Magyar or Hungarian Gypsy Songs PDF Download
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Author: Laura Alexandrine Smith
Publisher: Read Books Ltd
ISBN: 1473358450
Category : Music
Languages : en
Pages : 56
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Book Description
Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Laura Alexandrine Smith
Publisher: Read Books Ltd
ISBN: 1473358450
Category : Music
Languages : en
Pages : 56
Get Book
Book Description
Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Bálint Sárosi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 340
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Book Description
Author: Steve Piskor
Publisher: Lulu.com
ISBN: 0578099896
Category : History
Languages : en
Pages : 246
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Book Description
The book is a documented history of Hungarian-Slovak Gypsies that came to America over 120 years ago, they brought to America the traditional Hungarian Gypsy music they and their ancestors played in Europe for hundreds of years. They are directly linked to Europe's finest Gypsy musicians. From the villages of Hungary, this music was brought to America to make our hearts sing. It is part of world roots music. Piskor tells us, using words and striking photographs, the inside story about his Gypsy family and friends, and warns us of cultural treasures we may be losing. --Professor Steve Balkin, Roosevelt University I encourage you to acquire a book long overdue when concerning American-Hungarian music. Gypsy Violins is a significant historical document for anyone who has danced or listened to a cs rd s or any other Magyar folk music. --Tibor Check Jr. William Penn Life Magazine Congratulations on your new book! Incredibly valuable. --Professor Ian Hancock Ph.D.
Author: Laura Alexandrine Smith
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 262
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Book Description
Author: Shay Loya
Publisher: University Rochester Press
ISBN: 1580463231
Category : Music
Languages : en
Pages : 364
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Book Description
Transcultural modernism -- Verbunkos -- Identity, nationalism, and modernism -- Modernism and authenticity -- Listening to transcultural tonal practices -- The verbunkos idiom in the music of the future -- Idiomatic lateness
Author: Lynn M. Hooker
Publisher: Oxford University Press
ISBN: 0199739595
Category : History
Languages : en
Pages : 321
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Book Description
In the early twentieth century, Bela Bartók and his circle argued for a new definition of "Hungarianness," one which centered around folksong rather than the "Hungarian-Gypsy" style relied upon by Franz Liszt and his contemporaries. This book traces the historical process that defined the conventions of Hungarian-Gypsy style, and reveals through this decades-long debate what it meant to be Hungarian, European, and modern.
Author: Zoltan Kodaly
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 216
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Book Description
Author: JERRY SILVERMAN
Publisher: Mel Bay Publications
ISBN: 1610650514
Category : Music
Languages : en
Pages : 96
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Book Description
This book presents 53 vibrant, passionate songs transliterated from Russian and Hungarian to singable English. You'll dance! You'll weep! for voice and piano in guitar-friendly keys with suggested guitar chords. Illustrated with period photographs and artwork. Standard notation.
Author: Laura Alexandrine Smith
Publisher:
ISBN:
Category : Ballads, Romani
Languages : en
Pages : 260
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Book Description
Author: David E. Schneider
Publisher: Univ of California Press
ISBN: 0520932056
Category : Music
Languages : en
Pages : 321
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Book Description
It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer’s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók’s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer’s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók’s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.
