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Author: Gustav Mahler
Publisher: University of Chicago Press
ISBN: 9780226057682
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf. "Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement
Author: Gustav Mahler
Publisher: University of Chicago Press
ISBN: 9780226057682
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911—the year of the first performance of Der Rosenkavalier—they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This first publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf. "Unfailingly absorbing. . . . An indispensable addition to the literature on these composers."—Norman Del Mar, Times Literary Supplement
Author: Charles Youmans
Publisher: Indiana University Press
ISBN: 0253021669
Category : Music
Languages : en
Pages : 308
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Book Description
A rare case among history's great music contemporaries, Gustav Mahler (1860-1911) and Richard Strauss (1864-1949) enjoyed a close friendship until Mahler's death in 1911. Unlike similar musical pairs (Bach and Handel, Haydn and Mozart, Schoenberg and Stravinsky), these two composers may have disagreed on the matters of musical taste and social comportment, but deeply respected one another's artistic talents, freely exchanging advice from the earliest days of professional apprenticeship through the security and aggravations of artistic fame. Using a wealth of documentary material, this book reconstructs the 24-year relationship between Mahler and Strauss through collage—"a meaning that arises from fragments," to borrow Adorno's characterization of Mahler's Sixth Symphony. Fourteen different topics, all of central importance to the life and work of the two composers, provide distinct vantage points from which to view both the professional and personal relationships. Some address musical concerns: Wagnerism, program music, intertextuality, and the craft of conducting. Others treat the connection of music to related disciplines (philosophy, literature), or to matters relevant to artists in general (autobiography, irony). And the most intimate dimensions of life—childhood, marriage, personal character—are the most extensively and colorfully documented, offering an abundance of comparative material. This integrated look at Mahler and Strauss discloses provocative revelations about the two greatest western composers at the turn of the 20th century.
Author: K.M. Knittel
Publisher: Routledge
ISBN: 1317057791
Category : Social Science
Languages : en
Pages : 218
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Book Description
No-one doubts that Gustav Mahler's tenure at the Vienna Court Opera from 1897-1907 was made extremely unpleasant by the antisemitic press. The great biographer, Henry-Louis de La Grange, acknowledges that 'it must be said that antisemitism was a permanent feature of Viennese life'. Unfortunately, the focus on blatant references to Jewishness has obscured the extent to which 'ordinary' attitudes about Jewish difference were prevalent and pervasive, yet subtle and covert. The context has been lost wherein such coded references to Jewishness would have been immediately recognized and understood. By painstakingly reconstructing 'the language of antisemitism', Knittel recreates what Mahler's audiences expected, saw, and heard, given the biases and beliefs of turn-of-the-century Vienna. Using newspaper reviews, cartoons and memoirs, Knittel eschews focusing on hostile discussions and overt attacks in themselves, rather revealing how and to what extent authors call attention to Mahler's Jewishness with more subtle language. She specifically examines the reviews of Mahler's Viennese symphonic premieres for their resonance with that language as codified by Richard Wagner, though not invented by him. An entire chapter is also devoted to the Viennese premieres of Richard Strauss's tone poems, as a proof text against which the reviews of Mahler can also be read and understood. Accepting how deeply embedded this way of thinking was, not just for critics but for the general population, certainly does not imply that one can find antisemitism under every stone. What Knittel suggests, ultimately, is that much of early criticism was unease rather than 'objective' reactions to Mahler's music - a new perspective that allows for a re-evaluation of what makes his music unique, thought-provoking and valuable.
Author: George M. Cummins III
Publisher: iUniverse
ISBN: 1450289797
Category : Biography & Autobiography
Languages : en
Pages : 521
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Book Description
In 2010, the composer Gustav Mahler celebrates his one hundred fiftieth birthday. In Mahler Re-Composed, linguist George Cummins shares a collection of six interrelated essays that provide a fresh perspective on difficult questions familiar to Mahler lovers. Cummins, a teacher of Russian and Czech at Tulane University, brings a uniquely Czech perspective to the study of Mahlers personality and work. In his careful examination of the composers life and work, Cummins begins with an introduction that provides a glimpse into Mahler the Czech and continues with an account of Mahlers conversion from Judaism to Catholicism while making his way to the Vienna Hofoper directorship. Cummins also takes a skeptical look at the legend of Mahler as an impotent, humorless neurotic and recreates the friendship between Strauss and Mahlertwo of the greatest musicians of the early twentieth century.
Author: Darwin Floyd Scott
Publisher: Theodore Front Music
ISBN: 9788888326016
Category : Music
Languages : en
Pages : 324
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Book Description
Author: Stephen E. Hefling
Publisher: Cambridge University Press
ISBN: 9780521471657
Category : Music
Languages : en
Pages : 332
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Book Description
Mahler Studies comprises ten innovative essays on topics spanning the range of Mahler research. Blaukopf's inquiry into critical influences on Mahler's student years provides background for Reilly's reassessment of sources for 'Opus 1', Das klagende Lied. McClatchie introduces Mahler's previously inaccessible correspondence with family members, while Feder presents insightful psychoanalytic perspectives on Mahler's relationships to his sister Justine and other women in his life before Alma. Mitchell and La Grange explore the complex issue of quotation and allusion in Mahler's oeuvre. The long-restricted Seventh Symphony sketchbook provides detailed glimpses of that Mahlerian 'world' emerging in its earliest stages, as documented by Hefling. Issues of tonal structure and coherence are addressed by Agawu and Williamson, while Franklin on Adorno's Mahler provides a clear explication of that author's dialectic engagement with the composer.
Author:
Publisher: Oxford University Press, USA
ISBN: 0195349806
Category : Literary Collections
Languages : en
Pages : 440
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Book Description
Hundreds of the letters that Gustav Mahler addressed to his parents and siblings survive, yet they have remained virtually unknown. Now, for the first time Mahler scholar Stephen McClatchie presents over 500 of these letters in a clear, lively translation in The Mahler Family Letters. Drawn primarily from the Mahler-Rose Collection at the University of Western Ontario, the volume presents a complete, well-rounded view of the family's correspondence. Spanning the mid 1880s through 1910, the letters record the excitement of a young man with a bourgeoning career as a conductor and provide a glimpse into his day-to-day activities rehearsing and conducting operas and concerts in Budapeast and Hamburg, and composing his first symphonies and songs. On the private side, they document his parents' illnesses and deaths and the struggles of his siblings Alois, Justine, Otto, and Emma. The letters also give Mahler's insightful impressions of contemporaries such as Johannes Brahms, Richard Strauss, and Hans von Bulow, as well as his personal feelings about significant events, such as his first big success--the completion of Carl Maria von Weber's Die drei Pintos in 1889. In the fall of 1894, the character of the letters changes when Justine and Emma come to live with Mahler in Hamburg and then Vienna, removing the need to communicate by letter about quotidian matters. At this point, the letters relay noteworthy events such as Mahler's campaign to be named Director of the Vienna Court Opera, his conducting tours throughout Europe, and his courtship of Alma Schindler. The Mahler Family Letters provides a vital, nuanced source of information about Mahler's life, his personality, and his relationships. McClatchie has generously annotated each letter, contextualizing and clarifying contemporary historical references and Mahler family acquaintances, and created an indispensable resource for all Mahlerists, 19th-century musicologists, and historians of 19th-century Germany and Austria.
Author: Stuart Feder
Publisher: Yale University Press
ISBN: 9780300103403
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
"The final crisis of Mahler's career occurred in 1910, when he learned that his wife, Alma, was having an affair with the architect Walter Gropius. The revelation precipitated a breakdown while Mahler was working on his Tenth Symphony. The anguished, suicidal notes Mahler scrawled across the manuscript of the unfinished symphony reveal his troubled state. It was a four-hour consultation with Sigmund Freud in Leiden, Holland, that restored the composer's equilibrium. Although Mahler left little record of what transpired in Leiden, Stuart Feder has reconstructed the encounter on the basis of surviving evidence. The cumulative stresses of the crises in Mahler's life, in particular Alma's betrayal, left him physically and emotionally vulnerable. He became ill and died soon after in 1911."--BOOK JACKET.
Author: Peter Franklin
Publisher: Cambridge University Press
ISBN: 9780521379472
Category : Music
Languages : en
Pages : 148
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Book Description
Conceived as a musical picture of the natural world, the composition of Mahler's grandiose work is described here in the context of the ideas that inspired it and the artistic debates and social conflicts that it reflects.
Author: Susan M. Filler
Publisher: Routledge
ISBN: 1135946698
Category : Music
Languages : en
Pages : 418
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Book Description
This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.
