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Author: Viccy Coltman
Publisher:
ISBN: 9780859898300
Category : Art
Languages : en
Pages : 0
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Book Description
This volume of ten essays by classicists, art historians and archaeologists seeks to engage with the intellectual challenge that is making sense of Greek art. Each essay and the collection as a whole strives to ask what is at stake historically in the designation 'Greek art' through the close study of a variety of objects, including sculptures, paintings, mirrors and mosaics, in their ancient Greek context and through their later adoptions and reworkings from the Hellenistic and Roman periods. The ten essays trace a thread of classical artistry across the centuries, and are published here in memory of John Betts, who taught in the Department of Classics at the University of Bristol for thirty-seven years and founded Bristol Classical Press in 1977. Chronologically, the essays cover the so-called Archaic period in Greece, from 750-500 BCE, up to the Crystal Palace at Sydenham in mid nineteenth-century Britain. With this vast historical panorama, the volume offers a series of discrete historical case-studies, with a surprising overlap in the recurring themes of originality and reproduction, cultural identities and desire.
Author: Viccy Coltman
Publisher:
ISBN: 9780859898300
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This volume of ten essays by classicists, art historians and archaeologists seeks to engage with the intellectual challenge that is making sense of Greek art. Each essay and the collection as a whole strives to ask what is at stake historically in the designation 'Greek art' through the close study of a variety of objects, including sculptures, paintings, mirrors and mosaics, in their ancient Greek context and through their later adoptions and reworkings from the Hellenistic and Roman periods. The ten essays trace a thread of classical artistry across the centuries, and are published here in memory of John Betts, who taught in the Department of Classics at the University of Bristol for thirty-seven years and founded Bristol Classical Press in 1977. Chronologically, the essays cover the so-called Archaic period in Greece, from 750-500 BCE, up to the Crystal Palace at Sydenham in mid nineteenth-century Britain. With this vast historical panorama, the volume offers a series of discrete historical case-studies, with a surprising overlap in the recurring themes of originality and reproduction, cultural identities and desire.
Author: Judith M Barringer
Publisher:
ISBN: 9781474487375
Category : Art
Languages : en
Pages : 0
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Book Description
New studies on the interaction of various media in ancient Greek art This collection includes twenty-one new essays by leading scholars in the field of Greek art and archaeology. Exploring a range of media including vase painting, sculpture, gems and coins, they each address questions that cross the boundaries of specialised fields. They outline the range of visual experiences at stake in the various media used in antiquity and shed light on the specificities of each medium. They show how meaning is produced, according to the nature of the medium: its use, context and enunciative structure. Also explored are the different methodologies used to produce meaning: how do images 'make', or create, sense to their ancient viewers and how can we now access those meanings? This richly illustrated volume offers new interpretations and arguments concerning fundamental questions in the field which expands our knowledge and understanding of Greek art, patrons and viewers.
Author: Hans Ulrich Gumbrecht
Publisher: U of Minnesota Press
ISBN: 9781452901138
Category : Aesthetics, Modern
Languages : en
Pages : 372
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Book Description
Author: Clemente Marconi
Publisher: Oxford University Press
ISBN: 0199790523
Category : Art
Languages : en
Pages : 729
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Book Description
The study of Greek and Roman Art and Architecture has a long history that goes back to the second half of the 18th century and has provided an essential contribution towards the creation and the definition of the wider disciplines of Art History and Architectural History. This venerable tradition and record are in part responsible for the diffused tendency to avoid general discussions addressing the larger theoretical implications, methodologies, and directions of research in the discipline. This attitude is in sharp contrast not only with the wider field of Art History, but also with disciplines that are traditionally associated with the study of Greek and Roman Art and Architecture, like Classics and Classical Archaeology. In recent years, the field has been characterized by an ever-increasing range of approaches, under the influence of various disciplines such as Sociology, Semiotics, Gender Theory, Anthropology, Reception Theory, and Hermeneutics. In light of these recent developments, this Handbook seeks to explore key aspects of Greek and Roman Art and Architecture, and to assess the current state of the discipline. The Handbook includes thirty essays, in addition to the introduction, by an international team of leading senior scholars, who have played a critical role in shaping the field, and by younger scholars, who will express the perspectives of a newer generation. After a framing introduction written by the editor, which compares ancient and modern notions of art and architecture, the Handbook is divided into five sections: Pictures from the Inside, Greek and Roman Art and Architecture in the Making, Ancient Contexts, Post-Antique Contexts, and Approaches. Together, the essays in the volume make for an innovative and important book, one that is certain to find a wide readership.
Author: Beth Cohen
Publisher: BRILL
ISBN: 9004493743
Category : History
Languages : en
Pages : 575
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Book Description
A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129)
Author: Angelos Chaniotis
Publisher: Onassis Foundation USA
ISBN: 9780981966656
Category : Art, Classical
Languages : en
Pages : 0
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Book Description
Emotions penetrate every aspect of our lives. Interwoven with memory, attention, cognition, and decision making, they determine our interpersonal relations, our private life, the public sphere, and religious worship. Emotions had a particular significance also in ancient Greek culture, as Greek intellectuals were the first to theorize emotions in the Western world. A World of Emotions familiarizes the reader with the ubiquitous presence of emotions in Greek culture and life as well as their importance for an understanding of Greek art, literature, history, political life, society, and religion. It reveals how emotions are experienced, expressed, and aroused, how they are controlled or enslave us, how they are manipulated or evaluated. In doing so, it is hoped that this catalogue will trigger thoughts about the importance of emotions in our world, and show why the study of emotions in Classical Antiquity may help us to better understand our contemporary social and cultural environment. The catalogue A World of Emotions: Ancient Greece, 700 BC-200 AD accompanies a homonymous exhibition displaying a wide array of archeological finds from major museums and institutions in Greece, Europe, and North America. The exhibition is organized by the Onassis Foundation USA.
Author: Verity Platt
Publisher: Cambridge University Press
ISBN: 110716236X
Category : Art
Languages : en
Pages : 737
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Book Description
This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.
Author: Mark D. Stansbury-O'Donnell
Publisher: John Wiley & Sons
ISBN: 1444350153
Category : Art
Languages : en
Pages : 434
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Book Description
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
Author: Bob Lichtenbert
Publisher: Xlibris Corporation
ISBN: 1514491281
Category : Philosophy
Languages : en
Pages : 198
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Book Description
Making Meaning concerns how to live your life to make maximum impact. It does this by being the first book ever to fully develop the idea of meaning (defined as significant impact) which is greatest idea, since everything has it in some way. This development emphasizes that values or ought's/should's provide more meaning in one's life. We have a crying need for this today because most of us have little to believe in. Does my life have enough meaning? is a life-or-death question. This book takes a common sense approach to answering it. The author describes his own seeking and making meaning to render this abstract idea more concrete. Making Meaning explores the following eight sources of meaning: 1) relationships, 2) com- munity, 3) dialogue, 4) work, 5) art, 6) search for God, 7) possessions and 8) intangibles or nonphysical realities. The last source, potentially the largest, is explained and argued for. We have another crying need today to know more than physical things. This book tries to satisfy yet another crying need today: the objectivity of meaning. This gives us external standards to judge and live by. Today's widespread subjective view of meaning allows everyone to believe whatever they want. This view is dangerously chaotic and wrong. Toward the end Making Meaning tackles its major negative challenges: meaninglessness, nihilism (the view that nothing matters eventually) and extreme relativism. Finally, this book defines what is the meaning of life by drawing from all these sources. A very brief survey of the history of thinking about the meaning of life including Socrates, Plato and Aristotle concludes this book Welcome to the wonderful new field of meaningology! About the cover image: Making Meaning mostly involves drawing from its many sources as symbolized by the many good things in nature, including the heights of mountaintops and the warm light of the sun.
Author: Carolyn Korsmeyer
Publisher: Cornell University Press
ISBN: 080147132X
Category : Philosophy
Languages : en
Pages : 250
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Book Description
Taste, perhaps the most intimate of the five senses, has traditionally been considered beneath the concern of philosophy, too bound to the body, too personal and idiosyncratic. Yet, in addition to providing physical pleasure, eating and drinking bear symbolic and aesthetic value in human experience, and they continually inspire writers and artists. Carolyn Korsmeyer explains how taste came to occupy so low a place in the hierarchy of senses and why it is deserving of greater philosophical respect and attention. Korsmeyer begins with the Greek thinkers who classified taste as an inferior, bodily sense; she then traces the parallels between notions of aesthetic and gustatory taste that were explored in the formation of modern aesthetic theories. She presents scientific views of how taste actually works and identifies multiple components of taste experiences. Turning to taste's objects—food and drink—she looks at the different meanings they convey in art and literature as well as in ordinary human life and proposes an approach to the aesthetic value of taste that recognizes the representational and expressive roles of food. Korsmeyer's consideration of art encompasses works that employ food in contexts sacred and profane, that seek to whet the appetite and to keep it at bay; her selection of literary vignettes ranges from narratives of macabre devouring to stories of communities forged by shared eating.
