Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth PDF Author: Maria L. Howell
Publisher: University Press of America
ISBN: 0761841989
Category : Literary Criticism
Languages : en
Pages : 56

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Book Description
Maria Howell''s, Manhood and Masculine Identity in William Shakespeare''s The Tragedy of Macbeth, is an important and compelling scholarly work which seeks to examine the sixteenth century''s greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth''s capacity to control and destroy Macbeth''s masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man''s disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man''s actions for good no longer provide moral clarity. Howell''s poignant and timely analysis of manhood and masculine identity in Shakespeare''s Macbeth will no doubt resonate with readers today.

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth PDF Author: Maria L. Howell
Publisher: University Press of America
ISBN: 0761841989
Category : Literary Criticism
Languages : en
Pages : 56

Get Book Here

Book Description
Maria Howell''s, Manhood and Masculine Identity in William Shakespeare''s The Tragedy of Macbeth, is an important and compelling scholarly work which seeks to examine the sixteenth century''s greatest concern, echoed by Hamlet himself, "What is a man?" In an attempt to analyze the concept of manhood in Macbeth, Howell explores the contradictions and ambiguities that underlie heroic notions of masculinity dramatized throughout the play. From Lady Macbeth''s capacity to control and destroy Macbeth''s masculine identity, to Macbeth himself, who corrupts his military prowess to become a ruthless and murderous tyrant, Howell demonstrates that heroic notions of masculinity not only reinforce masculine power and authority, paradoxically, these ideals are also the source of man''s disempowerment and destruction. Howell argues that in an attempt to attain a higher principle, the means (violence and destruction) and the ends (justice and peace) become fused and indistinguishable, so that those values that inform man''s actions for good no longer provide moral clarity. Howell''s poignant and timely analysis of manhood and masculine identity in Shakespeare''s Macbeth will no doubt resonate with readers today.

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth

Manhood and Masculine Identity in William Shakespeare's The Tragedy of Macbeth PDF Author: Maria Lucy Howell
Publisher:
ISBN:
Category :
Languages : en
Pages : 174

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Book Description


Post-World War II Masculinities in British and American Literature and Culture

Post-World War II Masculinities in British and American Literature and Culture PDF Author: Stefan Horlacher
Publisher: Routledge
ISBN: 1317077105
Category : Literary Criticism
Languages : en
Pages : 220

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Book Description
Analyzing literary texts, plays, films and photographs within a transatlantic framework, this volume explores the inseparable and mutually influential relationship between different forms of national identity in Great Britain and the United States and the construction of masculinity in each country. The contributors take up issues related to how certain kinds of nationally specific masculine identifications are produced, how these change over time, and how literature and other forms of cultural representation eventually question and deconstruct their own myths of masculinity. Focusing on the period from the end of World War II to the 1980s, the essays each take up a topic with particular cultural and historical resonance, whether it is hypermasculinity in early cold war films; the articulation of male anxieties in plays by Arthur Miller, David Mamet and Sam Shepard; the evolution of photographic depictions of masculinity from the 1960s to the 1980s; or the representations of masculinity in the fiction of American and British writers such as Patricia Highsmith, Richard Yates, John Braine, Martin Amis, Evan S. Connell, James Dickey, John Berger, Philip Roth, Frank Chin, and Maxine Hong Kingston. The editors and contributors make a case for the importance of understanding the larger context for the emergence of more pluralistic, culturally differentiated and ultimately transnational masculinities, arguing that it is possible to conceptualize and emphasize difference and commonality simultaneously.

William Shakespeare's Macbeth

William Shakespeare's Macbeth PDF Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 160413884X
Category : Electronic books
Languages : en
Pages : 203

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Book Description
A collection of literary criticism focusing on Shakespeare's play Macbeth.

He Says/she Says Shakespeare

He Says/she Says Shakespeare PDF Author: Francesco Aristide Ancona
Publisher: University Press of America
ISBN: 9780761839415
Category : Literary Criticism
Languages : en
Pages : 156

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Book Description
Macbeth : the question of personality reversal -- Othello : the question of jealousy -- As you like it : the question of escaping conventional society -- Hamlet : the question of guilt and blame -- The taming of the shrew : the question of gender and dominance -- Much ado about nothing : the question of a (happy?) marriage

A Kind of Wild Justice

A Kind of Wild Justice PDF Author: Linda Anderson
Publisher: University of Delaware Press
ISBN: 9780874133196
Category : Drama
Languages : en
Pages : 204

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Book Description
This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.

Lady Macbeth's Daughter

Lady Macbeth's Daughter PDF Author: Lisa Klein
Publisher: Bloomsbury Publishing USA
ISBN: 1599906236
Category : Juvenile Fiction
Languages : en
Pages : 316

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Book Description
Raised by three strange sisters, Albia has never known the secrets of her parentage. But when Macbeth seeks out the weird sisters to foretell his fate, his life is entangled with his unknown daughter's. When Albia foresees the terrible future, she becomes determined to save Macbeth's rival-and the man she loves-from her murderous father. Klein's seamlessly drawn tale makes it seem impossible that Albia was not part of Shakespeare's original play.

Titus Andronicus

Titus Andronicus PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 92

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Book Description


Shakespearean Tragedy and Gender

Shakespearean Tragedy and Gender PDF Author: Shirley Nelson Garner
Publisher: Indiana University Press
ISBN: 9780253210272
Category : Drama
Languages : en
Pages : 346

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Book Description
While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello.

Close Reading without Readings

Close Reading without Readings PDF Author: Stephen Booth
Publisher: Rowman & Littlefield
ISBN: 161147891X
Category : Literary Criticism
Languages : en
Pages : 201

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Book Description
Dealing mainly with the works of William Shakespeare, the essays in Close Readings without Readings reflect Stephen Booth’s lifelong interest in uncovering the ways great literature works upon readers. As the book’s title suggests, the author does not aim to create new or novel interpretations or to uncover the political agendas of literary works, but to notice language patterns—repetitions, analogies, correspondences, echoes, overtones—and other ways in which the choice and the arrangement of words affect readers. For Booth, close reading is a practice of attentiveness. He notices how, why, and in what ways Shakespeare’s works affect his readers. Whether readers agree with the premises of a literary work or not, they subject themselves, knowingly or not, to its effects. For Booth, what we value in literature is the experience. He has devoted his own work to recognizing the nature, process, and functions of reading literature, and to teaching others to do the same. Recent years have seen Booth’s efforts recognized by volumes dedicated both to close reading and to his achievements as editor, scholar, critic, and teacher.