Author: Fran Brearton
Publisher: OUP Oxford
ISBN: 0191636754
Category : Literary Criticism
Languages : en
Pages : 1417
Book Description
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
The Oxford Handbook of Modern Irish Poetry
Author: Fran Brearton
Publisher: OUP Oxford
ISBN: 0191636754
Category : Literary Criticism
Languages : en
Pages : 1417
Book Description
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Publisher: OUP Oxford
ISBN: 0191636754
Category : Literary Criticism
Languages : en
Pages : 1417
Book Description
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
Northern Irish Poetry and Domestic Space
Author: Adam Hanna
Publisher: Springer
ISBN: 1137493704
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Northern Irish Poetry and Domestic Space explores why houses, in some ways the most private of spaces, have taken up such visibly public positions in the work of a range of prominent poets from Northern Ireland, examining the work of Seamus Heaney, Michael Longley, Derek Mahon and Medbh McGuckian.
Publisher: Springer
ISBN: 1137493704
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Northern Irish Poetry and Domestic Space explores why houses, in some ways the most private of spaces, have taken up such visibly public positions in the work of a range of prominent poets from Northern Ireland, examining the work of Seamus Heaney, Michael Longley, Derek Mahon and Medbh McGuckian.
Laurence Stephen Lowry, 1887-1976
Author: Laurence Stephen Lowry
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 82
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 82
Book Description
Reading Michael Longley
Author: Fran Brearton
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
"Michael Longley has been called 'one of the finest lyric poets of our century' (John Burnside). This study is the first full-length assessment of his work, and looks in turn at all the major collections he has published over the past 40 years, and at the extraordinary growth of his reputation and influence." "In this book, Fran Brearton draws on letters, manuscripts, published and personal interviews with Michael Longley, as well as on his memoir, Tuppenny Stung, and his recent researches into his father's military career. She shows how his poetry is shaped by the dislocation and tensions of his English parentage and Irish upbringing, making him one of the most imaginatively various and formally inventive poets writing today."--BOOK JACKET.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
"Michael Longley has been called 'one of the finest lyric poets of our century' (John Burnside). This study is the first full-length assessment of his work, and looks in turn at all the major collections he has published over the past 40 years, and at the extraordinary growth of his reputation and influence." "In this book, Fran Brearton draws on letters, manuscripts, published and personal interviews with Michael Longley, as well as on his memoir, Tuppenny Stung, and his recent researches into his father's military career. She shows how his poetry is shaped by the dislocation and tensions of his English parentage and Irish upbringing, making him one of the most imaginatively various and formally inventive poets writing today."--BOOK JACKET.
Harry Wall's Man
Author: John Leahy
Publisher: Permuted Press
ISBN: 1618683322
Category : Fiction
Languages : en
Pages : 67
Book Description
The story revolves around an exclusive apartment tower called The Man, so called because it has been constructed in the shape of a man (legs, torso, neck, head). In the prologue we are introduced to its designer, the eccentric architect Harry Wall. He has become obsessed with his latest creation and dies of a drug overdose while hallucinating. At the time of his death he is gazing at The Man, thinking that he can see the building walking. We meet Ridley Case, an architect who hears of Wall’s death on the radio. Curious as to the circumstances of Wall's death, Ridley goes to his house and finds documentation and strange drawings relating to the design of The Man. He learns that the iron used in the steel frame of The Man has come from a mine called Gavour in Eastern Quebec. Iron mined from this deposit has been known to inexplicably “move”, always in the direction of its native Gavour. Ridley gets in touch with Ray Deslak, the owner of a website that collects tales of such rogue iron. It turns out that iron from Gavour, in order to move, must draw energy from people. Deslak shows up at Ridley’s office and the two of them move into an empty apartment in The Man in the knowledge that Wall’s fantasy was to use the building’s residents as an energy source for the iron in The Man’s steel frame, thus giving the structure the power to walk. They discover that it is only a matter of time before the tower begins to move, and Ridley finds out that there is more to Deslak than meets the eye. And so begins Ridley’s frantic quest to save the residents of the complex and prevent Armageddon from being unleashed in the City Of Angels…
Publisher: Permuted Press
ISBN: 1618683322
Category : Fiction
Languages : en
Pages : 67
Book Description
The story revolves around an exclusive apartment tower called The Man, so called because it has been constructed in the shape of a man (legs, torso, neck, head). In the prologue we are introduced to its designer, the eccentric architect Harry Wall. He has become obsessed with his latest creation and dies of a drug overdose while hallucinating. At the time of his death he is gazing at The Man, thinking that he can see the building walking. We meet Ridley Case, an architect who hears of Wall’s death on the radio. Curious as to the circumstances of Wall's death, Ridley goes to his house and finds documentation and strange drawings relating to the design of The Man. He learns that the iron used in the steel frame of The Man has come from a mine called Gavour in Eastern Quebec. Iron mined from this deposit has been known to inexplicably “move”, always in the direction of its native Gavour. Ridley gets in touch with Ray Deslak, the owner of a website that collects tales of such rogue iron. It turns out that iron from Gavour, in order to move, must draw energy from people. Deslak shows up at Ridley’s office and the two of them move into an empty apartment in The Man in the knowledge that Wall’s fantasy was to use the building’s residents as an energy source for the iron in The Man’s steel frame, thus giving the structure the power to walk. They discover that it is only a matter of time before the tower begins to move, and Ridley finds out that there is more to Deslak than meets the eye. And so begins Ridley’s frantic quest to save the residents of the complex and prevent Armageddon from being unleashed in the City Of Angels…
Poets on Paintings
Author: Robert D. Denham
Publisher: McFarland
ISBN: 0786456582
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
Publisher: McFarland
ISBN: 0786456582
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
Colby Quarterly
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 878
Book Description
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 878
Book Description
Records & Briefs New York State Appellate DIvision
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1210
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1210
Book Description
The Wall
Author: Christopher Hilton
Publisher: The History Press
ISBN: 0752466984
Category : History
Languages : en
Pages : 443
Book Description
For almost three decades, the Cold War was focused on Berlin, where the two (nuclear-armed) sides were kept apart by a twelve-foot wall, which had appeared almost overnight in August 1961. For a generation, until its fall in November 1989, it not only divided the city of Berlin, but also symbolised the confrontation between capitalist West and socialist East. In this astonishing book, journalist Christopher Hilton has collected together the individual stories of those whose lives it affected, including international politicians, American and British soldiers, East German border guards and, most importantly, the citizens of Berlin itself, West and East. Weaving their memories together into a remarkable narrative, this is the extraordinarily vivid, occasionally harrowing and often touching story of a city divided, and of how it affected the lives of real people.
Publisher: The History Press
ISBN: 0752466984
Category : History
Languages : en
Pages : 443
Book Description
For almost three decades, the Cold War was focused on Berlin, where the two (nuclear-armed) sides were kept apart by a twelve-foot wall, which had appeared almost overnight in August 1961. For a generation, until its fall in November 1989, it not only divided the city of Berlin, but also symbolised the confrontation between capitalist West and socialist East. In this astonishing book, journalist Christopher Hilton has collected together the individual stories of those whose lives it affected, including international politicians, American and British soldiers, East German border guards and, most importantly, the citizens of Berlin itself, West and East. Weaving their memories together into a remarkable narrative, this is the extraordinarily vivid, occasionally harrowing and often touching story of a city divided, and of how it affected the lives of real people.
The Life of Charles Lamb
Author: Edward Verrall Lucas
Publisher: General Books
ISBN: 9781458924902
Category :
Languages : en
Pages : 436
Book Description
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER XXXIV A very Short Chapter?Charles Aders?John Thelwali and the Champion? Lamb's Political Epigrams?The Regent and Canning?James Sheridan Knowles?The Wordsworths in London?The Lambs at Cambridge Again?Emma Isola?Mary Lamb Again 111?Miss Kelly?Thomas Allsop. TO 1820, in one respect the most important year in Lamb's life, belong only five or six letters, all of which are comparatively trivial, the principal one being from Mary Lamb to Mrs. Vincent Novello, to sympathise with her on the loss of a little girl (the same little girl that prompted Leigh Hunt's essay Death of Little Children ). Crabb Robinson helps to fill in the gaps: ? January 3rd, 1820: ?A call on Miss Lamb. Later met Charles and Miss Lamb at Mr. Aders'. I was not in spirits. Aders exhibited his Campo Sacro to L. which he greatly enjoyed. And we had a rubber or two of whist. Mr. and Mrs. Smith also were of the party. We staid long, Aders had provided a profuse supper. L. was temperate but rather dull at the same time. However he seemed to enjoy himself, and that is the truest flattery. Charles Aders, a friend of Robinson, was a merchant of German extraction, with a house in Euston Square packed with pictures. In 1831 Lamb wrote some lines on his collection, and one of the prettiest of his later poems, Angel Help, was suggested by an engraving in Mrs. Aders' album. March 2nd: ?I called in the forenoon on Lamb to give him,10, a contribution towards sending Tom Holcroft to India. He will probably soon set out, and I consider this morning as well spent. Villiers H. is well settled in India and has offered to provide for his brother if he can be sent out. Miss L. told me of a Burney party this evening and I went to James Street . . . Walked home late with the Lambs. April 20th. Thursday: ?...
Publisher: General Books
ISBN: 9781458924902
Category :
Languages : en
Pages : 436
Book Description
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER XXXIV A very Short Chapter?Charles Aders?John Thelwali and the Champion? Lamb's Political Epigrams?The Regent and Canning?James Sheridan Knowles?The Wordsworths in London?The Lambs at Cambridge Again?Emma Isola?Mary Lamb Again 111?Miss Kelly?Thomas Allsop. TO 1820, in one respect the most important year in Lamb's life, belong only five or six letters, all of which are comparatively trivial, the principal one being from Mary Lamb to Mrs. Vincent Novello, to sympathise with her on the loss of a little girl (the same little girl that prompted Leigh Hunt's essay Death of Little Children ). Crabb Robinson helps to fill in the gaps: ? January 3rd, 1820: ?A call on Miss Lamb. Later met Charles and Miss Lamb at Mr. Aders'. I was not in spirits. Aders exhibited his Campo Sacro to L. which he greatly enjoyed. And we had a rubber or two of whist. Mr. and Mrs. Smith also were of the party. We staid long, Aders had provided a profuse supper. L. was temperate but rather dull at the same time. However he seemed to enjoy himself, and that is the truest flattery. Charles Aders, a friend of Robinson, was a merchant of German extraction, with a house in Euston Square packed with pictures. In 1831 Lamb wrote some lines on his collection, and one of the prettiest of his later poems, Angel Help, was suggested by an engraving in Mrs. Aders' album. March 2nd: ?I called in the forenoon on Lamb to give him,10, a contribution towards sending Tom Holcroft to India. He will probably soon set out, and I consider this morning as well spent. Villiers H. is well settled in India and has offered to provide for his brother if he can be sent out. Miss L. told me of a Burney party this evening and I went to James Street . . . Walked home late with the Lambs. April 20th. Thursday: ?...