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Author: John Phillip Short
Publisher: Cornell University Press
ISBN: 0801468221
Category : History
Languages : en
Pages : 249
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Book Description
Magic Lantern Empire examines German colonialism as a mass cultural and political phenomenon unfolding at the center of a nascent, conflicted German modernity. John Phillip Short draws together strands of propaganda and visual culture, science and fantasy to show how colonialism developed as a contested form of knowledge that both reproduced and blurred class difference in Germany, initiating the masses into a modern market worldview. A nuanced account of how ordinary Germans understood and articulated the idea of empire, this book draws on a diverse range of sources: police files, spy reports, pulp novels, popular science writing, daily newspapers, and both official and private archives. In Short’s historical narrative—peopled by fantasists and fabulists, by impresarios and amateur photographers, by ex-soldiers and rank-and-file socialists, by the luckless and bored along the margins of German society—colonialism emerges in metropolitan Germany through a dialectic of science and enchantment within the context of sharp class conflict. He begins with the organized colonial movement, with its expert scientific and associational structures and emphatic exclusion of the "masses." He then turns to the grassroots colonialism that thrived among the lower classes, who experienced empire through dime novels, wax museums, and panoramas. Finally, he examines the ambivalent posture of Germany’s socialists, who mounted a trenchant critique of colonialism, while in their reading rooms workers spun imperial fantasies. It was from these conflicts, Short argues, that there first emerged in the early twentieth century a modern German sense of the global.
Author: John Phillip Short
Publisher: Cornell University Press
ISBN: 0801468221
Category : History
Languages : en
Pages : 249
Get Book Here
Book Description
Magic Lantern Empire examines German colonialism as a mass cultural and political phenomenon unfolding at the center of a nascent, conflicted German modernity. John Phillip Short draws together strands of propaganda and visual culture, science and fantasy to show how colonialism developed as a contested form of knowledge that both reproduced and blurred class difference in Germany, initiating the masses into a modern market worldview. A nuanced account of how ordinary Germans understood and articulated the idea of empire, this book draws on a diverse range of sources: police files, spy reports, pulp novels, popular science writing, daily newspapers, and both official and private archives. In Short’s historical narrative—peopled by fantasists and fabulists, by impresarios and amateur photographers, by ex-soldiers and rank-and-file socialists, by the luckless and bored along the margins of German society—colonialism emerges in metropolitan Germany through a dialectic of science and enchantment within the context of sharp class conflict. He begins with the organized colonial movement, with its expert scientific and associational structures and emphatic exclusion of the "masses." He then turns to the grassroots colonialism that thrived among the lower classes, who experienced empire through dime novels, wax museums, and panoramas. Finally, he examines the ambivalent posture of Germany’s socialists, who mounted a trenchant critique of colonialism, while in their reading rooms workers spun imperial fantasies. It was from these conflicts, Short argues, that there first emerged in the early twentieth century a modern German sense of the global.
Author: Adam A. Blackler
Publisher: Penn State Press
ISBN: 0271093811
Category : History
Languages : en
Pages : 282
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Book Description
At the turn of the twentieth century, depictions of the colonized world were prevalent throughout the German metropole. Tobacco advertisements catered to the erotic gaze of imperial enthusiasts with images of Ovaherero girls, and youth magazines allowed children to escape into “exotic domains” where their imaginations could wander freely. While racist beliefs framed such narratives, the abundance of colonial imaginaries nevertheless compelled German citizens and settlers to contemplate the world beyond Europe as a part of their daily lives. An Imperial Homeland reorients our understanding of the relationship between imperial Germany and its empire in Southwest Africa (present-day Namibia). Colonialism had an especially significant effect on shared interpretations of the Heimat (home/homeland) ideal, a historically elusive perception that conveyed among Germans a sense of place through national peculiarities and local landmarks. Focusing on colonial encounters that took place between 1842 and 1915, Adam A. Blackler reveals how Africans confronted foreign rule and altered German national identity. As Blackler shows, once the façade of imperial fantasy gave way to colonial reality, German metropolitans and white settlers increasingly sought to fortify their presence in Africa using juridical and physical acts of violence, culminating in the first genocide of the twentieth century. Grounded in extensive archival research, An Imperial Homeland enriches our understanding of German identity, allowing us to see how a distant colony with diverse ecologies, peoples, and social dynamics grew into an extension of German memory and tradition. It will be of interest to German Studies scholars, particularly those interested in colonial Africa.
Author: Alec Nevala-Lee
Publisher: Penguin
ISBN: 1101627700
Category : Fiction
Languages : en
Pages : 418
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Book Description
An electrifying mystery that will draw one woman into a global conspiracy—and into the sights of one of the most dangerous men in the world... Maddy Blume is a survivor. Years ago, while working as an art analyst in New York, she was changed forever by an encounter with Ilya Severin, the thief and former assassin once known as the Scythian. Now, in London, she is presented with an unusual proposition: to go undercover as an art consultant to a Russian oil billionaire suspected of channeling profits to military intelligence. As Maddy grows closer to her new boss, however, she discovers that his ambitions extend far beyond natural resources. He is out to shape the future of Russia on a massive scale, using the secret of the mythical empire of Shambhala in a quest that will lead Maddy on a violent odyssey across Europe and to the far edge of the Black Sea. Yet her involvement has not gone unnoticed. Not by the secret police. Not by her employer’s rivals. And least of all by the Scythian himself...
Author: Elisa deCourcy
Publisher: Routledge
ISBN: 1000209873
Category : Art
Languages : en
Pages : 199
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Book Description
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.
Author: Nile Green
Publisher: W. W. Norton & Company
ISBN: 1324002425
Category : History
Languages : en
Pages : 392
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Book Description
A rollicking story of two literary fabulists who revealed the West’s obsession with a fabricated, exotic East. In the highbrow literary circles of the mid-twentieth century, a father and son spread seductive accounts of a mystical Middle East. Claiming to come from Afghanistan, Ikbal and Idries Shah parlayed their assumed identities into careers full of drama and celebrity, writing dozens of books that influenced the political and cultural elite. Pitching themselves as the authentic voice of the Muslim world, they penned picaresque travelogues and exotic potboilers alongside weighty tomes on Islam and politics. Above all, father and son told Western readers what they wanted to hear: audacious yarns of eastern adventure and harmless Sufi mystics—myths that, as the century wore on and the Taliban seized power, became increasingly detached from reality. Empire’s Son, Empire’s Orphan follows the Shahs from their origins in colonial India to literary London, wartime Oxford, and counterculture California via the Levant, the League of Nations, and Latin America. Nile Green unravels the conspiracies and pseudonyms, fantastical pasts and self-aggrandizing anecdotes, high stakes and bold schemes that for nearly a century painted the defining portrait of Afghanistan. Ikbal and Idries convinced poets, spies, orientalists, diplomats, occultists, hippies, and even a prime minister that they held the key to understanding the Islamic world. From George Orwell directing Muslim propaganda to Robert Graves translating a fake manuscript of Omar Khayyam and Doris Lessing supporting jihad, Green tells the fascinating tale of how the book world was beguiled by the dream of an Afghan Shangri-La that never existed. Gambling with the currency of cultural authenticity, Ikbal and Idries became master players of the great game of empire and its aftermath. Part detective story, part intellectual folly, Empire’s Son, Empire’s Orphan reveals the divergence between representation and reality, between what we want to believe and the more complex truth.
Author: Mike Chasar
Publisher: Columbia University Press
ISBN: 0231548087
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
It’s become commonplace in contemporary culture for critics to proclaim the death of poetry. Poetry, they say, is no longer relevant to the modern world, mortally wounded by the emergence of new media technologies. In Poetry Unbound, Mike Chasar rebuts claims that poetry has become a marginal art form, exploring how it has played a vibrant and culturally significant role by adapting to and shaping new media technologies in complex, unexpected, and powerful ways. Beginning with the magic lantern and continuing through the dominance of the internet, Chasar follows poetry’s travels off the page into new media formats, including silent film, sound film, and television. Mass and nonprint media have not stolen poetry’s audience, he contends, but have instead given people even more ways to experience poetry. Examining the use of canonical as well as religious and popular verse forms in a variety of genres, Chasar also traces how poetry has helped negotiate and legitimize the cultural status of emergent media. Ranging from Citizen Kane to Leave It to Beaver to best-selling Instapoet Rupi Kaur, this book reveals poetry’s ability to find new audiences and meanings in media forms with which it has often been thought to be incompatible. Illuminating poetry’s surprising multimedia history, Poetry Unbound offers a new paradigm for understanding poetry’s still evolving place in American culture.
Author: H. Carey
Publisher: Springer
ISBN: 0230228720
Category : History
Languages : en
Pages : 356
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Book Description
A sparkling new collection on religion and imperialism, covering Ireland and Britain, Australia, Canada, the Cape Colony and New Zealand, Botswana and Madagascar. Bursting with accounts of lively characters and incidents from around the British world, this collection is essential reading for all students of religious and imperial history.
Author: Timothy Garton Ash
Publisher: Vintage
ISBN: 0307756823
Category : History
Languages : en
Pages : 191
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Book Description
The Magic Lantern is one of those rare books that define a historic moment, written by a brilliant witness who was also a participant in epochal events. Whether covering Poland’s first free parliamentary elections—in which Solidarity found itself in the position of trying to limit the scope of its victory—or sitting in at the meetings of an unlikely coalition of bohemian intellectuals and Catholic clerics orchestrating the liberation of Czechoslovakia, Garton Ash writes with enormous sympathy and power. This book is a stunningly evocative portrait of the revolutions that swept Communism from Eastern Europe in 1989 and whose aftereffects are still being felt today. As Garton Ash writes in an incisive new afterword, from the perspective of three decades later: “Freedom’s battle is never finally won. It must be fought anew in every generation.”
Author: Heidi J. S. Tworek
Publisher: Harvard University Press
ISBN: 0674240731
Category : History
Languages : en
Pages : 345
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Book Description
Winner of the Barclay Book Prize, German Studies Association Winner of the Gomory Prize in Business History, American Historical Association and the Alfred P. Sloan Foundation Winner of the Fraenkel Prize, Wiener Library for the Study of Holocaust and Genocide Honorable Mention, European Studies Book Award, Council for European Studies To control information is to control the world. This innovative history reveals how, across two devastating wars, Germany attempted to build a powerful communication empire—and how the Nazis manipulated the news to rise to dominance in Europe and further their global agenda. Information warfare may seem like a new feature of our contemporary digital world. But it was just as crucial a century ago, when the great powers competed to control and expand their empires. In News from Germany, Heidi Tworek uncovers how Germans fought to regulate information at home and used the innovation of wireless technology to magnify their power abroad. Tworek reveals how for nearly fifty years, across three different political regimes, Germany tried to control world communications—and nearly succeeded. From the turn of the twentieth century, German political and business elites worried that their British and French rivals dominated global news networks. Many Germans even blamed foreign media for Germany’s defeat in World War I. The key to the British and French advantage was their news agencies—companies whose power over the content and distribution of news was arguably greater than that wielded by Google or Facebook today. Communications networks became a crucial battleground for interwar domestic democracy and international influence everywhere from Latin America to East Asia. Imperial leaders, and their Weimar and Nazi successors, nurtured wireless technology to make news from Germany a major source of information across the globe. The Nazi mastery of global propaganda by the 1930s was built on decades of Germany’s obsession with the news. News from Germany is not a story about Germany alone. It reveals how news became a form of international power and how communications changed the course of history.
Author: Kirsten Belgum
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110696622
Category : Social Science
Languages : en
Pages : 453
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Book Description
Recent years have seen a wealth of new scholarship on the history of photography, cinema, digital media, and video games, yet less attention has been devoted to earlier forms of visual culture. The nineteenth century witnessed a dramatic proliferation of new technologies, devices, and print processes, which provided growing audiences with access to more visual material than ever before. This volume brings together the best aspects of interdisciplinary scholarship to enhance our understanding of the production, dissemination, and consumption of visual media prior to the predominance of photographic reproduction. By setting these examples against the backdrop of demographic, educational, political, commercial, scientific, and industrial shifts in Central Europe, these essays reveal the diverse ways that innovation in visual culture affected literature, philosophy, journalism, the history of perception, exhibition culture, and the representation of nature and human life in both print and material culture in local, national, transnational, and global contexts.
