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Author: Ronald T. Ridley
Publisher: Melbourne University Publish
ISBN: 9780522847277
Category : Art
Languages : en
Pages : 192
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Book Description
A guide to the public statuary of Melbourne, based on two walks around the inner city. Many public monuments are often just accepted as part of the scene, but each statue or memorial has a story to tell whether about the sculptor, or the person or event it commemorates, and all of them represent a small piece of Melbourne history.
Author: Ronald T. Ridley
Publisher: Melbourne University Publish
ISBN: 9780522847277
Category : Art
Languages : en
Pages : 192
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Book Description
A guide to the public statuary of Melbourne, based on two walks around the inner city. Many public monuments are often just accepted as part of the scene, but each statue or memorial has a story to tell whether about the sculptor, or the person or event it commemorates, and all of them represent a small piece of Melbourne history.
Author: Bruce Scates
Publisher: Cambridge University Press
ISBN: 0521129079
Category : History
Languages : en
Pages : 329
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Book Description
This book charts the Shrine's history from the first fatalities of the Gallipoli landing to the present day.
Author: Gordon McMullan
Publisher: Bloomsbury Publishing
ISBN: 1474271456
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Despite a recent surge of critical interest in the Shakespeare Tercentenary, a great deal has been forgotten about this key moment in the history of the place of Shakespeare in national and global culture – much more than has been remembered. This book offers new archival discoveries about, and new interpretations of, the Tercentenary celebrations in Britain, Australia and New Zealand and reflects on the long legacy of those celebrations. This collection gathers together five scholars from Britain, Australia and New Zealand to reflect on the modes of commemoration of Shakespeare across the hemispheres in and after the Tercentenary year, 1916. It was at this moment of remembering in 1916 that 'global Shakespeare' first emerged in recognizable form. Each contributor performs their own 'antipodal' reading, assessing in parallel events across two hemispheres, geographically opposite but politically and culturally connected in the wake of empire.
Author: United States. Congress
Publisher:
ISBN:
Category : Legislators
Languages : en
Pages : 48
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
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Book Description
Author: Australia. Parliament
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 1554
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Book Description
Author: Denise M Taylor
Publisher: Palmer Higgs Pty Ltd
ISBN: 1922155462
Category : Art
Languages : en
Pages : 53
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Book Description
Stroll or tram down Swanston Street, aptly referred to as 'Melbourne's iconic spine', and you will encounter contemporary architecture and street art vying for attention beside 19th century old-school bronze statues and buildings, permanent reminders of Melbourne's early British settlement. There are no visible signs of the people who first inhabited this land, however, you can engage with Aboriginal art in the Australian collection at the National Gallery of Victoria's Ian Potter Centre, at the rear of Federation Square. This self-guided tour begins at the northern end of Swanston Street: The University of Melbourne's Ian Potter Museum of Art. Before you start, you can enjoy a tea or coffee at the Potter cafe which hugs the north-east corner of the art gallery. Heading south, you will eventually reach the Yarra River where Swanston Street becomes St Kilda Road across Princes Bridge. The green expanse of the Royal Melbourne Botanic Gardens fans out to the left. To the right is the Arts Centre with its spire, and further on, the imposing bluestone building of the National Gallery of Victoria (NGV International) houses a range of international art dating from antiquity through to the 21st century. The tour finishes here. You will engage with many forms of art which ‘speak’ to each of us differently—a work of art may remind us of the past (a weathered facade or a history painting), represent the present, or project an imagined future. After you finish this tour along Swanston Street, you might ask yourself: Is Melbourne developing a distinctive artistic character representative of its past, present and perhaps even its future? Walks of Art self-guided walking tours spotlight urban pockets of Melbourne and Europe with a focus on art in galleries, on the streets and in public places. As the tours are self-paced, you can determine for yourself how long you spend at each stop. Sometimes looking at a facade is all that is required, or a lengthier time may be spent at a gallery or church. It's all up to you! Most of the galleries and museums of art on the tours are chosen because they either do not charge admission fees (except for temporary exhibitions), or if they do, the fee is deemed reasonable by the author. Again, you have the choice. Each walk includes: many works of art with detailed descriptions a map of the route opening and closing times of galleries/museums/churches/institutions photos/images at least one inexpensive eatery along the way that is a favourite of the author. The author is mindful of those art-lovers who are confined to a wheelchair. Walks of Art tours consider the ease of wheelchair access along the route. Traditional travel guide books are expensive, adding bulk and weight to travel bags. They can also be out-of-date very quickly. Walks of Art are distributed as e-guides to smartphones, iPads and Kindles—easy to buy and access, and eco-friendly! The author keeps a vigilant eye on any changes to opening hours, new installations, closures and/or removals of works of art. This means that information can be updated with the click of a button. However, for those travellers who prefer reading print on paper rather than on shiny screens, a pocket-book version of Walks of Art will be available in the near future. Look out for the next tour in the Walks of Art series which will focus on a pocket in Rome. All tours are intended for those individuals who, like the author, want to experience art ... slowly.
Author:
Publisher:
ISBN:
Category : Victoria
Languages : en
Pages : 872
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Book Description
Author: Cynthia C. Prescott
Publisher: Taylor & Francis
ISBN: 1000926869
Category : History
Languages : en
Pages : 162
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Book Description
This book tackles the historical relationship between colonial violence and monuments in Africa, Europe, the Indian subcontinent, North America, and Australia. In this volume, the authors ask similar questions about monuments in each location and answer them following a parallel structure that encourages comparison, highlighting common themes. The chapters track the contested histories of monuments, scrutinizing their narrative power and examining the violent events behind them. It is both about the history of monuments and the histories the monuments are meant to commemorate. It is interested in this nuanced relationship between violence, monuments, memory, and colonial legacies; the ways different facets of colonial violence—conquest, resistance, massacres, genocides, internments, and injustices—have been commemorated (or haven’t been), how they live in the present, and how pertinent they are in the present to different peoples. Legacies of colonial violence, and continued reinterpretations of the past and its meanings remain very much ongoing. They are still very much unsettled questions in large parts of the world. Colonial Violence and Monuments in Global History will be essential reading for students, scholars, and researchers of political science, history, sociology and colonial studies. The book was originally published as a special issue of the Journal of Genocide Research.
Author: Anne Massey
Publisher: Bloomsbury Publishing
ISBN: 1474226213
Category : Design
Languages : en
Pages : 209
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Book Description
This book offers the first in-depth analysis of the relationship between art and design, which led to the creation of 'pop'. Challenging accepted boundaries and definitions, the authors seek out various commonalities and points of connection between these two exciting areas. Confronting the all-pervasive 'high art / low culture' divide, Pop Art and Design brings a fresh understanding of visual culture during the vibrant 1950s and 60s. This was an era when commercial art became graphic design, illustration was superseded by photography and high fashion became street fashion, all against the backdrop of a rapidly-evolving economic and political landscape, a glamorous youth scene and an effervescent popular culture. The book's central argument is that pop art relied on and drew inspiration from pop design, and vice versa. Massey and Seago assert that this relationship was articulated through the artwork, design, publications and exhibitions of a network of key practitioners. Pop Art and Design provides a case study in the broader inter-relationship between art and design, and constitutes the first interdisciplinary publication on the subject.
