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Author: Gwen Allen
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
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Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Author: Gwen Allen
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
Get Book Here
Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 564
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Book Description
Author: Pamela Franks
Publisher: Yale University Press
ISBN: 9780300094527
Category : Art
Languages : en
Pages : 143
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Book Description
The Tiger's Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tiger's Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, André Masson, Pablo Picasso, Mark Rothko, Anne Ryan, Kay Sage, Kurt Seligmann, Rufino Tamayo, and Mark Tobey, as well as art editor and co-publisher John Stephan himself, range across the cultural forefront of the post-war period. This handsome book presents numerous examples of the art, writings, and pages of the magazine, using it as a lens through which to view the art world during these richly creative years when its center was shifting from Paris to New York. Also included is an essay tracing the history of the magazine, along with an annotated index of its contributors. Lavishly produced as an homage to the format, striking design, and structural devices of The Tiger's Eye, the resultant volume will not only contribute to our understanding of postwar art history but will itself illuminate every aspect of this complex publication.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 454
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Mark Evanier
Publisher: Watson-Guptill
ISBN: 9780823030804
Category : Art
Languages : en
Pages : 302
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Book Description
A fiftieth anniversary tribute to MAD Magazine celebrates famous cartoon figures from its "Usual Gang of Idiots," in a volume that features rare sketches and interviews with veteran MAD artists and writers. Original.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Author: Walter Robinson
Publisher:
ISBN: 9780991558575
Category : Art
Languages : en
Pages : 0
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Book Description
This facsimile edition collects all 19 issues of 'Art-Rite' magazine, edited by art critics Walter Robinson and Edit DeAk from 1973 to 1978. Robinson, DeAk and a third editor, Joshua Cohn, met as art history students at Columbia University, and were inspired to found the magazine by their art criticism teacher, Brian O'Doherty. 'Art-Rite', cheaply produced on newsprint, served as an important alternative to the established art magazines of the period. 'Art-Rite' ran for only five years, and published only 19 issues. But in that time the magazine featured contributions from hundreds of artists, a list that now reads like a who's-who of 1970s art: Yvonne Rainer, Gordon Matta-Clark, Alan Vega (Suicide), William Wegman, Nancy Holt, Jack Smith, Dorothea Rockburne, Robert Morris, Adrian Piper, Laurie Anderson, Carolee Schneemann and Carl Andre; critics such as Lucy Lippard contributed writing. Through its single-artist issues and its thematic issues on performance, video and artists' books, 'Art-Rite' championed the new art of its era.
Author: Steven Heller
Publisher: Chronicle Books (CA)
ISBN:
Category : Art
Languages : en
Pages : 158
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Book Description
Uncle Sam. The Gibson Girl. Some of America's most memorable images made their debuts on the covers of magazines. During the Golden Age of the American magazine cover, the corner newsstand was a veritable gallery for some of the country's leading illustrators, artists, and cartoonists. This volume showcases over 200 remarkable covers from publications as diverse as Saturday Evening Post, Harper's Bazaar, Fortune, Good Housekeeping, and Vanity Fair. 280 color illustrations.
Author: Charlotte Rivers
Publisher: Rockport Publishers
ISBN: 9782888930648
Category : Design
Languages : en
Pages : 160
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Book Description
Part of the successful Art series, Mag-Art looks at an international collection of innovative graphic design within the continually developing area of print magazine design and packaging. From mass-market to exclusive, limited edition magazines, Mag-Art explores both the creative inspiration behind the work—the artwork and photography, typography, paper stock and materials, printing techniques, finishes, and formats—and the practical considerations of magazine production—inclusion of essential advertisements, navigation, credits captions, and budgets.
