Madrigals for Four Voices PDF Download
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Author: John Bennet
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 66
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Book Description
Author: John Bennet
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 66
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Book Description
Author: Thomas Morley
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 148
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Book Description
Author: John Farmer
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 114
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Book Description
Author: John Bennet
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 130
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Book Description
Author: James R. Briscoe
Publisher: Indiana University Press
ISBN: 9780253212962
Category : Music
Languages : en
Pages : 428
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Book Description
Works by women composers, including Francesca Caccini, Fanny Mendelssohn, Ethel Smyth, [et al]
Author: Edmund H. Fellowes
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 170
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Book Description
Author: George Kirbye
Publisher:
ISBN:
Category : Madrigals, English
Languages : en
Pages : 206
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Book Description
Author: H. Colin Slim
Publisher: University of Chicago Press
ISBN: 0226762726
Category : Music
Languages : en
Pages : 459
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Book Description
Transcription into modern notation of 30 motets and 30 madrigals for 4-6 voices by Verdelot and others; Latin or Italian words. Edited from part-books (4 surviving of 5), assembled in Florence ca.1528, possibly by Verdelot, and dedicated to Henry VIII of England.
Author: George Kirbye
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 206
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Book Description
Author: Susan McClary
Publisher: University of California Press
ISBN: 0520314255
Category : Music
Languages : en
Pages : 386
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Book Description
In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
