Author: Alexander Malcolm
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 114
Book Description
Malcolm's Treatise of Music, Speculative, Practical, and Historical
Author: Alexander Malcolm
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 114
Book Description
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 114
Book Description
Malcolm's Treatise of Music, Speculative, Practical, and Historical
Author: Alexander Malcolm
Publisher: Theclassics.Us
ISBN: 9781230423647
Category :
Languages : en
Pages : 34
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1779 edition. Excerpt: ... modes. them, as it was in them to plagal. Authentic, differ about it. The material %v(. 8w. point is, if we can sind it, to / A t know what they meant by (-- these distinctions, and what stth. ith, 4th. was the real use of them in '--" x--" music j but even here where g... c---g--c j-ey ought to have agreed, we a... d--a--d sincj tney differed. The best b e--b e account to be given of it is c--/--c--/ this: They considered that an i--g--d--g gve which wants a 4th or 5th, e--a t--a js impersect; these being the concords next to 8ve, the song ought to touch these chords most frequently and remarkably; and because their concord is different, which makes the melody different, they established by this two modes in every natural octave, that had a true 4th and 5th: then if the long was carried as far as the octave above, it was called a persect mode; if less, as to the 4th or 5th, it was impersect; if it moved both above and below, it was called a mixt mode: thus some authors speak about these modes. Others considering how indispenfable a chord the 5th is in every mode, they took for the sinal or key-note in the arithmetically divided octaves, not the lowest chord of that octave, but that very 4th; for example, the octave g is arithmetically divided thus, g-c. g, c is a 4th above the lower g, and a 5th below the upper g, this c therefore they made the sinal chord of the mode, which therefore properly speaking is c and not g; the only difference then in this method, between the authentic and plagal modes is, that the authentic goes above its sinal to the octave, the other ascends a 5th, and descends a 4th, which will indeed be attended with different effects, but the mode is essentially the fame, having the fame sinal to which all...
Publisher: Theclassics.Us
ISBN: 9781230423647
Category :
Languages : en
Pages : 34
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1779 edition. Excerpt: ... modes. them, as it was in them to plagal. Authentic, differ about it. The material %v(. 8w. point is, if we can sind it, to / A t know what they meant by (-- these distinctions, and what stth. ith, 4th. was the real use of them in '--" x--" music j but even here where g... c---g--c j-ey ought to have agreed, we a... d--a--d sincj tney differed. The best b e--b e account to be given of it is c--/--c--/ this: They considered that an i--g--d--g gve which wants a 4th or 5th, e--a t--a js impersect; these being the concords next to 8ve, the song ought to touch these chords most frequently and remarkably; and because their concord is different, which makes the melody different, they established by this two modes in every natural octave, that had a true 4th and 5th: then if the long was carried as far as the octave above, it was called a persect mode; if less, as to the 4th or 5th, it was impersect; if it moved both above and below, it was called a mixt mode: thus some authors speak about these modes. Others considering how indispenfable a chord the 5th is in every mode, they took for the sinal or key-note in the arithmetically divided octaves, not the lowest chord of that octave, but that very 4th; for example, the octave g is arithmetically divided thus, g-c. g, c is a 4th above the lower g, and a 5th below the upper g, this c therefore they made the sinal chord of the mode, which therefore properly speaking is c and not g; the only difference then in this method, between the authentic and plagal modes is, that the authentic goes above its sinal to the octave, the other ascends a 5th, and descends a 4th, which will indeed be attended with different effects, but the mode is essentially the fame, having the fame sinal to which all...
Malcolm's Treatise of Music
Author: Alexander Malcolm
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 104
Book Description
Malcolm's Treatise of Music, Speculative, Practical, and Historical
Author: Alexander Malcolm
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 106
Book Description
Malcolm's Treatise of Music, Speculative, Practical, and Historical, Corrected and Abridged, by an Eminent Musician
Author: Alexander Malcolm
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 104
Book Description
A Treatise of Music, [by Alexander Malcolm].
Author: Alexander Malcolm
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Malcolm's Treatise of Music ... Corrected and abridged, by an eminent Musician.
Author: Alexander MALCOLM (Teacher of Mathematics.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
An Evaluative Study of Alexander Malcolm's Treatise of Music: Speculative, Practical, and Historical
Author: Reppard Stone
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 208
Book Description
An Evaluative Study of Alexander Malcolm's "Treatise of Music"
Author: Reppard Stone
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
A Treatise of Musick, Speculative, Practical and Historical. Containing an Explication of the Philosophical and Rational Grounds and Principles Thereof; ... by Alexander Malcolm,
Author: Alexander Malcolm
Publisher: Gale Ecco, Print Editions
ISBN: 9781379464600
Category :
Languages : en
Pages : 660
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T100676 A reissue of the original Edinburgh edition of 1721, with a cancel titlepage and without the dedication. London: printed for J. Osborn and T. Longman; F. Fayram, and E. Symon, 1730. xxiv,608p., plates; 8°
Publisher: Gale Ecco, Print Editions
ISBN: 9781379464600
Category :
Languages : en
Pages : 660
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T100676 A reissue of the original Edinburgh edition of 1721, with a cancel titlepage and without the dedication. London: printed for J. Osborn and T. Longman; F. Fayram, and E. Symon, 1730. xxiv,608p., plates; 8°