Author: Alan J. Hommerding
Publisher: World Library Publications
ISBN: 9781584591986
Category : Music
Languages : en
Pages : 84
Book Description
For use by choirs and music ensembles. Prayer warm-ups for weekly, seasonal and holy days, as well as many occasions for music ministers.
Blessed are the Music Makers
Author: Alan J. Hommerding
Publisher: World Library Publications
ISBN: 9781584591986
Category : Music
Languages : en
Pages : 84
Book Description
For use by choirs and music ensembles. Prayer warm-ups for weekly, seasonal and holy days, as well as many occasions for music ministers.
Publisher: World Library Publications
ISBN: 9781584591986
Category : Music
Languages : en
Pages : 84
Book Description
For use by choirs and music ensembles. Prayer warm-ups for weekly, seasonal and holy days, as well as many occasions for music ministers.
Old-Time Music Makers of New York State
Author: Simon J. Bronner
Publisher: Syracuse University Press
ISBN: 9780815602163
Category : Music
Languages : en
Pages : 278
Book Description
Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
Publisher: Syracuse University Press
ISBN: 9780815602163
Category : Music
Languages : en
Pages : 278
Book Description
Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
The Music Makers
Author: Clive Unger-Hamilton
Publisher:
ISBN: 9780454001594
Category : Composers
Languages : en
Pages : 255
Book Description
Publisher:
ISBN: 9780454001594
Category : Composers
Languages : en
Pages : 255
Book Description
Music Makers
Author: Ashok Roy
Publisher: books catalog
ISBN:
Category : Music
Languages : en
Pages : 342
Book Description
Music cannot be captured on paper.What one can attempt to convey through words and pictures,however,is the soul or the essence of music.This book is an imaginatively designed,hugely informative volume on contemporary Indian music,which takes shape through encounters with its livinglegends.Bhimsen Joshi, Gangubai Hangal,Amjad Ali Khan, Shiv Kumar Sharma, Hariprasad Chaurasia these are but a very few of the names which appear in this book.
Publisher: books catalog
ISBN:
Category : Music
Languages : en
Pages : 342
Book Description
Music cannot be captured on paper.What one can attempt to convey through words and pictures,however,is the soul or the essence of music.This book is an imaginatively designed,hugely informative volume on contemporary Indian music,which takes shape through encounters with its livinglegends.Bhimsen Joshi, Gangubai Hangal,Amjad Ali Khan, Shiv Kumar Sharma, Hariprasad Chaurasia these are but a very few of the names which appear in this book.
Hanging Tree Guitars
Author: Freeman Vines
Publisher:
ISBN: 9780578624037
Category :
Languages : en
Pages :
Book Description
To meet Freeman Vines is to meet America itself. An artist, a luthier and a spiritual philosopher, Vines' life is a roadmap of the truths and contradictions of the American South. He remembers the hidden histories of the eastern North Carolina land on which his family has lived since enslavement. For over 50 years Vines has transformed materials culled from a forgotten landscape in his relentless pursuit of building a guitar capable of producing a singular tone that has haunted his dreams. From tobacco barns, mule troughs, and radio parts he has created hand-carved guitars, each instrument seasoned down to the grain by the echoes of its past life. In 2015 Vines befriends photographer Timothy Duffy and the two begin to document the guitars, setting off a mutual outpouring of the creative spirit. But when Vines acquires a mysterious stack of wood from the site of a lynching, Vines and Duffy find themselves each grappling with the spiritual unrest and the psychic toll of racial violence living in the very grain of America.
Publisher:
ISBN: 9780578624037
Category :
Languages : en
Pages :
Book Description
To meet Freeman Vines is to meet America itself. An artist, a luthier and a spiritual philosopher, Vines' life is a roadmap of the truths and contradictions of the American South. He remembers the hidden histories of the eastern North Carolina land on which his family has lived since enslavement. For over 50 years Vines has transformed materials culled from a forgotten landscape in his relentless pursuit of building a guitar capable of producing a singular tone that has haunted his dreams. From tobacco barns, mule troughs, and radio parts he has created hand-carved guitars, each instrument seasoned down to the grain by the echoes of its past life. In 2015 Vines befriends photographer Timothy Duffy and the two begin to document the guitars, setting off a mutual outpouring of the creative spirit. But when Vines acquires a mysterious stack of wood from the site of a lynching, Vines and Duffy find themselves each grappling with the spiritual unrest and the psychic toll of racial violence living in the very grain of America.
Music Makers of the Blue Ridge Plateau
Author: Blue Ridge Music Makers Guild
Publisher: Arcadia Publishing
ISBN: 9780738554105
Category : History
Languages : en
Pages : 132
Book Description
During the late 1920s, Ralph Peer and the Victor Recording Company visited the city of Bristol to look for new talent. They stumbled upon Jimmie Rodgers and the Carter Family, two future legends of country music; however, other amazing musicians were unable to make the trip to Bristol for the auditions because of work and family obligations. For the locals, music was more than a way to earn fame and fortune; the music was part of the fabric of life in this rural environment. Some individuals did become famous, including the Stoneman Family, who recorded "The Ship That Didn't Return/ The Titanic," and Henry Whitter, who recorded "The Wreck of Old 97," but that was never the focus. The songs they played and created accompanied an entire generation through the Great Depression and World War II and into the vigorous growth of the 1950s and 1960s. All of these musicians influenced the birth, growth, and continued development of the Galax Fiddlers Convention, which is known around the world by old-time mountain music fans.
Publisher: Arcadia Publishing
ISBN: 9780738554105
Category : History
Languages : en
Pages : 132
Book Description
During the late 1920s, Ralph Peer and the Victor Recording Company visited the city of Bristol to look for new talent. They stumbled upon Jimmie Rodgers and the Carter Family, two future legends of country music; however, other amazing musicians were unable to make the trip to Bristol for the auditions because of work and family obligations. For the locals, music was more than a way to earn fame and fortune; the music was part of the fabric of life in this rural environment. Some individuals did become famous, including the Stoneman Family, who recorded "The Ship That Didn't Return/ The Titanic," and Henry Whitter, who recorded "The Wreck of Old 97," but that was never the focus. The songs they played and created accompanied an entire generation through the Great Depression and World War II and into the vigorous growth of the 1950s and 1960s. All of these musicians influenced the birth, growth, and continued development of the Galax Fiddlers Convention, which is known around the world by old-time mountain music fans.
The Music Makers, Op. 69
Author: Arthur O'Shaughnessy
Publisher: Serenissima Music, Inc.
ISBN: 9781932419580
Category : Music
Languages : en
Pages : 96
Book Description
This 35-minute work is sometimes thought of as Elgar's answer to his contemporary Richard Strauss' tone poem "Ein Heldenleben." It was given its premiere at the Birmingham Music Festival on Oct. 1, 1912 with the composer at the podium. Elgar quotes extensively from his own previous works throughout. This new vocal score is an unabridged digitally-enhanced reprint of the one issued by Novello & Co., Ltd. in 1912, enlarged to a more readable A4 size. A welcome addition for Elgar enthusiasts, alto soloists, choruses, and pianists. Matching full score and orchestra parts also available from Serenissima Music.
Publisher: Serenissima Music, Inc.
ISBN: 9781932419580
Category : Music
Languages : en
Pages : 96
Book Description
This 35-minute work is sometimes thought of as Elgar's answer to his contemporary Richard Strauss' tone poem "Ein Heldenleben." It was given its premiere at the Birmingham Music Festival on Oct. 1, 1912 with the composer at the podium. Elgar quotes extensively from his own previous works throughout. This new vocal score is an unabridged digitally-enhanced reprint of the one issued by Novello & Co., Ltd. in 1912, enlarged to a more readable A4 size. A welcome addition for Elgar enthusiasts, alto soloists, choruses, and pianists. Matching full score and orchestra parts also available from Serenissima Music.
The Makers of the Sacred Harp
Author: David Warren Steel
Publisher: University of Illinois Press
ISBN: 0252077601
Category : Music
Languages : en
Pages : 354
Book Description
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.
Publisher: University of Illinois Press
ISBN: 0252077601
Category : Music
Languages : en
Pages : 354
Book Description
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.
Early English Viols: Instruments, Makers and Music
Author: Michael Fleming
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422
Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422
Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
We Are the Music-Makers
Author: M. H. Clark
Publisher: Compendium Publishing & Communications
ISBN: 9781935414384
Category : Self-Help
Languages : en
Pages : 0
Book Description
This is the perfect journal for artists, creative spirits, and anyone who approaches the world with a dash of daring. This distinctive journal makes a statement with bold sentiments, modern typography, and artwork by a contemporary designer. Pages feature periodic typeset quotations enhanced with striking designs, and theres lots of space for capturing the days thoughts, musings, and prose.
Publisher: Compendium Publishing & Communications
ISBN: 9781935414384
Category : Self-Help
Languages : en
Pages : 0
Book Description
This is the perfect journal for artists, creative spirits, and anyone who approaches the world with a dash of daring. This distinctive journal makes a statement with bold sentiments, modern typography, and artwork by a contemporary designer. Pages feature periodic typeset quotations enhanced with striking designs, and theres lots of space for capturing the days thoughts, musings, and prose.