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Author: Rhona Richman Kenneally
Publisher: University of Toronto Press
ISBN: 144266021X
Category : Social Science
Languages : en
Pages : 281
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Book Description
Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from architecture and film to more ephemeral markers such as postcards, menus, pavilion displays, or the uniforms of the hostesses employed on the site. Collectively, the essays explore issues of nationalism, the interplay of tradition and modernity, twentieth-century discourse about urban experience, and the enduring impact of Expo 67's technological experimentation. Expo 67: Not Just a Souvenir is a compelling examination of a world's fair that had a profound impact locally, nationally, and internationally.
Author: Rhona Richman Kenneally
Publisher: University of Toronto Press
ISBN: 144266021X
Category : Social Science
Languages : en
Pages : 281
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Book Description
Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from architecture and film to more ephemeral markers such as postcards, menus, pavilion displays, or the uniforms of the hostesses employed on the site. Collectively, the essays explore issues of nationalism, the interplay of tradition and modernity, twentieth-century discourse about urban experience, and the enduring impact of Expo 67's technological experimentation. Expo 67: Not Just a Souvenir is a compelling examination of a world's fair that had a profound impact locally, nationally, and internationally.
Author: Monika Gagnon
Publisher: McGill Queens Univ
ISBN: 9780773544505
Category : Art
Languages : en
Pages : 295
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Book Description
An exploration of Expo 67's most ingenious screen experiments.
Author: Richard Meyer
Publisher: Beacon Press
ISBN: 9780807079355
Category : Art
Languages : en
Pages : 390
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Book Description
Outlaw Representation is a Beacon Press publication.
Author: Sarah Thornton
Publisher: W. W. Norton & Company
ISBN: 0393071057
Category : Art
Languages : en
Pages : 304
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Book Description
A fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art. The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.
Author: Pierre Berton
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 426
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Book Description
Few Canadians over the age of forty can forget the feeling of joy and celebration that washed over the country during Canada's centennial year. We were, Pierre Berton reminds us, a nation in love with itself, basking in the warm glow of international applause brought on by the unexpected success of Expo 67 and pumped up by the year-long birthday party that had us all warbling "Ca-na-da, as Bobby Gimby and his gaggle of small children pranced down the byways of the nation. It was a turning-point year, a watershed year--a year of beginnings as well as endings. One royal commission finally came to a close with a warning about the need for a new approach to Quebec. Another was launched to investigate, for the first time, the status of Canadian women. New attitudes to divorce and homosexuality were enshrined in law. A charismatic figure, Pierre Elliott Trudeau, made clear that the state had no place in the bedrooms of the nation. The seeds of Women's Lib, Gay Pride, and even Red Power, were sown in the centennial year. (Of all the pavilions on the Expo site, Berton singles out the Indian pavilion as having the greatest impact.) The country was in a ferment that year. Canadians worried about the Americanization of every institution from the political convention to "Hockey Night in Canada. People talked about the Generation Gap as thousands of flower children held love-ins in city parks. The government tried to respond by launching the Company of Young Canadians, a project that was less than successful. The most significant event of 1967 was Charles de Gaulle's notorious "Vive le Quebec libre!" speech in Montreal. It gave the burgeoning separatist movement a new legitimacy, enhanced by Rene Levesque's departure from the Liberal party later that year. Throughout the book, the author gives us insightful profiles of some of the significant figures of 1967: the centennial activists Judy LaMarsh and John Fisher; the Expo entrepreneurs, Philippe de Gaspe Beaubien and Edward Churchill; Walter Gordon, the fervent nationalist, and his rival, Mitchell Sharp; Lester Pearson and his "bete noire, John Diefenbaker; the three "men of the world" who helped make Canada internationally famous: Marshall McLuhan, Glenn Gould, and Roy Thomson; hippie leaders like David dePoe, American draft dodgers like Mark Satin, women's activists like Doris Anderson and Laura Sabia, youth workers like Barbara Hall, radicals like Pierre Vallieres (author of "White Niggers of America) and such dedicated nationalists as Madame Chaput Rolland and Andre Laurendeau. In spite of the feeling of exultation that marked the centennial year, an opposite sentiment runs through the book like dark thread: the growing fear that the country was facing its gravest crisis. Berton points out that we are far better off today than we were in 1967. "Then why all the hand wringing?" he asks. Because of "the very real fear that the country we celebrated so joyously thirty years ago is in the process of falling apart. "In that sense, 1967 was the last good year before all Canadians began to be concerned about the future of our country."
Author: Craig Moyes
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228013313
Category : Art
Languages : en
Pages : 471
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Book Description
In 1967, Montreal hosted Man and His World/Terre des hommes. By far the most successful cultural event ever produced in Canada, it was embraced by the public at the same time as intellectuals from Marshall McLuhan to Umberto Eco hailed it as a new type of exhibition for a new global age. Because it was held where and when it was – on a man-made archipelago in the St Lawrence River seven years into Quebec’s Quiet Revolution – Expo 67 also provided a prism through which the idea of the nation could be refracted and recast in original ways. Misunderstood by some scholars as an expensive exercise in official patriotism, while maligned by Quebec intellectuals as a crypto-federalist distraction from the real business of national independence, the fair nevertheless showcased Montreal as the de facto capital of a suddenly modern Quebec engaging with a late-modern world. Expo 67 and Its World proposes a reappraisal of the 1967 Montreal International and Universal Exhibition across a range of political, social, and cultural spaces: from the dispossession of Indigenous Peoples and what was then known as the Third World, through the aspirations of Montreal, Quebec, and Canada, to the increasingly global ambit of youth culture, medicine, film, and finance. A new approach to understanding Expo 67, the collection challenges assumptions about the significance of the event to Canadian, Québécois, and First Nations history.
Author: The Noranda Lectures/ Expo 67
Publisher: University of Toronto Press
ISBN: 1487590172
Category : Philosophy
Languages : en
Pages : 940
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Book Description
The fruits of a unique cultural exchange are brought together in this unusual book. Twenty-eight of the most eminent men and women of our generation – philosophers, historians, and scientists from nineteen countries – here discuss what they consider the most vital issues of our day. Paul-Henri Spaak, Barbara Ward, Gunnar Mydral, Linus Pauling, and many others participated in the Noranda lecture series at Expo 67 in Montreal, and each is concerned here with a special aspect of Expo's theme: Man and His World. The approaches to the theme are as varied as the backgrounds of the speakers. Some of the essays give a revealing and optimistic description of the national and international efforts to ensure a future for mankind; others, less optimistic, stress the increasing insanity of the world and draw attention to the poverty, starvation, hatred, waste, and war which destroy what creative men have built. One group of papers deals with the idea of progress. André Leroi Gourhan offers a panoramic description of man's cultural evolution and sketches the vast possibilities of future development; Karl Löwith questions the very notion of progress and observes that much "progressive" development has resulted in nothing but destruction; Félix Houphouët-Boigny, president of the Ivory Coast Republic, describes progress in one section of the world – Africa, and the Ivory Coast in particular. Other lectures deal with such diverse topics as the proper role of government, the modern scientist, formal and informal aspects of education, the history of architecture, recent biological contributions of chemistry, the population explosion, new advances in physics, and the world as a separate entity from man. "The world as universe is not made by man," Professor Löwith reminds us. "It is there, even without us, existing for and by itself." Originally sponsored by Noranda Mines Ltd., the lectures attracted wide attention at the time of their delivery and again later when some of them were broadcast on radio and television. Collected in this book, they offer a distillation of some of the most significant thinking of today – clear and cogent presentations of ideas that have won Nobel prizes for some of their creators and international recognition for all. In her Introduction, Helen Hogg writes, "It is a book to be sipped and savoured, to be dipped into again and again. Such an approach will enable the reader best to appreciate the penetrating commentaries of some of the world's greatest figures."
Author: Avis Berman
Publisher: Pomegranate Communications
ISBN: 0764931547
Category : Art
Languages : en
Pages : 112
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Book Description
Illustrated by over 50 of Edward Hopper's most powerful evocations of New York, Avis Berman's essay explores how Hopper and his work illuminate each other by analyzing what his New York is - and is not. Ever the contrarian, he offers an alternative to what other American artists seized on - the new, the gigantic, the technologically exciting. Hopper stayed away from tourist attractions or landmarks of the city's glamorous skyline. His preference for nondescript vernacular buildings is emblematic of the larger Hopper paradox: he makes emptiness full, silence articulate, banality intense, plainness mysterious, and tawdriness noble.
Author:
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 588
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Book Description
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
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Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
