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Author: Adam Barkman
Publisher:
ISBN: 9780500291719
Category : Architecture
Languages : en
Pages : 0
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Book Description
Making Sense of Islamic Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret paintings, buildings or artefacts in terms of the iconography and symbolism of Islam. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Muslims. The book's layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the work's significance in Islamic art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Islamic belief and artistic intention, this book will deepen understanding not only of Islamic art and architecture but also of Islam itself.
Author: Adam Barkman
Publisher:
ISBN: 9780500291719
Category : Architecture
Languages : en
Pages : 0
Get Book Here
Book Description
Making Sense of Islamic Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret paintings, buildings or artefacts in terms of the iconography and symbolism of Islam. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Muslims. The book's layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the work's significance in Islamic art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Islamic belief and artistic intention, this book will deepen understanding not only of Islamic art and architecture but also of Islam itself.
Author: Oleg Grabar
Publisher: Taylor & Francis
ISBN: 1040243223
Category : History
Languages : en
Pages : 357
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Book Description
Islamic Art and Beyond is the third in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art, 650-1100; Islamic Visual Culture, 1100-1800; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The articles in the present volume illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. Was it a faith or a combination of social, historical, and cultural events? And how has 'Islamic art' impacted on the contemporary arts of the Islamic world? The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world. The Islamic examples allow for the development of new intellectual positions for the history and criticism of the arts everywhere.
Author: Robert Hillenbrand
Publisher: Thames & Hudson
ISBN: 9780500203057
Category : Architecture
Languages : en
Pages : 288
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Book Description
A guide to the architecture, calligraphy, ceramics, and other arts of Islam covers a thousand years of history and an area stretching from the Atlantic to the borders of India and China
Author: George Michell
Publisher: Thames & Hudson
ISBN: 9780500278475
Category : Architecture
Languages : en
Pages : 288
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Book Description
Offers a survey of Islamic architecture through essays that discuss how different structures reflect the culture, and profiles with maps, photographs, details, and descriptions of noteworthy buildings.
Author: Oleg Grabar
Publisher: Taylor & Francis
ISBN: 104023870X
Category : History
Languages : en
Pages : 488
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Book Description
Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art 650-1100; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The focus of the present volume is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Diana Darke
Publisher: Hurst & Company
ISBN: 1787383059
Category : Architecture
Languages : en
Pages : 484
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Book Description
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Graziele Lautenschlaeger
Publisher: transcript Verlag
ISBN: 3839453313
Category : Social Science
Languages : en
Pages : 265
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Book Description
Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines historical and analytical approaches, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guidelines to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.
Author: Heather Thornton McRae
Publisher:
ISBN: 9780500291702
Category : Architecture
Languages : en
Pages : 0
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Book Description
Making Sense of Christian Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret paintings, buildings or artefacts in terms of the iconography and symbolism of Christianity. One hundred clearly illustrated and varied historical works are thoroughly examined, enabling readers to identify the telling details that mean so much to Christians. The book's layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the work's significance in Christian art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Christian belief and artistic intention, this book will deepen understanding not only of Christian art and architecture but also of Christianity itself.
