book Description
The book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.
Author: Alex Malloy
Publisher:
ISBN: 9780873498029
Category : Antiques & Collectibles
Languages : en
Pages : 844
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Book Description
Listings and prices for more than 93,000 Golden Age through modern comics and images of 1,000 comic book covers, a first choice of comic book collectors seeking a user friendly reference.
Author: John S. Nelson
Publisher: Lexington Books
ISBN: 1498549489
Category : Political Science
Languages : en
Pages : 413
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Book Description
The politics of popular westerns are surprising in substance and significance, especially of late. Cowboy Politics shows how westerns in literature, cinema, and television face the challenges of Western Civilization even more than the perils of American frontiers. Its strategy is to compare key westerns with major theories of modern and postmodern politics. So it analyzes novels from Owen Wister to Zane Grey and Larry McMurtry. It focuses on films from the western revival beginning in the 1990s and featuring Clint Eastwood’s Unforgiven, while its interest in TV stretches from singing cowboys and Gunsmoke to David Milch’s Deadwood. Critics are apt to find in westerns the modern politics of Thomas Hobbes and John Locke. They tap devices of individuality, rationality, contract, sovereign enforcement, and representation to overcome the chaotic violence of a wild zone. Cowboy Politics examines how westerns often find such measures insufficient to tame the West as a culture of honor and anger that deteriorates into feud-al vengeance. Instead westerns see the West as the sunset land that is already growing old and moving on. So westerns seek fresh starts informed by comparing civilizations more than demonizing savages. Westerns worry that modern politics devolve into exploitation, oppression, spectacle, and terror. So they pursue supplements in such postmodern politics as republicanism, perfectionism, populism, feminism, and environmentalism. Especially westerns explore politics of persuasive speech-in-action-in-public, doing beauty, and self-reliance in the modes of Hannah Arendt and Ralph Waldo Emerson. The first two chapters of Cowboy Politics explain how westerns do political theory for popular audiences by making many of our myths: the symbolic stories of individuals and communities which we live daily. The next three chapters trace the initially modern theories of government in many westerns. Then western turns to republican honor, rhetoric, response-ability, and character tracking occupy the following four chapters. And these set the stage for another four chapters on western attention to postmodern terror, mythmaking, celebrity, spectacle, and forgiveness. The final two chapters analyze how “late,” “satirical,” and “transformative” westerns develop realist defenses for their surprisingly postmodern politics.
Author: Paul Meehan
Publisher: McFarland
ISBN: 147660973X
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.
Author: Loreth Anne White
Publisher:
ISBN: 9780733591082
Category :
Languages : en
Pages : 427
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Book Description
Author: Maggie Thompson
Publisher:
ISBN: 9780873496513
Category : Antiques & Collectibles
Languages : en
Pages : 780
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Book Description
Lists prices for more than 75,000 publishers from 1961 to the present.
Author: Matthew Sorrento
Publisher: McFarland
ISBN: 0786459204
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
The American crime film has recently enjoyed a surge in popularity and proliferation, making it the most pervasive genre in contemporary cinema. Though it now tackles current issues, it continues to reference the classic narratives and archetypes established in the great crime pictures of past decades. The titles explored in this critical survey feature a variety of themes and show that the crime film genre has fused with other genres to create fascinating hybrids. Focusing on character and plot construction, the author highlights the gangster and film noir traditions that still run strongly through recent American cinema. Among the many filmmakers analyzed within these pages are David Lynch, Gus Van Sant, David Mamet, Werner Herzog, Sam Raimi, David Cronenberg and the Coen Brothers. Stuart Gordon, director of the cult classic Re-Animator, provides the lively and incisive foreword.
