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Author: Hang Tuah Arshad
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :
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Book Description
Author: Hang Tuah Arshad
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages :
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Book Description
Author: Hang Tuah Arshad
Publisher:
ISBN: 9789832394204
Category : Motion picture industry
Languages : en
Pages : 432
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Book Description
Author: William Van der Heide
Publisher: Amsterdam University Press
ISBN: 9789053565803
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Author: Mohd. Zamberi A. Malek
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 236
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Book Description
Author: Michael Atkinson
Publisher: State University of New York Press
ISBN: 0791478610
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Outside the shrinking American film-culture market there is a vast movie-crazed world where madmen, geniuses, and apostates roam freely, subject to a relatively minimal degree of corporate industry and spin control. In Exile Cinema, prominent film critics profile the oeuvres of working, thriving international filmmakers—from Bela Tarr to Judith Helfand, from Kiyoshi Kurosawa and Guy Maddin to Chantal Akerman and Michele Soavi, from Chris Marker to the newest thresholds of contemporary film. These filmmakers battle the greatest odds a modern artist can face: the opposition of mass culture at large and a medium that requires enormous expenditures in every stage of production and distribution. Naturally, the average American moviehead rarely gets a chance to see these marginalized directors' work and often knows about them only through dazzled rumors and rhapsodic hearsay. Whimsical and deeply subjective, the viewpoints and evangelisms in Exile Cinema will serve as salve for the cineaste's lonesome fury.
Author: Gaik Cheng Khoo
Publisher: NUS Press
ISBN: 9789971693381
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
In the early 1990s, the animist and Hindu traces in adat, or Malay custom, became contentious for resurgent Islam in Malaysia. Reclaiming Adat focuses on the filmmakers, intellectuals, and writers who reclaimed adat to counter the homogenizing aspects of both Islamic discourse and globalization in this period. They practised their project of recuperation with an emphasis on sexuality and a return to archaic forms such as magic and traditional healing. Using close textual readings of literature and film, Khoo Gaik Cheng reveals the tensions between gender, modernity, and nation.--Back cover.
Author: Jan Uhde
Publisher: NUS Press
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
The authors catalogue the country's film landscape from the early days of local film production through the end of 2007, and present new discoveries on the city's film history that throw fresh light on its earliest feature productions. The book's discussion of Singapore film production between 2000 and 2007 covers more than 50 new feature films, and also looks at Singapore cinema in its regional and wider contexts. The book also provides discussions of short film production and its impact on the development of filmmaking in the country, on censorship and film classification, and interviews with industry professionals and filmmakers. Expanded appendices provide quick reference to bio-filmographies of important Singapore filmmakers, statistics from the Singapore International Film Festival, and a full list of films produced in Singapore between 1927 and 2007.
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 576
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Book Description
Author: Edna Lim
Publisher: Edinburgh University Press
ISBN: 1474435408
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Examines how pre-modernist conceptions and social organizations of pleasure have impacted post-WWII film
