Author: Michael Lockwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
On the art and architecture of the Pallava kings (7th-8th centuries) as found in the ancient monuments of Mahabalipuram, Tamil Nadu.
Mahabalipuram Studies
Author: Michael Lockwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
On the art and architecture of the Pallava kings (7th-8th centuries) as found in the ancient monuments of Mahabalipuram, Tamil Nadu.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 154
Book Description
On the art and architecture of the Pallava kings (7th-8th centuries) as found in the ancient monuments of Mahabalipuram, Tamil Nadu.
Mahabalipuram (Mamallapuram)
Author: Irā Nākacāmi
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 126
Book Description
MAHABALIPURAM became a world heritage site in 1984. This group of monuments (mostly sanctuaries), founded by the Pallava kings, is carved out of rock along the Coromandel coast in the 7th and 8th centuries. It is known especially for its rathas (temples in the form of chariots), mandapas (cave sanctuaries), giant open-air reliefs such as the famous 'Descent of the Ganges', and the temple of Rivage, with thousands of sculptures to the glory of Shiva.
Publisher: Oxford University Press, USA
ISBN:
Category : Architecture
Languages : en
Pages : 126
Book Description
MAHABALIPURAM became a world heritage site in 1984. This group of monuments (mostly sanctuaries), founded by the Pallava kings, is carved out of rock along the Coromandel coast in the 7th and 8th centuries. It is known especially for its rathas (temples in the form of chariots), mandapas (cave sanctuaries), giant open-air reliefs such as the famous 'Descent of the Ganges', and the temple of Rivage, with thousands of sculptures to the glory of Shiva.
The Art of Ancient India
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 786
Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 786
Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Kalādarśana
Author: Joanna G Williams
Publisher: BRILL
ISBN: 9004646493
Category : Social Science
Languages : en
Pages : 345
Book Description
Publisher: BRILL
ISBN: 9004646493
Category : Social Science
Languages : en
Pages : 345
Book Description
Kalādarśana
Author: Joanna Gottfried Williams
Publisher: BRILL
ISBN: 9789004064980
Category : Art, Indic
Languages : en
Pages : 358
Book Description
Publisher: BRILL
ISBN: 9789004064980
Category : Art, Indic
Languages : en
Pages : 358
Book Description
Temple Imagery from Early Mediaeval Peninsular India
Author: Archana Verma
Publisher: Routledge
ISBN: 1351547003
Category : Art
Languages : en
Pages : 313
Book Description
Analyzing the ways in which ideas of heroic discourse and the socio-religious and political needs of the period moulded iconography, this book explores the evolution of the iconography of the early mediaeval Hindu temples of the Indian peninsula, over the course of the sixth-twelfth centuries C.E. In order to study the socio-religious and political atmosphere in which the early mediaeval temple iconography grew and developed its specific forms, the author makes use of the inscriptions, archaeological and the literary materials ranging from the fourth centuries B.C.E. to the thirteenth century C.E., as these give an idea of the continuities and discontinuities in the ideas of heroic and political discourses which lie at the back of the visual art forms that they created. Of particular interest are the royal charters, issued in Sanskrit and Tamil, the religious narratives from the Sanskrit epics and the Puranas, iconographic canons that form a part of the religious texts known as the Agamas, written in Sanskrit, the court literature of the early mediaeval period and the early historical Sangam Tamil literature, apart from the archaeological material from the Indian peninsula. The author focuses particularly on exploring the ideas of power current in the society that created the narrative iconography of the period and the region studied.
Publisher: Routledge
ISBN: 1351547003
Category : Art
Languages : en
Pages : 313
Book Description
Analyzing the ways in which ideas of heroic discourse and the socio-religious and political needs of the period moulded iconography, this book explores the evolution of the iconography of the early mediaeval Hindu temples of the Indian peninsula, over the course of the sixth-twelfth centuries C.E. In order to study the socio-religious and political atmosphere in which the early mediaeval temple iconography grew and developed its specific forms, the author makes use of the inscriptions, archaeological and the literary materials ranging from the fourth centuries B.C.E. to the thirteenth century C.E., as these give an idea of the continuities and discontinuities in the ideas of heroic and political discourses which lie at the back of the visual art forms that they created. Of particular interest are the royal charters, issued in Sanskrit and Tamil, the religious narratives from the Sanskrit epics and the Puranas, iconographic canons that form a part of the religious texts known as the Agamas, written in Sanskrit, the court literature of the early mediaeval period and the early historical Sangam Tamil literature, apart from the archaeological material from the Indian peninsula. The author focuses particularly on exploring the ideas of power current in the society that created the narrative iconography of the period and the region studied.
Opening Kailasanatha
Author: Padma Kaimal
Publisher: University of Washington Press
ISBN: 0295747781
Category : History
Languages : en
Pages : 290
Book Description
Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.
Publisher: University of Washington Press
ISBN: 0295747781
Category : History
Languages : en
Pages : 290
Book Description
Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.
The Golden Road
Author: William Dalrymple
Publisher: Bloomsbury Publishing
ISBN: 1408864444
Category : History
Languages : en
Pages : 446
Book Description
FROM THE AWARD-WINNING, BESTSELLING AUTHOR AND CO-HOST OF THE CHART-TOPPING EMPIRE PODCAST – A REVOLUTIONARY NEW HISTORY OF THE DIFFUSION OF INDIAN IDEAS 'A master storyteller' Sunday Times 'Richly woven, highly readable ... Written with passion and verve' Spectator 'A more masterful and accessible survey ... would be hard to find ... Enthralling' Literary Review India is the forgotten heart of the ancient world For a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific. William Dalrymple draws from a lifetime of scholarship to highlight India's oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of China, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), India transformed the culture and technology of its ancient world – and our world today as we know it. Praise for William Dalrymple and The Anarchy 'A superb historian with a visceral understanding of India' The Times 'Magnificently readable, deeply researched and richly atmospheric' Francis Wheen, Mail on Sunday
Publisher: Bloomsbury Publishing
ISBN: 1408864444
Category : History
Languages : en
Pages : 446
Book Description
FROM THE AWARD-WINNING, BESTSELLING AUTHOR AND CO-HOST OF THE CHART-TOPPING EMPIRE PODCAST – A REVOLUTIONARY NEW HISTORY OF THE DIFFUSION OF INDIAN IDEAS 'A master storyteller' Sunday Times 'Richly woven, highly readable ... Written with passion and verve' Spectator 'A more masterful and accessible survey ... would be hard to find ... Enthralling' Literary Review India is the forgotten heart of the ancient world For a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific. William Dalrymple draws from a lifetime of scholarship to highlight India's oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of China, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), India transformed the culture and technology of its ancient world – and our world today as we know it. Praise for William Dalrymple and The Anarchy 'A superb historian with a visceral understanding of India' The Times 'Magnificently readable, deeply researched and richly atmospheric' Francis Wheen, Mail on Sunday
Studies in Indian Epigraphy
Author:
Publisher:
ISBN:
Category : India
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 224
Book Description
Gateway - Social Studies
Author:
Publisher: Pearson Education India
ISBN: 9788131702499
Category :
Languages : en
Pages : 116
Book Description
Publisher: Pearson Education India
ISBN: 9788131702499
Category :
Languages : en
Pages : 116
Book Description