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Author: Ian Waugh
Publisher:
ISBN: 9781870775519
Category : Computer sound processing
Languages : en
Pages : 249
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Book Description
Author: Ian Waugh
Publisher:
ISBN: 9781870775519
Category : Computer sound processing
Languages : en
Pages : 249
Get Book Here
Book Description
Author: Cliff Truesdell
Publisher: John Wiley & Sons
ISBN: 0470165766
Category : Computers
Languages : en
Pages : 627
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Book Description
This comprehensive guide shows you how to integrate a variety of production tools for the Mac OS X platform into all stages of audio production so that you can create and produce music. From single applications to complete suites, you’ll discover the software toolsets that are best for you and then discover how to incorporate them into a coherent workflow. Featuring best practices, real-world examples, and interviews with audio professionals, this book pulls together all the programs and tasks you need.
Author: Slime Green Beats
Publisher: Slime Green Beats
ISBN: 0578817853
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
Unleash your creative potential and start producing hip hop music today. This beginner’s guide breaks down the basics of music production and gives you the tools to start creating. Beat making isn’t a linear process, and there’s no exact science or method. Slime Green Beats provides a complete overview of the equipment, strategy, and mentality that you need to produce mind-blowing music, all without stifling your creativity. Whether you’re looking to produce your own music or start a career in music production, this handbook is a must-have. Learn beat making rules for different genres and musical styles, including hip hop, trap, R&B, and rap. You’ll learn: Setup - How to set up your home beat making studio - Tips for sound selection and melody creation - What drum layers make up a hip-hop beat - The stylistic difference between 808s and basslines Finishing - An introduction to mixing instrumentals - How to create vibrant, clean beats without over-compressing - Music theory rules for arranging - How to find and implement reliable feedback Sharing - Online marketing strategies for self-promotion - Email marketing tips to build industry connections - How to license, lease, and sell your beats - What to expect when selling exclusive beats, including track outs …And more! How to Make Beats explains music theory and technical software in easy-to-understand terms. The language of music production often feels elite, but Slime Green Beats breaks down barriers for new creators. Learn the lingo with an extensive terminology section in the back of the handbook and links to suggested resources. About the authors Slime Green Beats is led by 3E Wave and Stunna, two highly acclaimed music producers with an extensive fanbase on YouTube. With nearly a decade of beat making experience between them, their technical tips and recommendations are proven to work in the real world.
Author: Chris Middleton
Publisher: The Ilex Press Ltd
ISBN: 9781904705147
Category : Music
Languages : en
Pages : 192
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Book Description
Electronic music and sound recording was truly reborn with the emergence of personal computing. Now, making music on a computer is getting easier and less expensive. New and improved compression algorithms allow for bandwidth-friendly transfer of audio over the Internet. "The Complete Guide to Digital Audio" covers all aspects of digital audio: hardware and software, sampling and recording, mixing and mastering, MIDI and sequencing, and much more. You'll learn: * Jargon busters on all the digital audio terms you need to know * Production tips and secrets from some of the world's top sound engineers * A tour of the major software package and tools * Insider views on audio in computer games * Full-color detailed illustrations * Advice from some of the leading authorities
Author: Colby Leider
Publisher: McGraw Hill Professional
ISBN: 9780071422864
Category : Antiques & Collectibles
Languages : en
Pages : 420
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Book Description
"With this book, you can: turn your computer into a digital audio workstation ; record, mix and master any type of music on a PC or Mac ; choose key plug-ins and hardware ; practice and hone your skills with the included exercises ; find what you need to know about every major audio file format ; learn about the history of the digital audio workstation ; compose, create and mix new forms of music using digital audio workstation alone ; improve your project studio's acoustics inexpensively ; and much, much more." - back cover.
Author: Dennis DeSantis
Publisher:
ISBN: 9783981716504
Category :
Languages : en
Pages : 341
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Book Description
Author: Tommy Swindali
Publisher: Tommy Swindali
ISBN:
Category : Music
Languages : en
Pages : 112
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Book Description
Everything You Need To Know About Making Music In One Place! Not so long ago, studio quality recording, mixing and music production was only available to the rich and famous artists. However these days it's now possible to produce professional sounding music from your own home. In fact, you don't even need to know how to play an instrument or know anything about the technology or need expensive equipment. All you need is a decent computer + inspiration and this book will show you the rest. If you are a first timer, this book will lead you in the right direction in the least amount of time. Or if you have some experience you will definitely incorporate some new insights into how to produce your best music. Here is just a tiny fraction of what you will discover: Best Music Production Software to Start Learning in 2020 Achieve Release Quality Mixes On a Budget How to Write Chords, Drum Beats, Basslines, Melodies and More Common Beginner Music Production Mistakes + How to Avoid or Fix Them Essential Home Recording Studio Equipment For Under $500 Music Theory Explained - Without Needing To Study a Course Creative Hacks To Get You Inspired Right Away Step by Step Guide To Mix + Master Your Music - Even If Your Not a Technical Person DON'T Do Remixes or Edits Before Reading This! How Collaboration in Music Opens Doors Proven Guidelines on How to Get your Music Signed And much, much more.. Stop wasting your time on forums, YouTube and asking the same old questions because everything you need to know is in this book. Be the music producer you've always wanted to be and make your best music with This Book
Author: Tommy Swindali
Publisher: Tommy Swindali
ISBN:
Category : Music
Languages : en
Pages : 21
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Book Description
Everything You Need to Know You are about to discover proven steps and strategies from music producers on how to produce music, even if you have zero experience in recording and audio engineering. You will be able to learn everything you need to know in order to make your first single sound just the way you want it. In this book, you will to learn how to build your own studio and have the right gear and software in order to start creating music. You will also learn how to be a smart recording artist or give the right direction to performers whom you want to produce songs for. You Can Do It and We Will Show You How Your first home studio does not need to have all the top-of-the-line gear, you just need the basic stuff, for now. As long as you know how to use the most basic studio equipment, you will know what to do once you hit the big studio. We will make sure you know how to engineer all the tracks that you have recorded in order to make your first single sound just the way you want it. Here Is A Preview Of What You'll Learn. How to set up a studio and what equipment you need to use How to perform a song while in the studio How to create a final mix for your songs What Your Studio Should Have What is the Best DAW for You? Recording your First Single Mixing your First Song Create Music that will Get You Noticed And, much, much more.... Download your copy today!
Author: Craig Anderton
Publisher: Muska/Lipman
ISBN: 9781598639735
Category : Computer sound processing
Languages : en
Pages : 0
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Book Description
Computers have changed the way we make music. For less than a thousand dollars (including the computer), you can have a studio in your bedroom that rivals the capabilities of million-dollar studios of a not-so-distant past. One of the best tools at the recording musician's disposal is SONAR Home Studio. But to truly maximize your creativity, you need more than just the program and the manual---you need guidance on how to actually use the program to make music, guidance included in this book. Making Music with SONAR Home Studio shows you how to use the software as a creative tool, not just a recording program. It goes beyond the user manual to help you get started recording the right way in your home studio. Everything is explained in easy-to-understand language, from optimizing your recording setup to composing, recording, and mixing down a song.
Author: Ragnhild Brøvig
Publisher: MIT Press
ISBN: 0262549638
Category : Music
Languages : en
Pages : 199
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Book Description
How sonically distinctive digital “signatures”—including reverb, glitches, and autotuning—affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others. Is digital production killing the soul of music? Is Auto-Tune the nadir of creative expression? Digital technology has changed not only how music is produced, distributed, and consumed but also—equally important but not often considered—how music sounds. In this book, Ragnhild Brøvig and Anne Danielsen examine the impact of digitization on the aesthetics of popular music. They investigate sonically distinctive “digital signatures”—musical moments when the use of digital technology is revealed to the listener. The particular signatures of digital mediation they examine include digital reverb and delay, MIDI and sampling, digital silence, the virtual cut-and-paste tool, digital glitches, microrhythmic manipulation, and autotuning—all of which they analyze in specific works by popular artists. Combining technical and historical knowledge of music production with musical analyses, aesthetic interpretations, and theoretical discussions, Brøvig and Danielsen offer unique insights into how digitization has changed the sound of popular music and the listener's experience of it. For example, they show how digital reverb and delay have allowed experimentation with spatiality by analyzing Kate Bush's “Get Out of My House”; they examine the contrast between digital silence and the low-tech noises of tape hiss or vinyl crackle in Portishead's “Stranger”; and they describe the development of Auto-Tune—at first a tool for pitch correction—into an artistic effect, citing work by various hip-hop artists, Bon Iver, and Lady Gaga.
